Alberta Whittle
Biographic Data
| ID | 3989198 |
|---|---|
| NAME | Alberta Whittle |
| GIVEN NAMES | Alberta |
| FAMILY NAME | Whittle |
| SIGNATURE | WHITTLE A |
| AFFILIATIONS | University of Edinburgh |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Axe Forgets, But The Tree Remembers
Biting the Hand That Feeds You
Using an intersectional queer theory lens, the participant-researcher-author employs critical autoethnography to argue that refusal as a strategy for wayward curating is an imperative in infiltrating racialised expectations of creativity within contemporary art. She presents two case studies, which focus on curatorial care work as a decolonial aspiration. Underlining this research is an exploration of how black, People of Colour and Queer Trans I…
Fugitive Testimony
In the decades leading to the end of slavery across the Americas, free blacks strove to create autobiographical accounts, documenting their agency, self-possession and humanity. In many colonies, i
The Luxury of Amnesia
Black Macho and the Myth of the Superwoman by Michele Wallace
The history of the period has been written and will continue to be written without us. The imperative is clear: Either we will make history or remain the victims of it. (p. 117)I commence with the
The Axe Forgets, But The Tree Remembers
Biting the Hand That Feeds You
Using an intersectional queer theory lens, the participant-researcher-author employs critical autoethnography to argue that refusal as a strategy for wayward curating is an imperative in infiltrating racialised expectations of creativity within contemporary art. She presents two case studies, which focus on curatorial care work as a decolonial aspiration. Underlining this research is an exploration of how black, People of Colour and Queer Trans I…
Black Macho and the Myth of the Superwoman by Michele Wallace
The history of the period has been written and will continue to be written without us. The imperative is clear: Either we will make history or remain the victims of it. (p. 117)I commence with the
The Luxury of Amnesia
Biting the Hand That Feeds You
Using an intersectional queer theory lens, the participant-researcher-author employs critical autoethnography to argue that refusal as a strategy for wayward curating is an imperative in infiltrating racialised expectations of creativity within contemporary art. She presents two case studies, which focus on curatorial care work as a decolonial aspiration. Underlining this research is an exploration of how black, People of Colour and Queer Trans I…
Fugitive Testimony
In the decades leading to the end of slavery across the Americas, free blacks strove to create autobiographical accounts, documenting their agency, self-possession and humanity. In many colonies, i
The Axe Forgets, But The Tree Remembers
Art (4 works) · History (3 works) · History (3 works) · Aesthetics (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Psychology (2 works) · Social science (2 works)