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Erin Haney

Biographic Data

ID3989080
NAMEErin Haney
GIVEN NAMESErin
FAMILY NAMEHaney
SIGNATUREHANEY E
AFFILIATIONSNational Museum of African Art, Smithsonian Institution, [email protected]
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS15
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Dietary quality of school meals and packed lunches

    Open Access•Erin Haney, Jennie C Parnham et al.•ARTICLE•Public Health Nutrition•2023

    Objective: School lunches represent a key opportunity to improve diets and health of schoolchildren. No recent nationally representative studies have examined the nutritional differences between school meals and packed lunches in the UK. This study aimed to characterise and compare the nutritional quality of school meals and packed lunches among primary and secondary school-age children. Design: A pooled cross-sectional analysis of the UK’s Natio…

  • Vital Signs

    Erin Haney, Jennifer Bajorek•CHAPTER•African Photographic Archive•2020

    In this chapter, the authors provide an overview of some of the trends before turning to detail a series of creative and forward-looking initiatives in Africa from which they, along with scholars and activists all over the world, are drawing inspiration now. At the turn of the twenty-first century, a number of respected institutions with significant holdings of photography entered into an exciting phase of archival experimentation. Exhibitions in…

  • Priya Ramrakha’s lost futures

    Erin Haney•ARTICLE•Visual Studies•2018

    Kenyan photographer Priya Ramrakha (1935–1968) has come to recent attention with the recovery of his vast archive in Nairobi. Ramrakha was among the first generation of African photojournalists to cover the continent’s anti-colonial and independence movements, as well as photographing in the US and Europe. He depicted young Kenyans protesting colonial rule, an emerging iconography of leaders and activists in Kenya in the late 1950s, the civil rig…

  • Going to Sea

    Erin Haney•ARTICLE•Visual Anthropology•2014•Cited by: 2•References: 5

    This essay traces the relationships between photography, migration and image-politics of work and labor in Ghana in the era of abolition. Concerns over who could move and work on their own behalf informed shifting senses of personhood and class; these were negotiated changes that inform the rapid proliferation of photographic audiences. In this case the fragmentary photographic records are expanded by oral history accounts and other public memori…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Cited by: 5•References: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • Portraiture and Photography in Africa

    John Peffer, Elisabeth L Cameron et al.•BOOK•Portraiture and Photography in…•2013

    The cultural, social, and political practice of portraiture

  • C'est une période de transformation fébrile

    Jennifer Bajorek, Erin Haney et al.•ARTICLE•Africultures•2012

  • Film, Charcoal, Time

    Erin Haney•ARTICLE•History of Photography•2010•Cited by: 6

    As photography was taken up in the entrepôts of nineteenth-century west Africa, among them Cape Coast and Accra, it became a primary mode of portraiture. When considered alongside colonial-era holdings in European and US archives, historical photograph collections in families in Ghana suggest that photography's emergence cannot be separated from a range of other emerging and far-reaching creative modernisms. These portraits entail aspects of cere…

  • Eye on Bamako

    Open Access•Jennifer Bajorek, Erin Haney•ARTICLE•Theory Culture & Society•2010•Cited by: 2•References: 1

    The Rencontres de Bamako or 'African Photography Biennial', held in Mali's capital city, is the only biennial devoted to photography from Africa and the only international photography festival routinely held on the African continent. Since its first edition in 1994, the event has picked up impressive momentum and has caught the attention of jet-setting curators, critics, and dealers and brought exposure and international patronage to a lucky hand…

  • Africa

    Erin Haney•CHAPTER•2003

  • Film, Charcoal, Time

    Erin Haney•ARTICLE•History of Photography•2010•Cited by: 6

    As photography was taken up in the entrepôts of nineteenth-century west Africa, among them Cape Coast and Accra, it became a primary mode of portraiture. When considered alongside colonial-era holdings in European and US archives, historical photograph collections in families in Ghana suggest that photography's emergence cannot be separated from a range of other emerging and far-reaching creative modernisms. These portraits entail aspects of cere…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Cited by: 5•References: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • Going to Sea

