Millicent Hodson
Biographic Data
| ID | 3982086 |
|---|---|
| NAME | Millicent Hodson |
| GIVEN NAMES | Millicent |
| FAMILY NAME | Hodson |
| SIGNATURE | HODSON M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 1 |
Le Sacre du Printemps
Nijinsky's Choreographic Method
Nicholas Roerich, the scenarist and designer of Le Sacre du printemps for the original production, by Diaghilev's Ballets Russes, in 1913, built the ballet around the sacrifice of a young maiden. As the climax to a series of ritual tasks by members of an archaic tribe, the Chosen Maiden dances herself to death to assure the return of Spring. In the logic of the rite her sacrifice is seen as a marriage with Yarilo, the sun deity of pre-Christian S…
Ritual Design in the New Dance
The first part of my article ('Ritual Design in the New Dance: Nijinsky's Le Sacre du Printemps', Dance Research, Vol. III, No. 2, Summer 1985, pp. 35-45), endeavoured to share the shock of recognition I have experienced during my reconstruction of the choreography for this ballet. This part of the article examines some of Nijinsky's sources and suggests that his way of working with them evinced a method that could, I think, serve choreographers …
Nijinsky's Choreographic Method
Nicholas Roerich, the scenarist and designer of Le Sacre du printemps for the original production, by Diaghilev's Ballets Russes, in 1913, built the ballet around the sacrifice of a young maiden. As the climax to a series of ritual tasks by members of an archaic tribe, the Chosen Maiden dances herself to death to assure the return of Spring. In the logic of the rite her sacrifice is seen as a marriage with Yarilo, the sun deity of pre-Christian S…
Ritual Design in the New Dance
The first part of my article ('Ritual Design in the New Dance: Nijinsky's Le Sacre du Printemps', Dance Research, Vol. III, No. 2, Summer 1985, pp. 35-45), endeavoured to share the shock of recognition I have experienced during my reconstruction of the choreography for this ballet. This part of the article examines some of Nijinsky's sources and suggests that his way of working with them evinced a method that could, I think, serve choreographers …
Nijinsky's Choreographic Method
Nicholas Roerich, the scenarist and designer of Le Sacre du printemps for the original production, by Diaghilev's Ballets Russes, in 1913, built the ballet around the sacrifice of a young maiden. As the climax to a series of ritual tasks by members of an archaic tribe, the Chosen Maiden dances herself to death to assure the return of Spring. In the logic of the rite her sacrifice is seen as a marriage with Yarilo, the sun deity of pre-Christian S…
Le Sacre du Printemps
Art (3 works) · Art history (2 works) · Ballet (2 works) · Choreography (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Musicology and Musical Analysis (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works) · Anthropology (1 works)