Clive Cazeaux
Biographic Data
| ID | 4000273 |
|---|---|
| NAME | Clive Cazeaux |
| GIVEN NAMES | Clive |
| FAMILY NAME | Cazeaux |
| SIGNATURE | CAZEAUX C |
| AFFILIATIONS | Cardiff Metropolitan University |
| ORCID | 0000-0001-7495-0832 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Caring Through Cloth
The Caring through Cloth project links rituals of sensing, caregiving, and making with baby clothes and related textiles to adaptive coping in stillbirth loss. Stillbirth is traumatic because it (a) disrupts the natural order of life, (b) is an ambiguous loss, leaving little tangible evidence to validate or narrate it, (c) is a cultural taboo and stigma, disenfranchizing loss, personhood and parenthood and (d) can lead to complicated grief. As su…
Image and Indeterminacy in Heidegger’s Schematism
This paper focuses on the work to which the concept of image is put by Heidegger in his retrieval of the schematism in Kant and the Problem of Metaphysics. Whereas the schematic role of the image is never fully developed by Kant, Heidegger pays it much more attention, investing it with properties that have the potential to make the schema an active component in his own ontology. However, the motifs he uses to characterize the image depart from th…
Judging Contemporary Art with Kant
This article demonstrates the relevance of Kant to the interpretation of contemporary art. The defining properties of contemporary art are the impossibility of definition in material, formal or stylistic terms, and the central role that concepts play in the interpretation of a work. Danto and Osborne suggest how concepts might be applied but they do not develop their proposals. Kant’s theory of judgement can provide a fuller account on the basis …
A Philosophy of the Art School
What is the value of art schools? Does their importance rest on the idea that they teach people to become artists? If so, does it matter that the question of whether or not art can be taught continues to be a subject of debate? Does the gradual academicization of arts schools—for example, through their becoming annexed to universities, through adopting the research cultures of other subjects—mean that the distinctiveness of art school education i…
The Continental Aesthetics Reader
This volume presents an anthology of classic writings on art and aesthetics from the major figures in Continental thought. The reader is clearly divided into six sections: 19th-century German aesthetics; phenomenology and hermeneutics; Marxism and critical theory; modernity, poststructuralism and postmodernism; psychoanalysis; and feminism. Each section is clearly placed in its historical and philosophical context.
Art, Research, Philosophy
Art, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don't the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn't description always miss the particular…
Aesthetics After Metaphysics
Journal Article Aesthetics After Metaphysics: From Mimesis to Metaphor Get access Aesthetics After Metaphysics: From Mimesis to Metaphor Miguel de Beistegui Routledge. 2012. pp. xi + 203. £80 (hbk). Clive Cazeaux Clive Cazeaux Cardiff School of Art and Design, Cardiff Metropolitan University Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 4, October 2014, Pages 499–504, …
Beyond Mimesis and Convention
The theory of representation in art history and in the philosophy of science is at an impasse, according to Roman Frigg and Matthew C. Hunter, the editors of this volume. In both subjects, representation is theorized on the basis of either mimesis or convention, with each side opposed to the other but with no apparent way of overcoming the opposition. Representation conceived as mimesis is interpreted as one thing imitating or resembling another,…
Metaphor and Continental Philosophy
Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy…
Metaphor and Continental Philosophy
Phenomenology and Radio Drama
In this paper, I apply my interest in the transformational nature of perception to sound and, in particular, the way in which acoustic worlds are created in radio drama. Radio drama is often considered an incomplete or 'blind' artform because it creates worlds through sound alone. The charge of incompleteness, I suggest, rests upon the orthodox empiricist conception of sensation as the receipt of separate modalities of sensory impression. However…
Kant and Metaphor in Contemporary Aesthetics
