Yvonne Yarbro‐bejarano
Biographic Data
| ID | 3990821 |
|---|---|
| NAME | Yvonne Yarbro‐bejarano |
| GIVEN NAMES | Yvonne |
| FAMILY NAME | Yarbro‐bejarano |
| SIGNATURE | BEJARANO Y Y |
| AFFILIATIONS | University of Washington |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 18 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Crossing the border with chabela Vargas
Diane Gamboa's Invasion of the Snatch
Queer Storytelling and Temporality in Trace Elements of Random Tea Parties by Felicia Luna Lemus
The essay focuses on temporality in Lemus's novel, including the critique of generational logics that reinforce the hegemonic family's reproductive normativity. Following Sandra K. Soto, I read the novel "like a queer," shifting the focus from the character's racialized sexual identity to the vehicle for queer storytelling itself: the first-person narration. I argue that it is possible to discern in the very formal elements of Leticia's narration…
The Wounded Heart
In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, …
Sexuality and Chicana/O Studies
In this article I propose that we make the study of sexuality central to Chicana/o studies, using it to rethink the whole field rather than just ‘adding it in’, which would continue its current marginalization. In addition to examining the stakes of this type of theoretical expansion for gays and lesbians of colour, I examine the profound difficulties of expanding analytic categories in such a way as to give expression to the lived experience of …
Gloria Anzaldua's Borderlands/La frontera
Chicana Literature from a Chicana Feminist Perspective
Chicana Literature from a Chicana Feminist Perspective
The Female Subject in Chicano Theatre
The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…
Chicanas' experience in collective theatre
Gloria Anzaldua's Borderlands/La frontera
The Female Subject in Chicano Theatre
The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…
Chicanas' experience in collective theatre
The Female Subject in Chicano Theatre
The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…
Chicana Literature from a Chicana Feminist Perspective
Chicana Literature from a Chicana Feminist Perspective
Gloria Anzaldua's Borderlands/La frontera
Sexuality and Chicana/O Studies
In this article I propose that we make the study of sexuality central to Chicana/o studies, using it to rethink the whole field rather than just ‘adding it in’, which would continue its current marginalization. In addition to examining the stakes of this type of theoretical expansion for gays and lesbians of colour, I examine the profound difficulties of expanding analytic categories in such a way as to give expression to the lived experience of …
The Wounded Heart
In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, …
Diane Gamboa's Invasion of the Snatch
Queer Storytelling and Temporality in Trace Elements of Random Tea Parties by Felicia Luna Lemus
The essay focuses on temporality in Lemus's novel, including the critique of generational logics that reinforce the hegemonic family's reproductive normativity. Following Sandra K. Soto, I read the novel "like a queer," shifting the focus from the character's racialized sexual identity to the vehicle for queer storytelling itself: the first-person narration. I argue that it is possible to discern in the very formal elements of Leticia's narration…
Crossing the border with chabela Vargas
Art (9 works) · Latin American and Latino Studies (9 works) · Sociology (8 works) · Gender Studies (7 works) · History (4 works) · Political science (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Law (3 works) · Narrative (3 works)