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Prue Ahrens

Biographic Data

ID3998957
NAMEPrue Ahrens
GIVEN NAMESPrue
FAMILY NAMEAhrens
SIGNATUREAHRENS P
AFFILIATIONSThe University of Queensland
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS2
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Special issue

    Open Access•Prue Ahrens, Max Quanchi et al.•ARTICLE•Journal of New Zealand & Pacific…•2020

  • Henry Adams in Tahiti

    Open Access•Prue Ahrens•ARTICLE•Journal of New Zealand & Pacific…•2020

    While touring Tahiti in 1891, the American historian Henry Adams compiled an album of large-scale photographic prints that he purchased from commercial studios in Papeete. Souvenir album making was a popular pursuit amongst nineteenth-century Euro-American travellers who used the opportunity to project, validate and narrate desired travel experiences. Unlike others, Adams’s album is seemingly random and banal and lacks any clear narrative. This a…

  • Special Issue

    Open Access•Prue Ahrens, Max Quanchi et al.•ARTICLE•Journal of New Zealand & Pacific…•2020

    Preview this article: Special Issue: Photography in the Pacific Part 2, Page 1 of 1 /docserver/preview/fulltext/nzps/8/2/nzps.8.2.147-1.gif

  • Osa Johnson’s road to civilization

    Prue Ahrens•ARTICLE•Clothing Cultures•2014

    The self-described ‘motion picture explorer’ American Martin Johnson frequently cast his wife Osa (1894–1953) as the star of his African and Asian Pacific expeditionary films. Her appeal to audiences was evidenced not just by the media hype surrounding the features, but also by the many spin-off enterprises the Johnsons variously produced and inspired, from published memoirs to a clothing-line. Throughout the Johnsons’ productions, Osa performed …

  • Photography, Early Cinema and Colonial Modernity

    Prue Ahrens•ARTICLE•Journal of Australian Studies•2013•Cited by: 1

  • John La Farge and the Imagined Isles

    Prue Ahrens•ARTICLE•American Art•2011

  • Convict Art and Craft in Colonial New Caledonia

    Open Access•Prue Ahrens, Louis Lagarde•ARTICLE•History Compass•2010•References: 1

    New Caledonia’s history as a penal colony, and its past association with crime and punishment, is well documented. What remains unrecognised in published histories is the operation of the prison workshops, specifically the production of art and craft that was traded beyond the prison walls. A collection of convict art and craft recently acquired by the Noumea Town Museum and displayed in the exhibit ‘Ile d’exil, Terre d’asile’, contributes much t…

  • From Darkness to Light

    Prue Ahrens•ARTICLE•Continuum•2005•Cited by: 1•References: 2

  • Colonising with Christianity

    Prue Ahrens•ARTICLE•Third Text•2005

  • Reading the Reverend George Brown's Samoan Photographs

    Prue Ahrens•ARTICLE•History of Photography•2003

    The Reverend George Brown (1835–1917), an Australian Methodist missionary, produced approximately nine hundred photographs of Pacific people and places between 1876 and 1903 during his residences in the islands. Of these, three hundred images were produced in Samoa. The importance of these photographs lies in their original purpose — to present an understanding of native people and a process of conversion to a European audience. Virginia-Lee Webb…

  • Photography, Early Cinema and Colonial Modernity

    Prue Ahrens•ARTICLE•Journal of Australian Studies•2013•Cited by: 1

  • From Darkness to Light

    Prue Ahrens•ARTICLE•Continuum•2005•Cited by: 1•References: 2

  • Reading the Reverend George Brown's Samoan Photographs

    Prue Ahrens•ARTICLE•History of Photography•2003

    The Reverend George Brown (1835–1917), an Australian Methodist missionary, produced approximately nine hundred photographs of Pacific people and places between 1876 and 1903 during his residences in the islands. Of these, three hundred images were produced in Samoa. The importance of these photographs lies in their original purpose — to present an understanding of native people and a process of conversion to a European audience. Virginia-Lee Webb…

  • From Darkness to Light

    Prue Ahrens•ARTICLE•Continuum•2005•Cited by: 1•References: 2

  • Colonising with Christianity

    Prue Ahrens•ARTICLE•Third Text•2005

  • Convict Art and Craft in Colonial New Caledonia

    Open Access•Prue Ahrens, Louis Lagarde•ARTICLE•History Compass•2010•References: 1

    New Caledonia’s history as a penal colony, and its past association with crime and punishment, is well documented. What remains unrecognised in published histories is the operation of the prison workshops, specifically the production of art and craft that was traded beyond the prison walls. A collection of convict art and craft recently acquired by the Noumea Town Museum and displayed in the exhibit ‘Ile d’exil, Terre d’asile’, contributes much t…

  • John La Farge and the Imagined Isles

    Prue Ahrens•ARTICLE•American Art•2011

  • Photography, Early Cinema and Colonial Modernity

    Prue Ahrens•ARTICLE•Journal of Australian Studies•2013•Cited by: 1

  • Osa Johnson’s road to civilization

    Prue Ahrens•ARTICLE•Clothing Cultures•2014

    The self-described ‘motion picture explorer’ American Martin Johnson frequently cast his wife Osa (1894–1953) as the star of his African and Asian Pacific expeditionary films. Her appeal to audiences was evidenced not just by the media hype surrounding the features, but also by the many spin-off enterprises the Johnsons variously produced and inspired, from published memoirs to a clothing-line. Throughout the Johnsons’ productions, Osa performed …

  • Special issue

    Open Access•Prue Ahrens, Max Quanchi et al.•ARTICLE•Journal of New Zealand & Pacific…•2020

  • Henry Adams in Tahiti

    Open Access•Prue Ahrens•ARTICLE•Journal of New Zealand & Pacific…•2020

    While touring Tahiti in 1891, the American historian Henry Adams compiled an album of large-scale photographic prints that he purchased from commercial studios in Papeete. Souvenir album making was a popular pursuit amongst nineteenth-century Euro-American travellers who used the opportunity to project, validate and narrate desired travel experiences. Unlike others, Adams’s album is seemingly random and banal and lacks any clear narrative. This a…

  • Special Issue

    Open Access•Prue Ahrens, Max Quanchi et al.•ARTICLE•Journal of New Zealand & Pacific…•2020

    Preview this article: Special Issue: Photography in the Pacific Part 2, Page 1 of 1 /docserver/preview/fulltext/nzps/8/2/nzps.8.2.147-1.gif

Art (9 works) · Art history (7 works) · History (7 works) · Visual arts (6 works) · Archaeology (5 works) · Law (4 works) · Photography (4 works) · Colonialism (3 works) · Geographies of human-animal interactions (3 works) · Photography and Visual Culture (3 works)

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