Sally Bayley
Biographic Data
| ID | 3991000 |
|---|---|
| NAME | Sally Bayley |
| GIVEN NAMES | Sally |
| FAMILY NAME | Bayley |
| SIGNATURE | BAYLEY S |
| AFFILIATIONS | Balliol College, Oxford. |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Representing Sylvia Plath
Is it for this you widen your eye rings?' Looking, Overlooking and Cold War Paranoia
This exploration of the shared culture of suspicion of Cold War America centres on the poetry of Sylvia Plath and the films of Alfred Hitchcock. A cinema enthusiast, American poet Sylvia Plath was invested in the dominant cultural conceit of domestic surveillance. Her late poems, the posthumous Ariel collection (1964), share much in common with Hitchcock’s films, Suspicion, Rear Window and Marnie—films in which the culturally rarefied experience …
I have your head on my wall
Sylvia Plath's work has been consistently situated in the realm of the personal, subsuming such related categories as the psychological, the feminine and the nature of illness. However, Plath's use of the first person pronoun is never as straightforwardly personal as we might like to believe. An important context for the nature of the Plathean I is an awareness of the nature of observation, being observed and the powers of rhetoric. I argue that …
No prominent works on this page.
I have your head on my wall
Sylvia Plath's work has been consistently situated in the realm of the personal, subsuming such related categories as the psychological, the feminine and the nature of illness. However, Plath's use of the first person pronoun is never as straightforwardly personal as we might like to believe. An important context for the nature of the Plathean I is an awareness of the nature of observation, being observed and the powers of rhetoric. I argue that …
Is it for this you widen your eye rings?' Looking, Overlooking and Cold War Paranoia
This exploration of the shared culture of suspicion of Cold War America centres on the poetry of Sylvia Plath and the films of Alfred Hitchcock. A cinema enthusiast, American poet Sylvia Plath was invested in the dominant cultural conceit of domestic surveillance. Her late poems, the posthumous Ariel collection (1964), share much in common with Hitchcock’s films, Suspicion, Rear Window and Marnie—films in which the culturally rarefied experience …
Representing Sylvia Plath
Art (3 works) · Literature (3 works) · Poetry (3 works) · Art history (2 works) · Cold war (2 works) · French Literature and Poetry (2 works) · Law (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Poetry Analysis and Criticism (2 works)