Midori Yoshimoto
Biographic Data
| ID | 3990773 |
|---|---|
| NAME | Midori Yoshimoto |
| GIVEN NAMES | Midori |
| FAMILY NAME | Yoshimoto |
| SIGNATURE | YOSHIMOTO M |
| AFFILIATIONS | New Jersey City University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Introduction to Gender, Intersectionality, and Asian Diasporic Video Art
Where Did I Belong? Janice Tanaka in Conversation with Midori Yoshimoto
"Midori Yoshimoto. Review of "The Metabolist Imagination
Umi no Utsuwa and Earth Vortex
By focusing on two recent site-specific sculptures created on Japanese islands – Umi no Utsuwa (Voyage Through the Void) and Earth Vortex , this article investigates the varying implications of the “island” embedded in the art of Nobuho Nagasawa. Having lived in Japan, Europe, and North America, and traveled extensively, Nagasawa has developed a nomadic sense of life which considers these passages as “islands.” The artist has us look within—using…
Japanese New York
Beyond ‘Japanese/Women Artists’
The artists Nobuho Nagasawa and Chiharu Shiota defy the typical profile of ‘Japanese/women artists’. They were educated in Europe and have both lived in Berlin. They have resided in cosmopolitan cities outside Japan and exhibited their works globally over the last decade. Their travels helped them attain the perspective of the ‘outsider’ and enriched their artistic creation. Their mobility also lent complexity to their identities, which could no …
A Woman and Collectives
Tabe Mitsuko (b. 1933) was one of the principal members of Kyūshū-ha (Kyūshū school), an avant-garde artist collective that was founded in Fukuoka in 1957 and lasted until about 1970. Tabe's early paintings, such as Anger of Fish Tribes (Gyozoku no Ikari, 1957), using asphalt and bamboo rings, reflect Tabe's concern about industrial pollution. While their thick texture followed the signature Kyūshū-ha style, Tabe's works often stood out for expre…
Knowles, Alison
Asawa, Ruth
Moorman, Charlotte
An evening with Fluxus women
In this roundtable discussion, hosted at New York University (19 February 2009, 7:00–8:30 p.m.) by Women & Performance: a journal of feminist theory and the Department of Performance Studies, the participants discuss how they came to and experienced the Fluxus art movement. Topics range from the availability of space in New York City during the 1960s and the formation of artistic communities, to the role of food in Fluxus art and social circles a…
Women & Fluxus
This introduction presents the theme of the volume “Women and Fluxus” and provides historical background, as well as an overview of the existing scholarship on the subject. The author then introduces the contents, comprising of three essays, a dialogue, and a roundtable discussion, contextualizing them within the theme of the volume
No prominent works on this page.
An evening with Fluxus women
In this roundtable discussion, hosted at New York University (19 February 2009, 7:00–8:30 p.m.) by Women & Performance: a journal of feminist theory and the Department of Performance Studies, the participants discuss how they came to and experienced the Fluxus art movement. Topics range from the availability of space in New York City during the 1960s and the formation of artistic communities, to the role of food in Fluxus art and social circles a…
Women & Fluxus
This introduction presents the theme of the volume “Women and Fluxus” and provides historical background, as well as an overview of the existing scholarship on the subject. The author then introduces the contents, comprising of three essays, a dialogue, and a roundtable discussion, contextualizing them within the theme of the volume
Asawa, Ruth
Moorman, Charlotte
Knowles, Alison
A Woman and Collectives
Tabe Mitsuko (b. 1933) was one of the principal members of Kyūshū-ha (Kyūshū school), an avant-garde artist collective that was founded in Fukuoka in 1957 and lasted until about 1970. Tabe's early paintings, such as Anger of Fish Tribes (Gyozoku no Ikari, 1957), using asphalt and bamboo rings, reflect Tabe's concern about industrial pollution. While their thick texture followed the signature Kyūshū-ha style, Tabe's works often stood out for expre…
Beyond ‘Japanese/Women Artists’
The artists Nobuho Nagasawa and Chiharu Shiota defy the typical profile of ‘Japanese/women artists’. They were educated in Europe and have both lived in Berlin. They have resided in cosmopolitan cities outside Japan and exhibited their works globally over the last decade. Their travels helped them attain the perspective of the ‘outsider’ and enriched their artistic creation. Their mobility also lent complexity to their identities, which could no …
Japanese New York
Umi no Utsuwa and Earth Vortex
By focusing on two recent site-specific sculptures created on Japanese islands – Umi no Utsuwa (Voyage Through the Void) and Earth Vortex , this article investigates the varying implications of the “island” embedded in the art of Nobuho Nagasawa. Having lived in Japan, Europe, and North America, and traveled extensively, Nagasawa has developed a nomadic sense of life which considers these passages as “islands.” The artist has us look within—using…
"Midori Yoshimoto. Review of "The Metabolist Imagination
Introduction to Gender, Intersectionality, and Asian Diasporic Video Art
Where Did I Belong? Janice Tanaka in Conversation with Midori Yoshimoto
Art (6 works) · Sociology (6 works) · Art history (5 works) · Computer Science (5 works) · Japanese History and Culture (5 works) · Philosophy (4 works) · Visual arts (4 works) · Asian Culture and Media Studies (3 works) · Cultural Industries and Urban Development (3 works) · Psychology (3 works)