Lara D Nielsen
Biographic Data
| ID | 3981839 |
|---|---|
| NAME | Lara D Nielsen |
| GIVEN NAMES | Lara D |
| FAMILY NAME | Nielsen |
| SIGNATURE | NIELSEN L D |
| AFFILIATIONS | Macalester College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
So Close to Burning
When the display of documentary images attenuates solo performance, photography and other documentary media do not simply supply historical evidence; they tell stories about, interpret, and delimit horizons of interpretation, rather than “prove” it. The pageantry of archival recorded images in documentary performance supplies a silent if also resounding kind of intermedia genre that plays in relationship to the staged monologues of solo performan…
Neoliberalism and Global Theatres
How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organ
Institutionalizing Ensembles
Prior to recent U.S.-based work about the performance rituals of state killing and “the NEA 4,” Theatre and Performance research demonstrates extensive negotiations with and about “law as a preservative of terror” that in 1966 Theodor Adorno calls “the primal phenomenon of irrational rationality.” Currently, the field shows active interest in three inter-related arenas invoking the practices of “the law's” authorizations. The first involves perfo…
Charlie Victor Romeo (review)
Reviewed by: Charlie Victor Romeo Lara D. Nielsen Charlie Victor Romeo. Created by Bob Berger, Patrick Daniels, and Irving Gregory of Collective: Unconscious. Directed by Irving Gregory. P.S. 122, New York City. 15062004. Charlie Victor Romeo is a shortwave handle for "CVR" in a system of phonetic spelling all pilots and radio amateurs use to designate call signs and location, a Federal Communications Commission (FCC) identification system that s…
Garbage, gone
Negotiating Performance
Reviewed by: Negotiating Performance: Gender, Sexuality & Theatricality in Latina/o America, and: El Teatro Campesino: Theater in the Chicano Movement, and: ¡Teatro Hispano! Three Major New York Companies Lara D. Nielsen Negotiating Performance: Gender, Sexuality & Theatricality in Latina/o America. Edited by Diana Taylor and Juan Villegas. Durham, NC: Duke University Press, 1994; pp. 347. $54.95 cloth, $18.95 paper. El Teatro Campersino: Theater…
No prominent works on this page.
Negotiating Performance
Reviewed by: Negotiating Performance: Gender, Sexuality & Theatricality in Latina/o America, and: El Teatro Campesino: Theater in the Chicano Movement, and: ¡Teatro Hispano! Three Major New York Companies Lara D. Nielsen Negotiating Performance: Gender, Sexuality & Theatricality in Latina/o America. Edited by Diana Taylor and Juan Villegas. Durham, NC: Duke University Press, 1994; pp. 347. $54.95 cloth, $18.95 paper. El Teatro Campersino: Theater…
Garbage, gone
Charlie Victor Romeo (review)
Reviewed by: Charlie Victor Romeo Lara D. Nielsen Charlie Victor Romeo. Created by Bob Berger, Patrick Daniels, and Irving Gregory of Collective: Unconscious. Directed by Irving Gregory. P.S. 122, New York City. 15062004. Charlie Victor Romeo is a shortwave handle for "CVR" in a system of phonetic spelling all pilots and radio amateurs use to designate call signs and location, a Federal Communications Commission (FCC) identification system that s…
Institutionalizing Ensembles
Prior to recent U.S.-based work about the performance rituals of state killing and “the NEA 4,” Theatre and Performance research demonstrates extensive negotiations with and about “law as a preservative of terror” that in 1966 Theodor Adorno calls “the primal phenomenon of irrational rationality.” Currently, the field shows active interest in three inter-related arenas invoking the practices of “the law's” authorizations. The first involves perfo…
Neoliberalism and Global Theatres
How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organ
So Close to Burning
When the display of documentary images attenuates solo performance, photography and other documentary media do not simply supply historical evidence; they tell stories about, interpret, and delimit horizons of interpretation, rather than “prove” it. The pageantry of archival recorded images in documentary performance supplies a silent if also resounding kind of intermedia genre that plays in relationship to the staged monologues of solo performan…
Law (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Art history (3 works) · Law (3 works) · Politics (3 works) · Theatre and Performance Studies (3 works) · Drama (2 works) · History (2 works)