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Jonathan Murray

Biographic Data

ID3989159
NAMEJonathan Murray
GIVEN NAMESJonathan
FAMILY NAMEMurray
SIGNATUREMURRAY J
AFFILIATIONSEdinburgh College
ORCID0000-0002-5979-4664
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT2
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Cinema, Culture, Scotland: Selected Essays

    Colin Mcarthur, Jonathan Murray•BOOK•Cinema, Culture, Scotland•2024

    Cinema, Culture, Scotland: Selected Essays anthologises selected key works from the oeuvre of Colin McArthur, a pioneering figure within Anglophone Film and Scottish cultural studies since the 1960s. Collecting together thirty-seven essays written between 1966 and 2022, twenty-one of which were hitherto out-of-print, the book identifies and illustrates the central strands of scholarly interest that have defined one of British Film Studies and Sco…

  • Cinema, Culture, Scotland: Selected Essays

    Colin Mcarthur, Jonathan Murray•BOOK•Cinema, Culture, Scotland•2024

  • Scotch Missed: Play for Today and Scotland

    Open Access•Jonathan Murray•ARTICLE•Journal of British Cinema and…•2022

    This article explores Scotland's relationship with and contribution to the Play for Today series. In order to quantify these, it proposes a working definition of ‘Scottishness’ based on representational content. This generates a body of 21 Scottish Plays for Today, which the article further breaks down into two sub-sets: seven plays produced outside Scotland and fourteen within. Noting that the externally produced plays are far better remembered …

  • Introduction: Scotch on the Box: Television Drama in Scotland, 1952–1990

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    Despite its position as possibly the most ubiquitous of all post-Second World War popular cultural media forms, and the wealth of existing scholarship on multiple aspects of British TV drama, telev

  • Containing the Spectre of the Past: The Evolution of the James Bond Franchise during the Daniel Craig Era

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    The notable commercial and critical success of the four James Bond films made with actor Daniel Craig playing the lead role – Casino Royale (Martin Campbell, GB/Cze/USA/Ger/Bah, 2006), Quantum of Solace (Marc Forster, GB/USA, 2008), Skyfall (Sam Mendes, GB/USA, 2012) and Spectre (Sam Mendes, GB/USA, 2015) – has, over the past decade, provoked a sustained increase in the amount of academic commentary and debate around the Bond character, his ficti…

  • Alliteration, America and Authorship: The Television Drama of John Byrne

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    Creative polymath John Byrne enjoys a secure and substantial international reputation within the graphic and theatrical arts, and as a seminal figure within late-twentieth and early-twenty-first century Scottish culture. Yet Byrne’s sustained engagement with screenwriting and screen directing practices between the late 1980s and late 1990s constitutes a critically under-examined aspect of his career to date. Moreover, such neglect is also symptom…

  • Give a dog a bone: Representations of Scotland in the popular genre cinema of Neil Marshall

    Jonathan Murray•ARTICLE•Visual Studies•2013

    The best-known and most influential cinematic image of Scotland is that which constructs the country as the civilised modern world’s northern boundary and ideological antithesis. This historically venerable representational tradition incorporates Brigadoon (Vincente Minnelli, USA, 1954), Brave (Mark Andrews/Brenda Chapman/Steve Purcell, USA, 2012) and much else in between. The following essay examines what is perhaps the most explicit and extende…

  • Discomfort and Joy: The Cinema of Bill Forsyth

    Jonathan Murray•BOOK•Discomfort and Joy•2011

  • Film Reviews

    Ryan Prout, J E Murray et al.•ARTICLE•Film International•2008

    The Lost World of Tibet (2008) UK Director Emma Hindley Producer Emma Hindley Cinematography Johann Perry With Dan Cruikshank, the Dalai Lama. Runtime 90 minutes Preview Screening 26 February 2008 at the British Film Institute First UK Broadcast 3 March 2008 There Will Be Blood (2007) USA Producers Paul Thomas Anderson, Daniel Lupi and JoAnne Sellar Director Paul Thomas Anderson Screenplay Paul Thomas Anderson Based on the novel Oil! by Upton Sin…

  • Film Reviews

    Anton Bitel, Jonathan Murray et al.•ARTICLE•Film International•2008

    4 Months, 3 Weeks & 2 Days ( 4 luni, 3 saptamani si 2 zile ) (2007) Romania Director Cristian Mungiu Screenplay Cristian Mungiu Producers Oleg Mutu and Cristian Mungiu Director of Photography Oleg Mutu Art Director Mihaela Poenaru Costumes Dana Istrate With Anamaria Marinca (Otilia), Laura Vasiliu (Gabita), Vlad Ivanov (Mr Bebe), Alex Potocean (Adi), Luminita Gheorghiu (Gina Radu), Adi Carauleanu (Dr Radu), Liliana Mocanu (Unireal hotel reception…

No prominent works on this page.

