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Mary Shelley

Biographic Data

ID3996735
NAMEMary Shelley
GIVEN NAMESMary
FAMILY NAMEShelley
SIGNATURESHELLEY M
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS1
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2022
H-INDEX1
  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

  • Frankenstein: Or `The Modern Prometheus': The 1818 Text

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•Frankenstein•2019

    By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened ...’. Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the…

  • Traumatic Responsibility: Annotated for Scientists, Engineers, and Creators of All Kinds

    Mary Shelley, Josephine Johnston•BOOK•Frankenstein•2018

    A rich theme running through Mary Shelley’s Frankenstein is responsibility. The novel explores the responsibility that Victor Frankenstein has for the destruction caused by his scientific curiosity, as well as the responsibility that he owes to his creation. Victor Frankenstein’s creature has emotions, desires and dreams that cannot be satisfied by humans. So the creature comes to Victor, first pleading—and then demanding—that he create a female …

  • Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds

    Mary Shelley, Charles E Robinson et al.•BOOK•Frankenstein•2017

  • Women's Literary Networks and Romanticism: "A Tribe of Authoresses"

    J Watts, Elizabeth Heyrick et al.•BOOK•Women's Literary Networks and…•2017•References: 10

    We would first like to thank

  • Dracula

    Bram Stoker, Baphomet Giger et al.•BOOK•Dracula•2011

    ‘It was butcher work...the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam.’ Bram Stoker's 1897 Gothic shocker introduced Count Dracula to the world, an ancient creature bent on bringing his contagion to London, the very heart of the British Empire. Only a handful of men and women stand between Dracula and his long-cherished goal, but they are vulnerable and weak against the cunning and supernatur…

  • Chapter 13

    Mary Shelley•CHAPTER•The last man•2008

    On my arrival, I found that an order had already gone forth for the army to proceed immediately towards Constantinople; and the troops which had suffered least in the battle were already on their way. The town was full of tumult. The wound, and...

  • The Last Man

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•The last man•2008

    The last man! I may well describe that solitary being’s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.’ Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband’s death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adria…

  • Valperga: Or, The Life and Adventures of Castruccio, Prince of Lucca

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•Valperga, or, The life and…•1998

    Not reprinted since its first edition, Mary Shelley's second novel is a major discovery of the Mary Shelley bicentenary of 1997. The novel's lack of success as a follow-up to Frankenstein was the result of its subject matter and unconventional approach to the genre of historical fiction, attributes that can only delight the twentieth-century reader. Shelley's mastery of the intricate details of thirteenth-century Tuscan politics is unique among w…

  • The Journals of Mary Shelley, 1814–1844, Vol. 1: 1814–1822: 1814–1822

    Mary Shelley, Mary Wollstonecraft Shelley [Godwin] et al.•BOOK•The journals of Mary Shelley•1987

  • The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen

    Mary Hughes Brookhart, Mary Poovey et al.•ARTICLE•South Atlantic Review•1986

  • The Letters of Mary Wollstonecraft Shelley. Volume I. A Part of the Elect

    P M S Dawson, Betty T Bennett et al.•ARTICLE•The Yearbook of English Studies•1984

  • My Monster/My Self

    Barbara Johnson, Mary Shelley et al.•ARTICLE•diacritics•1982

  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

  • My Monster/My Self

    Barbara Johnson, Mary Shelley et al.•ARTICLE•diacritics•1982

  • The Letters of Mary Wollstonecraft Shelley. Volume I. A Part of the Elect

    P M S Dawson, Betty T Bennett et al.•ARTICLE•The Yearbook of English Studies•1984

  • The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley and Jane Austen

    Mary Hughes Brookhart, Mary Poovey et al.•ARTICLE•South Atlantic Review•1986

  • The Journals of Mary Shelley, 1814–1844, Vol. 1: 1814–1822: 1814–1822

    Mary Shelley, Mary Wollstonecraft Shelley [Godwin] et al.•BOOK•The journals of Mary Shelley•1987

  • Valperga: Or, The Life and Adventures of Castruccio, Prince of Lucca

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•Valperga, or, The life and…•1998

    Not reprinted since its first edition, Mary Shelley's second novel is a major discovery of the Mary Shelley bicentenary of 1997. The novel's lack of success as a follow-up to Frankenstein was the result of its subject matter and unconventional approach to the genre of historical fiction, attributes that can only delight the twentieth-century reader. Shelley's mastery of the intricate details of thirteenth-century Tuscan politics is unique among w…

  • Chapter 13

    Mary Shelley•CHAPTER•The last man•2008

    On my arrival, I found that an order had already gone forth for the army to proceed immediately towards Constantinople; and the troops which had suffered least in the battle were already on their way. The town was full of tumult. The wound, and...

  • The Last Man

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•The last man•2008

    The last man! I may well describe that solitary being’s feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.’ Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband’s death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adria…

  • Dracula

    Bram Stoker, Baphomet Giger et al.•BOOK•Dracula•2011

    ‘It was butcher work...the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam.’ Bram Stoker's 1897 Gothic shocker introduced Count Dracula to the world, an ancient creature bent on bringing his contagion to London, the very heart of the British Empire. Only a handful of men and women stand between Dracula and his long-cherished goal, but they are vulnerable and weak against the cunning and supernatur…

  • Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds

    Mary Shelley, Charles E Robinson et al.•BOOK•Frankenstein•2017

  • Women's Literary Networks and Romanticism: "A Tribe of Authoresses"

    J Watts, Elizabeth Heyrick et al.•BOOK•Women's Literary Networks and…•2017•References: 10

    We would first like to thank

  • Traumatic Responsibility: Annotated for Scientists, Engineers, and Creators of All Kinds

    Mary Shelley, Josephine Johnston•BOOK•Frankenstein•2018

    A rich theme running through Mary Shelley’s Frankenstein is responsibility. The novel explores the responsibility that Victor Frankenstein has for the destruction caused by his scientific curiosity, as well as the responsibility that he owes to his creation. Victor Frankenstein’s creature has emotions, desires and dreams that cannot be satisfied by humans. So the creature comes to Victor, first pleading—and then demanding—that he create a female …

  • Frankenstein: Or `The Modern Prometheus': The 1818 Text

    Mary Shelley, Mary Wollstonecraft Shelley et al.•BOOK•Frankenstein•2019

    By the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch-the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened ...’. Frankenstein is the most celebrated horror story ever written. It tells the dreadful tale of Victor Frankenstein, a visionary young student of natural philosophy, who discovers the…

  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

Art history (9 works) · History (9 works) · Art (7 works) · English literature (6 works) · Fiction (6 works) · Fiction (6 works) · Gothic Literature and Media Analysis (6 works) · History and criticism (6 works) · Literature (6 works) · 19th century (5 works)

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