Trying to assess Kant's impact on contemporary aesthetics is by no means a straightforward task, for the simple reason that the subject is saturated with his influence. In all aspects of the theory and practice of art, it is possible to observe concepts and attitudes at work which are either a reflection of, or a response to, Kant's thinking. This might seem a rather overblown claim and a difficult one to substantiate but, without going into too …
From an Aesthetic Point of View
1University of Wales Institute, Cardiff From an Aesthetic Point of View: Philosophy, Art and the Senses PeterOsborne Serpent's Tail 2001192£12.99
Metaphor and the Categorization of the Senses
The attempt to describe a particular sensation often, if not inevitably, requires people to draw metaphorical comparisons with another sense-for example, "a bitter, lemon yellow" and "the sound of a trumpet is scarlet"-with the end result that metaphors of the order "color is taste" and "sound is color" are produced. These descriptions are distinct from neurological synaesthesia in that they involve active metaphorical association. However, what …
Synaesthesia and Epistemology in Abstract Painting
Journal Article SYNAESTHESIA AND EPISTEMOLOGY IN ABSTRACT PAINTING Get access Clive Cazeaux Clive Cazeaux History and Theory of Art and Design, University of Wales InstituteHoward Gardens, Cardiff CF2 ISP. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 3, July 1999, Pages 241–251, https://doi.org/10.1093/bjaesthetics/39.3.241 Published: 01 Jul…
Phenomenology and Radio Drama
In this paper, I apply my interest in the transformational nature of perception to sound and, in particular, the way in which acoustic worlds are created in radio drama. Radio drama is often considered an incomplete or 'blind' artform because it creates worlds through sound alone. The charge of incompleteness, I suggest, rests upon the orthodox empiricist conception of sensation as the receipt of separate modalities of sensory impression. However…
Art, Research, Philosophy
Art, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don't the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn't description always miss the particular…
Beyond Mimesis and Convention
The theory of representation in art history and in the philosophy of science is at an impasse, according to Roman Frigg and Matthew C. Hunter, the editors of this volume. In both subjects, representation is theorized on the basis of either mimesis or convention, with each side opposed to the other but with no apparent way of overcoming the opposition. Representation conceived as mimesis is interpreted as one thing imitating or resembling another,…
Synaesthesia and Epistemology in Abstract Painting
Journal Article SYNAESTHESIA AND EPISTEMOLOGY IN ABSTRACT PAINTING Get access Clive Cazeaux Clive Cazeaux History and Theory of Art and Design, University of Wales InstituteHoward Gardens, Cardiff CF2 ISP. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 3, July 1999, Pages 241–251, https://doi.org/10.1093/bjaesthetics/39.3.241 Published: 01 Jul…
Synaesthesia and Epistemology in Abstract Painting
Journal Article SYNAESTHESIA AND EPISTEMOLOGY IN ABSTRACT PAINTING Get access Clive Cazeaux Clive Cazeaux History and Theory of Art and Design, University of Wales InstituteHoward Gardens, Cardiff CF2 ISP. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 3, July 1999, Pages 241–251, https://doi.org/10.1093/bjaesthetics/39.3.241 Published: 01 Jul…
Metaphor and the Categorization of the Senses
The attempt to describe a particular sensation often, if not inevitably, requires people to draw metaphorical comparisons with another sense-for example, "a bitter, lemon yellow" and "the sound of a trumpet is scarlet"-with the end result that metaphors of the order "color is taste" and "sound is color" are produced. These descriptions are distinct from neurological synaesthesia in that they involve active metaphorical association. However, what …
From an Aesthetic Point of View
1University of Wales Institute, Cardiff From an Aesthetic Point of View: Philosophy, Art and the Senses PeterOsborne Serpent's Tail 2001192£12.99
Kant and Metaphor in Contemporary Aesthetics
Trying to assess Kant's impact on contemporary aesthetics is by no means a straightforward task, for the simple reason that the subject is saturated with his influence. In all aspects of the theory and practice of art, it is possible to observe concepts and attitudes at work which are either a reflection of, or a response to, Kant's thinking. This might seem a rather overblown claim and a difficult one to substantiate but, without going into too …
Phenomenology and Radio Drama
