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Eileen Blumenthal

Biographic Data

ID3982111
NAMEEileen Blumenthal
GIVEN NAMESEileen
FAMILY NAMEBlumenthal
SIGNATUREBLUMENTHAL E
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR1986
H-INDEX1
  • Vancouver's First Asia Pacific Festival

    Eileen Blumenthal•ARTICLE•Asian Theatre Journal•1986

    Boy, there sure are some exotic-looking people here, said one Canadian, as men wearing black sarongs and brocade udeng head-wraps walked into the formal banquet opening Vancouver's first Asia Pacific Festival on June 7, 1985. One of the festival performers from Bali, seeing the place full of Westerners like the people who visit his country, exclaimed, There sure are a lot of tourists here. During the next week, such people had the chance to get b…

  • Joseph Chaikin: Exploring at the Boundaries of Theatre

    Gerald Rabkin, Eileen Blumenthal•ARTICLE•Performing Arts Journal•1985

  • Joseph Chaikin

    Gerald Lee Ratliff, Eileen Blumenthal•ARTICLE•Theatre Journal•1985

  • The Solo Performances of Winston Tong

    Open Access•Eileen Blumenthal•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    Winston Tong's solo theatre works—he has created more than half a dozen—meld widely divergent forms and sensibilities: his extreme economy of means is akin to types of traditional Chinese theatre; his use of puppets, dolls, and silhouettes recalls elements of Japanese Bunraku and Javanese shadow puppets; and his startling, pervasive eroticism has roots in nineteenth century French Symbolism. “A Rimbaud,” which dates from 1976, Is a phantasmagory …

  • The Life in a Sound

    Open Access•Andrei Serban, Eileen Blumenthal•ARTICLE•The Drama Review TDR•1976

    We attempt to create a sound—a sound which grows and turns into a cry. We try to find the energy which produces this action and to become aware of it. I see the sound as an image. I see what is enclosed in it—a column of air trying to break open. In the effort to produce the cry I attempt to replace heaviness with spontaneous vitality. The cry becomes either an expression of freedom and awakening or a sign of imprisonment; it all depends on how t…

  • The Solo Performances of Winston Tong

    Open Access•Eileen Blumenthal•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    Winston Tong's solo theatre works—he has created more than half a dozen—meld widely divergent forms and sensibilities: his extreme economy of means is akin to types of traditional Chinese theatre; his use of puppets, dolls, and silhouettes recalls elements of Japanese Bunraku and Javanese shadow puppets; and his startling, pervasive eroticism has roots in nineteenth century French Symbolism. “A Rimbaud,” which dates from 1976, Is a phantasmagory …

  • The Life in a Sound

    Open Access•Andrei Serban, Eileen Blumenthal•ARTICLE•The Drama Review TDR•1976

    We attempt to create a sound—a sound which grows and turns into a cry. We try to find the energy which produces this action and to become aware of it. I see the sound as an image. I see what is enclosed in it—a column of air trying to break open. In the effort to produce the cry I attempt to replace heaviness with spontaneous vitality. The cry becomes either an expression of freedom and awakening or a sign of imprisonment; it all depends on how t…

  • The Solo Performances of Winston Tong

    Open Access•Eileen Blumenthal•ARTICLE•The Drama Review TDR•1979•Cited by: 1

    Winston Tong's solo theatre works—he has created more than half a dozen—meld widely divergent forms and sensibilities: his extreme economy of means is akin to types of traditional Chinese theatre; his use of puppets, dolls, and silhouettes recalls elements of Japanese Bunraku and Javanese shadow puppets; and his startling, pervasive eroticism has roots in nineteenth century French Symbolism. “A Rimbaud,” which dates from 1976, Is a phantasmagory …

  • Joseph Chaikin: Exploring at the Boundaries of Theatre

    Gerald Rabkin, Eileen Blumenthal•ARTICLE•Performing Arts Journal•1985

  • Joseph Chaikin

    Gerald Lee Ratliff, Eileen Blumenthal•ARTICLE•Theatre Journal•1985

  • Vancouver's First Asia Pacific Festival

    Eileen Blumenthal•ARTICLE•Asian Theatre Journal•1986

    Boy, there sure are some exotic-looking people here, said one Canadian, as men wearing black sarongs and brocade udeng head-wraps walked into the formal banquet opening Vancouver's first Asia Pacific Festival on June 7, 1985. One of the festival performers from Bali, seeing the place full of Westerners like the people who visit his country, exclaimed, There sure are a lot of tourists here. During the next week, such people had the chance to get b…

Art (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Psychology (2 works) · Theatre and Performance Studies (2 works) · Acoustics (1 works) · Action (physics (1 works) · Alienation (1 works)

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