Alice Wood
Biographic Data
| ID | 3991165 |
|---|---|
| NAME | Alice Wood |
| GIVEN NAMES | Alice |
| FAMILY NAME | Wood |
| SIGNATURE | WOOD A |
| AFFILIATIONS | University of Portsmouth |
| ORCID | 0000-0001-9904-1766 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Women, Magazines and the Politics of Shopping
(2020). Women, Magazines and the Politics of Shopping: Holtby, Jameson and Woolf. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 452-468
Modernism, Exclusivity, and the Sophisticated Public of Harper's Bazaar (UK)
This article explores the reciprocal relationship between modernism and Harper's Bazaar (UK) during 1929–35. In its early years this commercial fashion magazine exploited modernism's perceived exclusivity and highbrow status to flatteringly construct its aspirational readers as culturally sophisticated people. Whether printing modernist texts and artworks or parodying their experimental style, early Harper's Bazaar (UK) promoted the reception of …
Introduction
This is the introduction to a special issue of Modernist Cultures, 'Modernism in Public', exploring the various conceptions of 'the public' within modernist culture. It argues that modernism gets its definition through its relationship to a public or types of public, but that its definition is also continually redefined by that public
Literary Celebrity, Gender, and Victorian Authorship, 1850-1914Alexis Easley
A New Mimesis’
This essay was runner‐up in the 2005 Literature Compass Graduate Essay Prize, American Section. Although the New York School of Poets opposed reception as a unified artistic movement, study of a selection of their early poetry illustrates that John Ashbery, Kenneth Koch, Frank O’Hara and James Schuyler all shared a concern with developing new techniques of representation. This essay argues that much of their experimentation was motivated by a des…
Introduction
This is the introduction to a special issue of Modernist Cultures, 'Modernism in Public', exploring the various conceptions of 'the public' within modernist culture. It argues that modernism gets its definition through its relationship to a public or types of public, but that its definition is also continually redefined by that public
A New Mimesis’
This essay was runner‐up in the 2005 Literature Compass Graduate Essay Prize, American Section. Although the New York School of Poets opposed reception as a unified artistic movement, study of a selection of their early poetry illustrates that John Ashbery, Kenneth Koch, Frank O’Hara and James Schuyler all shared a concern with developing new techniques of representation. This essay argues that much of their experimentation was motivated by a des…
Literary Celebrity, Gender, and Victorian Authorship, 1850-1914Alexis Easley
Modernism, Exclusivity, and the Sophisticated Public of Harper's Bazaar (UK)
This article explores the reciprocal relationship between modernism and Harper's Bazaar (UK) during 1929–35. In its early years this commercial fashion magazine exploited modernism's perceived exclusivity and highbrow status to flatteringly construct its aspirational readers as culturally sophisticated people. Whether printing modernist texts and artworks or parodying their experimental style, early Harper's Bazaar (UK) promoted the reception of …
Introduction
This is the introduction to a special issue of Modernist Cultures, 'Modernism in Public', exploring the various conceptions of 'the public' within modernist culture. It argues that modernism gets its definition through its relationship to a public or types of public, but that its definition is also continually redefined by that public
Women, Magazines and the Politics of Shopping
(2020). Women, Magazines and the Politics of Shopping: Holtby, Jameson and Woolf. Women: a cultural review: Vol. 31, THE INTERWAR WOMAN WRITER: POLITICS AND AESTHETICS. Guest-edited by Clara Jones and Natasha Periyan, pp. 452-468
Art (4 works) · Aesthetics (3 works) · Literature (3 works) · Sociology (3 works) · Fashion and Cultural Textiles (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Modernism (music (2 works)