Madeleine Pelling
Biographic Data
| ID | 3991171 |
|---|---|
| NAME | Madeleine Pelling |
| GIVEN NAMES | Madeleine |
| FAMILY NAME | Pelling |
| SIGNATURE | PELLING M |
| AFFILIATIONS | University of York |
| ORCID | 0000-0002-4642-9684 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Recentring Peripheral Queerness and Marginal Art in Portrait of a Lady on Fire (2019)
This essay examines the ways in which Céline Sciamma’s 2019 film Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire) looks to centralise onscreen homosexual experience through engagement with, and queering of, eighteenth-century art practices and the discourse surrounding them. From its reception of Ovid’s Metamorphoses to ideas espoused by the eighteenth-century art critic and philosopher Denis Diderot, Portrait looks to traditionally…
Women and the Making of History
The peer review history for this article is available at https://publons.com/publon/10.1111/1468-229X.13198
Reimagining Elizabeth I and Mary queen of Scots
This article explores eighteenth-century elite and middling women’s representations of Elizabeth I and Mary queen of Scots through manuscript-making and collecting as the means to confirm or critique their own social and domestic relationships. Scrutinising such practices, this article unpacks women’s modes of engagement in British history and the opportunities for creative reimaginings of the gendered, moral, and national identities these posed.…
No prominent works on this page.
Reimagining Elizabeth I and Mary queen of Scots
This article explores eighteenth-century elite and middling women’s representations of Elizabeth I and Mary queen of Scots through manuscript-making and collecting as the means to confirm or critique their own social and domestic relationships. Scrutinising such practices, this article unpacks women’s modes of engagement in British history and the opportunities for creative reimaginings of the gendered, moral, and national identities these posed.…
Recentring Peripheral Queerness and Marginal Art in Portrait of a Lady on Fire (2019)
This essay examines the ways in which Céline Sciamma’s 2019 film Portrait de la Jeune Fille en Feu (Portrait of a Lady on Fire) looks to centralise onscreen homosexual experience through engagement with, and queering of, eighteenth-century art practices and the discourse surrounding them. From its reception of Ovid’s Metamorphoses to ideas espoused by the eighteenth-century art critic and philosopher Denis Diderot, Portrait looks to traditionally…
Women and the Making of History
The peer review history for this article is available at https://publons.com/publon/10.1111/1468-229X.13198
Art (2 works) · Gender Studies (2 works) · Historical Gender and Feminism Studies (2 works) · History (2 works) · Literature (2 works) · Sociology (2 works) · Archaeology (1 work) · Art history (1 work) · Elite (1 work) · Embodied cognition (1 work)