Arden Stern
Biographic Data
| ID | 3989209 |
|---|---|
| NAME | Arden Stern |
| GIVEN NAMES | Arden |
| FAMILY NAME | Stern |
| SIGNATURE | STERN A |
| AFFILIATIONS | University of California, Irvine |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Special Issue
Neoliberalism, as a term, has the particular distinction of being both esoteric and overused. Until quite recently, it was rarely heard outside of academic contexts, while within them it became vir
Awazu Kiyoshi, Graphic Design
Awazu Kiyoshi showcases a number of notable additions to the Los Angeles County Museum of Art (LACMA) graphic design collection, which the museum has worked to expand in recent years as part of an
Domesticating the Global
In Lusaka, the capital of Zambia, vernacular commercial signage—often hand painted by local sign writers—has evolved in conversation with sweeping economic privatization and liberalization initiatives enacted since the 1990s. Many of Lusaka's sign writers employ tactics that visually link their work to globally dominant design practices as they simultaneously imbue global brand imagery with Zambian specificity. Hinging upon visual and historical …
The design culture reader
Special Issue
Neoliberalism, as a term, has the particular distinction of being both esoteric and overused. Until quite recently, it was rarely heard outside of academic contexts, while within them it became vir
Domesticating the Global
In Lusaka, the capital of Zambia, vernacular commercial signage—often hand painted by local sign writers—has evolved in conversation with sweeping economic privatization and liberalization initiatives enacted since the 1990s. Many of Lusaka's sign writers employ tactics that visually link their work to globally dominant design practices as they simultaneously imbue global brand imagery with Zambian specificity. Hinging upon visual and historical …
The design culture reader
Domesticating the Global
In Lusaka, the capital of Zambia, vernacular commercial signage—often hand painted by local sign writers—has evolved in conversation with sweeping economic privatization and liberalization initiatives enacted since the 1990s. Many of Lusaka's sign writers employ tactics that visually link their work to globally dominant design practices as they simultaneously imbue global brand imagery with Zambian specificity. Hinging upon visual and historical …
Awazu Kiyoshi, Graphic Design
Awazu Kiyoshi showcases a number of notable additions to the Los Angeles County Museum of Art (LACMA) graphic design collection, which the museum has worked to expand in recent years as part of an
Special Issue
Neoliberalism, as a term, has the particular distinction of being both esoteric and overused. Until quite recently, it was rarely heard outside of academic contexts, while within them it became vir
Art (3 works) · Sociology (3 works) · Crafts, Textile, and Design (2 works) · Cultural Industries and Urban Development (2 works) · Political science (2 works) · Social science (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Appropriation (1 work) · Archaeology (1 work)