Celine Parreã±as Shimizu
Biographic Data
| ID | 3982001 |
|---|---|
| NAME | Celine Parreã±as Shimizu |
| GIVEN NAMES | Celine Parreã±as |
| FAMILY NAME | Shimizu |
| SIGNATURE | SHIMIZU C P |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon
This essay evaluates the predominance of race panic logic when addressing Asian female hypersexuality in representation in order to counter the equation of hypersexuality as racist, antifeminist and anti-Asian American. Both authorial and spectatorial encounters in later productions of the musical Miss Saigon (1989) describe a multifaceted dynamic of bondage within terms of injury and pleasure, in relations spurred by hypersexual representations.…
The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon
This essay evaluates the predominance of race panic logic when addressing Asian female hypersexuality in representation in order to counter the equation of hypersexuality as racist, antifeminist and anti-Asian American. Both authorial and spectatorial encounters in later productions of the musical Miss Saigon (1989) describe a multifaceted dynamic of bondage within terms of injury and pleasure, in relations spurred by hypersexual representations.…
The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon
This essay evaluates the predominance of race panic logic when addressing Asian female hypersexuality in representation in order to counter the equation of hypersexuality as racist, antifeminist and anti-Asian American. Both authorial and spectatorial encounters in later productions of the musical Miss Saigon (1989) describe a multifaceted dynamic of bondage within terms of injury and pleasure, in relations spurred by hypersexual representations.…
Aesthetics (1 works) · Art (1 works) · Gender Studies (1 works) · Gender Studies (1 works) · Gender, Feminism, and Media (1 works) · History (1 works) · History (1 works) · Hypersexuality (1 works) · Media Studies and Communication (1 works) · Music History and Culture (1 works)