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Paul K Saint‐amour

Biographic Data

ID3996422
NAMEPaul K Saint‐amour
GIVEN NAMESPaul K
FAMILY NAMESaint‐amour
SIGNATURESAINT AMOUR P K
AFFILIATIONSCalifornia University of Pennsylvania
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS24
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2020
H-INDEX3
  • There Is Grief of a Tree

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•American imago•2020•Cited by: 3

    There Is Grief of a Tree Paul K. Saint-Amour (bio) These verses from the Book of Job turn on two distinctions: between hope and grief, and between trees and human beings. Hope belongs affirmatively to the tree, which the scent of water may bring back even from old roots or dead stump. For the human there is no sprouting or budding again—no regeneration, at least not "till the heavens be no more." Yet even as the passage divides grief and hope in …

  • The Weak Protagonism of Nations

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Victorian Literature and Culture•2018

    I want to begin my remarks by steaming, as a philatelist would a coveted stamp, a single word off the envelope of Catherine Gallagher's Telling It Like It Wasn't . The word occurs in the introduction, where Gallagher is establishing the boundaries of her subject by offering a sample counterfactual-historical premise: “If John F. Kennedy had not been assassinated in 1963 and had lived to be a two-term president, the war in Vietnam would have been …

  • Weak Theory, Weak Modernism

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Modernism/modernity•2018•Cited by: 13•References: 10

    Weak Theory, Weak Modernism Paul K. Saint-Amour (bio) Weakness: not a word that would seem, at first blush, to have anything to say to modernism. Modernism doesn't blush; it blasts. Its reputation is for strength in extremis-for steep critiques of modernity, energetic convention busting, the breaking of vessels. In the words of its early theorists, modernism is "rebellion against authority," a "revolution of the word," "kicking over old walls" an…

  • In a Strange Room

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Twentieth Century Literature•2017

    What is the power of a corpse to make the room that contains it strange? What ethical losses do we incur when we’re seldom if ever in rooms with the dead? And how might the virtual spaces of the aesthetic give quarter to the strangeness of the corpse’s demand? Luminous and serious in treating these questions, David Sherman’s In a Strange Room looks at how Anglophone modernism responded to a shift in the late-modern way of death: from a time when …

  • Symbols and Things

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•CHAPTER•Cambridge Companion to Ulysses•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • On the Partiality of Total War

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Critical Inquiry•2014•Cited by: 1•References: 3

  • Applied Modernism

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Theory Culture & Society•2011•Cited by: 7•References: 1

    This article is about a period of technology transfer - the late 1910s and 1920s - when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the 'photomosaic': a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form …

  • The Deceivers

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Victorian Studies•2008

    Reviewed by: The Deceivers: Art Forgery and Identity in the Nineteenth Century Paul K. Saint-Amour (bio) The Deceivers: Art Forgery and Identity in the Nineteenth Century, by Aviva Briefel; pp. xi + 243. Ithaca and London: Cornell University Press, 2006, $39.95, £22.49. What's so funny about crimes of attribution? Like plagiarism, art forgery is a cardinal sin within tightly constrained circles, but elsewhere—think of Orson Welles's 1974 film F f…

  • Steal This Music

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Journal of Popular Music Studies•2007

  • Christmas Yet To Come

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Representations•2007

    This essay reads Charles Dickens's A Christmas Carol and James Joyce's "The Dead" in light of their shared concerns with hospitality. By portraying Scrooge's ethical regeneration as both guest and host, the Carol renews the openness of a future in which one can still intervene for the good in others' lives. Partly through its echoes of Dickens's story, "The Dead" critically engages the ethics of limitless welcome in the context of colonial occupa…

  • Air War Prophecy and Interwar Modernism

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Comparative Literature Studies•2005

    Research Article| January 01 2005 Air War Prophecy and Interwar Modernism Paul K. Saint-Amour Paul K. Saint-Amour Search for other works by this author on: This Site Google Comparative Literature Studies (2005) 42 (2): 130–161. https://doi.org/10.2307/40247473 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Paul K. Saint-Amour; Air War Prophecy and Interwar Modernism. Comparative Literature Studies 1 January 2005; 42 (2):…

  • Weak Theory, Weak Modernism

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Modernism/modernity•2018•Cited by: 13•References: 10

    Weak Theory, Weak Modernism Paul K. Saint-Amour (bio) Weakness: not a word that would seem, at first blush, to have anything to say to modernism. Modernism doesn't blush; it blasts. Its reputation is for strength in extremis-for steep critiques of modernity, energetic convention busting, the breaking of vessels. In the words of its early theorists, modernism is "rebellion against authority," a "revolution of the word," "kicking over old walls" an…

  • Applied Modernism

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Theory Culture & Society•2011•Cited by: 7•References: 1

