Noel Maloney
Biographic Data
| ID | 3983944 |
|---|---|
| NAME | Noel Maloney |
| GIVEN NAMES | Noel |
| FAMILY NAME | Maloney |
| SIGNATURE | MALONEY N |
| AFFILIATIONS | La Trobe University |
| ORCID | 0000-0001-8862-6435 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Australian screenwriting
Australian screen storytelling is in a state of crisis. Culturally relevant stories that reflect the sensibility of Australians are disappearing from our television and cinema screens and rarely appear on the streamers. This has occurred while government ministers proclaim Australian stories are essential to well-being, social cohesion, and nation-building. In this article we argue that underlying the quantitative drop in Australian drama is a mo…
Collective identities in Ted Wilson’s autofiction film, Under the Cover of Cloud
Autofictional cinema is broadly understood as a genre of filmmaking that unsettles the generic limits of documentary and fiction film by using the director as subject [Forné and López-Gay 2022. “Autofiction and Film: Archival Practices in Postmillennial Documentary Cinema in Argentina and Spain.” In The Autofictional: Approaches, Affordances, Forms, edited by Alexandra Effe, and Hannie Lawlor, 1–18. London: Palgrave Macmillan]. This article exami…
States of upheaval
Disruptive poetics in The Five Provocations
The Five Provocations (2018), Angie Black’s debut low-budget, independent feature film, began production without a script. Free from the requirements of development funding and operating with what she described as a ‘no budget’ model, Black worked with her actors to develop characters and stories in an extended period of improvisation. While improvisation in low budget, independent cinema is not new, Black’s film distinguishes itself in several w…
No prominent works on this page.
Disruptive poetics in The Five Provocations
The Five Provocations (2018), Angie Black’s debut low-budget, independent feature film, began production without a script. Free from the requirements of development funding and operating with what she described as a ‘no budget’ model, Black worked with her actors to develop characters and stories in an extended period of improvisation. While improvisation in low budget, independent cinema is not new, Black’s film distinguishes itself in several w…
States of upheaval
Collective identities in Ted Wilson’s autofiction film, Under the Cover of Cloud
Autofictional cinema is broadly understood as a genre of filmmaking that unsettles the generic limits of documentary and fiction film by using the director as subject [Forné and López-Gay 2022. “Autofiction and Film: Archival Practices in Postmillennial Documentary Cinema in Argentina and Spain.” In The Autofictional: Approaches, Affordances, Forms, edited by Alexandra Effe, and Hannie Lawlor, 1–18. London: Palgrave Macmillan]. This article exami…
Australian screenwriting
Australian screen storytelling is in a state of crisis. Culturally relevant stories that reflect the sensibility of Australians are disappearing from our television and cinema screens and rarely appear on the streamers. This has occurred while government ministers proclaim Australian stories are essential to well-being, social cohesion, and nation-building. In this article we argue that underlying the quantitative drop in Australian drama is a mo…
Sociology (3 works) · Art (2 works) · Artistic and Creative Research (2 works) · Narrative (2 works) · Political science (2 works) · Aesthetics (1 works) · Art history (1 works) · Autobiographical and Biographical Writing (1 works) · Cloud computing (1 works) · Critical Theory and Political Philosophy (1 works)