Bryony White
Biographic Data
| ID | 3981961 |
|---|---|
| NAME | Bryony White |
| GIVEN NAMES | Bryony |
| FAMILY NAME | White |
| SIGNATURE | WHITE B |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
‘Who Cleans the Blood of the City?’
Teresa Margolles's 2009 exhibition, ¿De qué otra cosa podríamos hablar? (What Else Could We Talk About?), as part of the 53rd Venice Biennale, explored Mexico's militarized cartels, narcoviolence and the complex history of Mexico's relationship to gendered and racialized violence. Limpieza was a daily cleaning performance that worked to reproduce a crime scene; the blood used, diluted with bleach, was drawn from the crime scenes of murder victims…
Returning to The Scene of the Crime
Ana Mendieta’s Rape Scene (1973) offers a visceral exploration of sexual, gendered, and racialized violence. Mendieta’s re-enactment of the rape of Sarah Ann Ottens, creates a purposefully traumatic, “triggering” scene for her audience to discover. In “returning to the scene of the crime,” Mendieta produces a critical methodology that facilitates a more complex interaction with the traumatic aftermath of gendered and racialized violence, one that…
Queer Abstractions and Formal Revisions
Theatre, Exhibition, and Curation
Reviewed by: Theatre, Exhibition, and Curation: Displayed & Performed by Georgina Guy Bryony White THEATRE, EXHIBITION, AND CURATION: DISPLAYED & PERFORMED. By Georgina Guy. Routledge Advances in Theatre and Performance Studies. Abingdon, UK: Routledge, 2016; pp. 212. In Theatre, Exhibition, and Curation: Displayed & Performed Georgina Guy examines visual art that challenges the ontology of performance. Exploring the place of performance in the s…
No prominent works on this page.
Theatre, Exhibition, and Curation
Reviewed by: Theatre, Exhibition, and Curation: Displayed & Performed by Georgina Guy Bryony White THEATRE, EXHIBITION, AND CURATION: DISPLAYED & PERFORMED. By Georgina Guy. Routledge Advances in Theatre and Performance Studies. Abingdon, UK: Routledge, 2016; pp. 212. In Theatre, Exhibition, and Curation: Displayed & Performed Georgina Guy examines visual art that challenges the ontology of performance. Exploring the place of performance in the s…
‘Who Cleans the Blood of the City?’
Teresa Margolles's 2009 exhibition, ¿De qué otra cosa podríamos hablar? (What Else Could We Talk About?), as part of the 53rd Venice Biennale, explored Mexico's militarized cartels, narcoviolence and the complex history of Mexico's relationship to gendered and racialized violence. Limpieza was a daily cleaning performance that worked to reproduce a crime scene; the blood used, diluted with bleach, was drawn from the crime scenes of murder victims…
Returning to The Scene of the Crime
Ana Mendieta’s Rape Scene (1973) offers a visceral exploration of sexual, gendered, and racialized violence. Mendieta’s re-enactment of the rape of Sarah Ann Ottens, creates a purposefully traumatic, “triggering” scene for her audience to discover. In “returning to the scene of the crime,” Mendieta produces a critical methodology that facilitates a more complex interaction with the traumatic aftermath of gendered and racialized violence, one that…
Queer Abstractions and Formal Revisions
History (3 works) · Art (2 works) · Computer Science (2 works) · Criminology (2 works) · Exhibition (2 works) · Philosophy (2 works) · Psychology (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work)