    Erin Haney•ARTICLE•Visual Anthropology•2014•Cited by: 2•References: 5

    This essay traces the relationships between photography, migration and image-politics of work and labor in Ghana in the era of abolition. Concerns over who could move and work on their own behalf informed shifting senses of personhood and class; these were negotiated changes that inform the rapid proliferation of photographic audiences. In this case the fragmentary photographic records are expanded by oral history accounts and other public memori…

  • Eye on Bamako

    Open Access•Jennifer Bajorek, Erin Haney•ARTICLE•Theory Culture & Society•2010•Cited by: 2•References: 1

    The Rencontres de Bamako or 'African Photography Biennial', held in Mali's capital city, is the only biennial devoted to photography from Africa and the only international photography festival routinely held on the African continent. Since its first edition in 1994, the event has picked up impressive momentum and has caught the attention of jet-setting curators, critics, and dealers and brought exposure and international patronage to a lucky hand…

  • Africa

    Erin Haney•CHAPTER•2003

  • Film, Charcoal, Time

    Erin Haney•ARTICLE•History of Photography•2010•Cited by: 6

    As photography was taken up in the entrepôts of nineteenth-century west Africa, among them Cape Coast and Accra, it became a primary mode of portraiture. When considered alongside colonial-era holdings in European and US archives, historical photograph collections in families in Ghana suggest that photography's emergence cannot be separated from a range of other emerging and far-reaching creative modernisms. These portraits entail aspects of cere…

  • Eye on Bamako

    Open Access•Jennifer Bajorek, Erin Haney•ARTICLE•Theory Culture & Society•2010•Cited by: 2•References: 1

    The Rencontres de Bamako or 'African Photography Biennial', held in Mali's capital city, is the only biennial devoted to photography from Africa and the only international photography festival routinely held on the African continent. Since its first edition in 1994, the event has picked up impressive momentum and has caught the attention of jet-setting curators, critics, and dealers and brought exposure and international patronage to a lucky hand…

  • C'est une période de transformation fébrile

    Jennifer Bajorek, Erin Haney et al.•ARTICLE•Africultures•2012

  • Portraiture and Photography in Africa

    John Peffer, Elisabeth L Cameron et al.•BOOK•Portraiture and Photography in…•2013

    The cultural, social, and political practice of portraiture

  • Going to Sea

    Erin Haney•ARTICLE•Visual Anthropology•2014•Cited by: 2•References: 5

    This essay traces the relationships between photography, migration and image-politics of work and labor in Ghana in the era of abolition. Concerns over who could move and work on their own behalf informed shifting senses of personhood and class; these were negotiated changes that inform the rapid proliferation of photographic audiences. In this case the fragmentary photographic records are expanded by oral history accounts and other public memori…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Cited by: 5•References: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • Priya Ramrakha’s lost futures

    Erin Haney•ARTICLE•Visual Studies•2018

    Kenyan photographer Priya Ramrakha (1935–1968) has come to recent attention with the recovery of his vast archive in Nairobi. Ramrakha was among the first generation of African photojournalists to cover the continent’s anti-colonial and independence movements, as well as photographing in the US and Europe. He depicted young Kenyans protesting colonial rule, an emerging iconography of leaders and activists in Kenya in the late 1950s, the civil rig…

  • Vital Signs

    Erin Haney, Jennifer Bajorek•CHAPTER•African Photographic Archive•2020

    In this chapter, the authors provide an overview of some of the trends before turning to detail a series of creative and forward-looking initiatives in Africa from which they, along with scholars and activists all over the world, are drawing inspiration now. At the turn of the twenty-first century, a number of respected institutions with significant holdings of photography entered into an exciting phase of archival experimentation. Exhibitions in…

  • Dietary quality of school meals and packed lunches

    Open Access•Erin Haney, Jennie C Parnham et al.•ARTICLE•Public Health Nutrition•2023

    Objective: School lunches represent a key opportunity to improve diets and health of schoolchildren. No recent nationally representative studies have examined the nutritional differences between school meals and packed lunches in the UK. This study aimed to characterise and compare the nutritional quality of school meals and packed lunches among primary and secondary school-age children. Design: A pooled cross-sectional analysis of the UK’s Natio…

African history and culture studies (8 works) · Art (8 works) · Photography (7 works) · Visual arts (7 works) · History (6 works) · Political science (5 works) · Law (4 works) · Politics (4 works) · Sociology (4 works) · Geography (3 works)

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