In this paper, I apply my interest in the transformational nature of perception to sound and, in particular, the way in which acoustic worlds are created in radio drama. Radio drama is often considered an incomplete or 'blind' artform because it creates worlds through sound alone. The charge of incompleteness, I suggest, rests upon the orthodox empiricist conception of sensation as the receipt of separate modalities of sensory impression. However…
Metaphor and Continental Philosophy
Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy…
Metaphor and Continental Philosophy
Beyond Mimesis and Convention
The theory of representation in art history and in the philosophy of science is at an impasse, according to Roman Frigg and Matthew C. Hunter, the editors of this volume. In both subjects, representation is theorized on the basis of either mimesis or convention, with each side opposed to the other but with no apparent way of overcoming the opposition. Representation conceived as mimesis is interpreted as one thing imitating or resembling another,…
Aesthetics After Metaphysics
Journal Article Aesthetics After Metaphysics: From Mimesis to Metaphor Get access Aesthetics After Metaphysics: From Mimesis to Metaphor Miguel de Beistegui Routledge. 2012. pp. xi + 203. £80 (hbk). Clive Cazeaux Clive Cazeaux Cardiff School of Art and Design, Cardiff Metropolitan University Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 4, October 2014, Pages 499–504, …
The Continental Aesthetics Reader
This volume presents an anthology of classic writings on art and aesthetics from the major figures in Continental thought. The reader is clearly divided into six sections: 19th-century German aesthetics; phenomenology and hermeneutics; Marxism and critical theory; modernity, poststructuralism and postmodernism; psychoanalysis; and feminism. Each section is clearly placed in its historical and philosophical context.
Art, Research, Philosophy
Art, Research, Philosophy explores the emergent field of artistic research: art produced as a contribution to knowledge. As a new subject, it raises several questions: What is art-as-research? Don't the requirements of research amount to an imposition on the artistic process that dilutes the power of art? How can something subjective become objective? What is the relationship between art and writing? Doesn't description always miss the particular…
A Philosophy of the Art School
What is the value of art schools? Does their importance rest on the idea that they teach people to become artists? If so, does it matter that the question of whether or not art can be taught continues to be a subject of debate? Does the gradual academicization of arts schools—for example, through their becoming annexed to universities, through adopting the research cultures of other subjects—mean that the distinctiveness of art school education i…
Image and Indeterminacy in Heidegger’s Schematism
This paper focuses on the work to which the concept of image is put by Heidegger in his retrieval of the schematism in Kant and the Problem of Metaphysics. Whereas the schematic role of the image is never fully developed by Kant, Heidegger pays it much more attention, investing it with properties that have the potential to make the schema an active component in his own ontology. However, the motifs he uses to characterize the image depart from th…
Judging Contemporary Art with Kant
This article demonstrates the relevance of Kant to the interpretation of contemporary art. The defining properties of contemporary art are the impossibility of definition in material, formal or stylistic terms, and the central role that concepts play in the interpretation of a work. Danto and Osborne suggest how concepts might be applied but they do not develop their proposals. Kant’s theory of judgement can provide a fuller account on the basis …
Caring Through Cloth
The Caring through Cloth project links rituals of sensing, caregiving, and making with baby clothes and related textiles to adaptive coping in stillbirth loss. Stillbirth is traumatic because it (a) disrupts the natural order of life, (b) is an ambiguous loss, leaving little tangible evidence to validate or narrate it, (c) is a cultural taboo and stigma, disenfranchizing loss, personhood and parenthood and (d) can lead to complicated grief. As su…
Philosophy (10 works) · Art (8 works) · Epistemology (8 works) · Art history (7 works) · Aesthetics (6 works) · Sociology (6 works) · Metaphor (4 works) · Philosophy (4 works) · Philosophy (4 works) · Visual Culture and Art Theory (4 works)