Beverley Curran
Biographic Data
| ID | 3981725 |
|---|---|
| NAME | Beverley Curran |
| GIVEN NAMES | Beverley |
| FAMILY NAME | Curran |
| SIGNATURE | CURRAN B |
| AFFILIATIONS | Aichi Shukutoku University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Multiple Translation Communities in Contemporary Japan
Theatre Translation Theory and Performance in Contemporary Japan
What motivates a Japanese translator and theatre company to translate and perform a play about racial discrimination in the American South? What happens to a 'gay' play when it is staged in a country where the performance of gender is a theatrical tradition? What are the politics of First Nations or Aboriginal theatre in Japanese translation and 'colour blind' casting? Is a Canadian nô drama that tells a story of the Japanese diaspora a performan…
Invisible Indigeneity
Invisible Indigeneity:First Nations and Aboriginal Theatre in Japanese Translation and Performance Beverley Curran (bio) Abstract This paper will investigate the politics of theatre translation and translation theatre at work in the recent Rakutendan productions of The Rez Sisters and Up the Ladder, in order to suggest how indigenous theatre travels and is transformed by different bodies, languages, and audiences. The essay begins with a brief hi…
Critical Journals
(2000). Critical Journals: Theory and the Diary in Nicole Brossard and Daphne Marlatt. a/b: Auto/Biography Studies: Vol. 15, Autobiographical Que(e)ries, pp. 123-140
Critical Journals
(2000). Critical Journals: Theory and the Diary in Nicole Brossard and Daphne Marlatt. a/b: Auto/Biography Studies: Vol. 15, Autobiographical Que(e)ries, pp. 123-140
Critical Journals
(2000). Critical Journals: Theory and the Diary in Nicole Brossard and Daphne Marlatt. a/b: Auto/Biography Studies: Vol. 15, Autobiographical Que(e)ries, pp. 123-140
Invisible Indigeneity
Invisible Indigeneity:First Nations and Aboriginal Theatre in Japanese Translation and Performance Beverley Curran (bio) Abstract This paper will investigate the politics of theatre translation and translation theatre at work in the recent Rakutendan productions of The Rez Sisters and Up the Ladder, in order to suggest how indigenous theatre travels and is transformed by different bodies, languages, and audiences. The essay begins with a brief hi…
Theatre Translation Theory and Performance in Contemporary Japan
What motivates a Japanese translator and theatre company to translate and perform a play about racial discrimination in the American South? What happens to a 'gay' play when it is staged in a country where the performance of gender is a theatrical tradition? What are the politics of First Nations or Aboriginal theatre in Japanese translation and 'colour blind' casting? Is a Canadian nô drama that tells a story of the Japanese diaspora a performan…
Multiple Translation Communities in Contemporary Japan
History (2 works) · Japan (2 works) · Linguistics (2 works) · Philosophy (2 works) · Theatre and Performance Studies (2 works) · Translation Studies and Practices (2 works) · 20th century (1 works) · Aesthetics (1 works) · Alphabets & Writing Systems (1 works) · Appropriation (1 works)