  • Film Reviews

    Ryan Prout, J E Murray et al.•ARTICLE•Film International•2008

    The Lost World of Tibet (2008) UK Director Emma Hindley Producer Emma Hindley Cinematography Johann Perry With Dan Cruikshank, the Dalai Lama. Runtime 90 minutes Preview Screening 26 February 2008 at the British Film Institute First UK Broadcast 3 March 2008 There Will Be Blood (2007) USA Producers Paul Thomas Anderson, Daniel Lupi and JoAnne Sellar Director Paul Thomas Anderson Screenplay Paul Thomas Anderson Based on the novel Oil! by Upton Sin…

  • Film Reviews

    Anton Bitel, Jonathan Murray et al.•ARTICLE•Film International•2008

    4 Months, 3 Weeks & 2 Days ( 4 luni, 3 saptamani si 2 zile ) (2007) Romania Director Cristian Mungiu Screenplay Cristian Mungiu Producers Oleg Mutu and Cristian Mungiu Director of Photography Oleg Mutu Art Director Mihaela Poenaru Costumes Dana Istrate With Anamaria Marinca (Otilia), Laura Vasiliu (Gabita), Vlad Ivanov (Mr Bebe), Alex Potocean (Adi), Luminita Gheorghiu (Gina Radu), Adi Carauleanu (Dr Radu), Liliana Mocanu (Unireal hotel reception…

  • Discomfort and Joy: The Cinema of Bill Forsyth

    Jonathan Murray•BOOK•Discomfort and Joy•2011

  • Give a dog a bone: Representations of Scotland in the popular genre cinema of Neil Marshall

    Jonathan Murray•ARTICLE•Visual Studies•2013

    The best-known and most influential cinematic image of Scotland is that which constructs the country as the civilised modern world’s northern boundary and ideological antithesis. This historically venerable representational tradition incorporates Brigadoon (Vincente Minnelli, USA, 1954), Brave (Mark Andrews/Brenda Chapman/Steve Purcell, USA, 2012) and much else in between. The following essay examines what is perhaps the most explicit and extende…

  • Introduction: Scotch on the Box: Television Drama in Scotland, 1952–1990

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    Despite its position as possibly the most ubiquitous of all post-Second World War popular cultural media forms, and the wealth of existing scholarship on multiple aspects of British TV drama, telev

  • Containing the Spectre of the Past: The Evolution of the James Bond Franchise during the Daniel Craig Era

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    The notable commercial and critical success of the four James Bond films made with actor Daniel Craig playing the lead role – Casino Royale (Martin Campbell, GB/Cze/USA/Ger/Bah, 2006), Quantum of Solace (Marc Forster, GB/USA, 2008), Skyfall (Sam Mendes, GB/USA, 2012) and Spectre (Sam Mendes, GB/USA, 2015) – has, over the past decade, provoked a sustained increase in the amount of academic commentary and debate around the Bond character, his ficti…

  • Alliteration, America and Authorship: The Television Drama of John Byrne

    Jonathan Murray•ARTICLE•Visual Culture in Britain•2017

    Creative polymath John Byrne enjoys a secure and substantial international reputation within the graphic and theatrical arts, and as a seminal figure within late-twentieth and early-twenty-first century Scottish culture. Yet Byrne’s sustained engagement with screenwriting and screen directing practices between the late 1980s and late 1990s constitutes a critically under-examined aspect of his career to date. Moreover, such neglect is also symptom…

  • Scotch Missed: Play for Today and Scotland

    Open Access•Jonathan Murray•ARTICLE•Journal of British Cinema and…•2022

    This article explores Scotland's relationship with and contribution to the Play for Today series. In order to quantify these, it proposes a working definition of ‘Scottishness’ based on representational content. This generates a body of 21 Scottish Plays for Today, which the article further breaks down into two sub-sets: seven plays produced outside Scotland and fourteen within. Noting that the externally produced plays are far better remembered …

  • Cinema, Culture, Scotland: Selected Essays

    Colin Mcarthur, Jonathan Murray•BOOK•Cinema, Culture, Scotland•2024

    Cinema, Culture, Scotland: Selected Essays anthologises selected key works from the oeuvre of Colin McArthur, a pioneering figure within Anglophone Film and Scottish cultural studies since the 1960s. Collecting together thirty-seven essays written between 1966 and 2022, twenty-one of which were hitherto out-of-print, the book identifies and illustrates the central strands of scholarly interest that have defined one of British Film Studies and Sco…

  • Cinema, Culture, Scotland: Selected Essays

    Colin Mcarthur, Jonathan Murray•BOOK•Cinema, Culture, Scotland•2024

Art (10 works) · Art history (7 works) · Scottish History and National Identity (6 works) · Media studies (5 works) · Sociology (5 works) · History (4 works) · Irish and British Studies (4 works) · Aesthetics (3 works) · Movie theater (3 works) · Visual arts (3 works)

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