    This article is about a period of technology transfer - the late 1910s and 1920s - when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the 'photomosaic': a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form …

  • There Is Grief of a Tree

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•American imago•2020•Cited by: 3

    There Is Grief of a Tree Paul K. Saint-Amour (bio) These verses from the Book of Job turn on two distinctions: between hope and grief, and between trees and human beings. Hope belongs affirmatively to the tree, which the scent of water may bring back even from old roots or dead stump. For the human there is no sprouting or budding again—no regeneration, at least not "till the heavens be no more." Yet even as the passage divides grief and hope in …

  • On the Partiality of Total War

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Critical Inquiry•2014•Cited by: 1•References: 3

  • Air War Prophecy and Interwar Modernism

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Comparative Literature Studies•2005

    Research Article| January 01 2005 Air War Prophecy and Interwar Modernism Paul K. Saint-Amour Paul K. Saint-Amour Search for other works by this author on: This Site Google Comparative Literature Studies (2005) 42 (2): 130–161. https://doi.org/10.2307/40247473 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Paul K. Saint-Amour; Air War Prophecy and Interwar Modernism. Comparative Literature Studies 1 January 2005; 42 (2):…

  • Steal This Music

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Journal of Popular Music Studies•2007

  • Christmas Yet To Come

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Representations•2007

    This essay reads Charles Dickens's A Christmas Carol and James Joyce's "The Dead" in light of their shared concerns with hospitality. By portraying Scrooge's ethical regeneration as both guest and host, the Carol renews the openness of a future in which one can still intervene for the good in others' lives. Partly through its echoes of Dickens's story, "The Dead" critically engages the ethics of limitless welcome in the context of colonial occupa…

  • The Deceivers

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Victorian Studies•2008

    Reviewed by: The Deceivers: Art Forgery and Identity in the Nineteenth Century Paul K. Saint-Amour (bio) The Deceivers: Art Forgery and Identity in the Nineteenth Century, by Aviva Briefel; pp. xi + 243. Ithaca and London: Cornell University Press, 2006, $39.95, £22.49. What's so funny about crimes of attribution? Like plagiarism, art forgery is a cardinal sin within tightly constrained circles, but elsewhere—think of Orson Welles's 1974 film F f…

  • Applied Modernism

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Theory Culture & Society•2011•Cited by: 7•References: 1

    This article is about a period of technology transfer - the late 1910s and 1920s - when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the 'photomosaic': a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form …

  • Symbols and Things

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•CHAPTER•Cambridge Companion to Ulysses•2014

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • On the Partiality of Total War

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Critical Inquiry•2014•Cited by: 1•References: 3

  • In a Strange Room

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Twentieth Century Literature•2017

    What is the power of a corpse to make the room that contains it strange? What ethical losses do we incur when we’re seldom if ever in rooms with the dead? And how might the virtual spaces of the aesthetic give quarter to the strangeness of the corpse’s demand? Luminous and serious in treating these questions, David Sherman’s In a Strange Room looks at how Anglophone modernism responded to a shift in the late-modern way of death: from a time when …

  • The Weak Protagonism of Nations

    Open Access•Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Victorian Literature and Culture•2018

    I want to begin my remarks by steaming, as a philatelist would a coveted stamp, a single word off the envelope of Catherine Gallagher's Telling It Like It Wasn't . The word occurs in the introduction, where Gallagher is establishing the boundaries of her subject by offering a sample counterfactual-historical premise: “If John F. Kennedy had not been assassinated in 1963 and had lived to be a two-term president, the war in Vietnam would have been …

  • Weak Theory, Weak Modernism

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•Modernism/modernity•2018•Cited by: 13•References: 10

    Weak Theory, Weak Modernism Paul K. Saint-Amour (bio) Weakness: not a word that would seem, at first blush, to have anything to say to modernism. Modernism doesn't blush; it blasts. Its reputation is for strength in extremis-for steep critiques of modernity, energetic convention busting, the breaking of vessels. In the words of its early theorists, modernism is "rebellion against authority," a "revolution of the word," "kicking over old walls" an…

  • There Is Grief of a Tree

    Paul K Saint-Amour, Paul K Saint‐amour•ARTICLE•American imago•2020•Cited by: 3

    There Is Grief of a Tree Paul K. Saint-Amour (bio) These verses from the Book of Job turn on two distinctions: between hope and grief, and between trees and human beings. Hope belongs affirmatively to the tree, which the scent of water may bring back even from old roots or dead stump. For the human there is no sprouting or budding again—no regeneration, at least not "till the heavens be no more." Yet even as the passage divides grief and hope in …

History (7 works) · Philosophy (7 works) · Art (6 works) · Art history (6 works) · Law (6 works) · Political science (6 works) · Computer Science (5 works) · Sociology (5 works) · History (4 works) · Philosophy (4 works)

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