Marianne Schultz
Biographic Data
| ID | 3981848 |
|---|---|
| NAME | Marianne Schultz |
| GIVEN NAMES | Marianne |
| FAMILY NAME | Schultz |
| SIGNATURE | SCHULTZ M |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
"A "Harmony of Frenzy: Māori in Manhattan, 1909-10
This essay examines the "Maoris of Manhattan"-forty performers from New Zealand who imagined a race and place virtually unknown to North Americans on the world's largest stage, the New York Hippodrome. The confluence of politics, race, and gender come to the fore in this examination of contemporary expressions of popular entertainment, highlighting how performance and public discourse of Māori led to new representations of New Zealand and contrib…
‘Sons of the Empire’: Dance and the New Zealand Male
This article traces the journeys of dancing men from the stages of New Zealand to the stages of London during the twentieth century. The oft-repeated history of ‘the hard man’ of New Zealand who belonged to the ‘culture of imperial manliness’ is challenged by the stories of these men who, beginning in the 1920s with Jan Caryll, became professional dancers. I argue that within early twentieth-century New Zealand culture the opportunity existed for…
No prominent works on this page.
‘Sons of the Empire’: Dance and the New Zealand Male
This article traces the journeys of dancing men from the stages of New Zealand to the stages of London during the twentieth century. The oft-repeated history of ‘the hard man’ of New Zealand who belonged to the ‘culture of imperial manliness’ is challenged by the stories of these men who, beginning in the 1920s with Jan Caryll, became professional dancers. I argue that within early twentieth-century New Zealand culture the opportunity existed for…
"A "Harmony of Frenzy: Māori in Manhattan, 1909-10
This essay examines the "Maoris of Manhattan"-forty performers from New Zealand who imagined a race and place virtually unknown to North Americans on the world's largest stage, the New York Hippodrome. The confluence of politics, race, and gender come to the fore in this examination of contemporary expressions of popular entertainment, highlighting how performance and public discourse of Māori led to new representations of New Zealand and contrib…
Art (2 works) · Gender Studies (2 works) · History (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Anthropology (1 works) · Antipodes (1 works) · Art history (1 works)