Salia Male
Biographic Data
| ID | 3992305 |
|---|---|
| NAME | Salia Male |
| GIVEN NAMES | Salia |
| FAMILY NAME | Male |
| SIGNATURE | MALE S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
Mali
La présentation des objets de cultures vivantes
The author, drawing upon his own experience at the National Museum in Mali, discusses the particular form museum work may take when applied to ritual objects characterised by prohibitions directed at the very people before whom these objects are exhibited
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
La présentation des objets de cultures vivantes
The author, drawing upon his own experience at the National Museum in Mali, discusses the particular form museum work may take when applied to ritual objects characterised by prohibitions directed at the very people before whom these objects are exhibited
Mali
Some Preliminary Responses to “Beyond Single Stories”
In the following responses to our Winter 2019 First Word essay, “Beyond Single Stories: Addressing Dynamism, Specificity, and Agency in Arts of Africa” (African Arts vol. 52, no. 4, pp. 1–6), Leslie Wilson, John Monroe, Salia Malé and Marguerite de Sabran, Maxime de Formanoir, and Joshua Cohen separately expand upon our thought that we must reimagine language for writing and presenting so-called historical arts of Africa to disparate audiences. T…
Art (2 works) · History (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Cultural Heritage Management and Preservation (1 work) · Cultural Identity and Heritage (1 work) · Ethnology (1 work) · History (1 work)