Andra Mccartney
Biographic Data
| ID | 4000976 |
|---|---|
| NAME | Andra Mccartney |
| GIVEN NAMES | Andra |
| FAMILY NAME | Mccartney |
| SIGNATURE | MCCARTNEY A |
| AFFILIATIONS | Concordia University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Gender, Genre and Electroacoustic Soundmaking Practices
This article is an exploration of how genres and practices of electroacoustic soundmaking are gendered, examining processes of gendering in language used in the early dichotomous categorization between musique concrète and elektronische Musik, then thinking about related arguments concerning abstraction, context, and compositional control in the writings of electroacoustic soundmakers including Pierre Schaeffer, Pierre Boulez, Daphne Oram, Paulin…
IV. New Games in the Digital Playground
Beecroft, Norma
Acoustic Communication, 2nd edition
Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada
Inventing Images
The author explores symbolic imagery in the world of electroacoustic music, as presented in both popular music publications and the language of 14 Canadian women composers. While mainstream discourse uses imagery that emphasizes power and control, these composers use metaphors of painting, dancing, sustenance, addiction, wilderness, meetings, circuitry, curses, locks, boxes, blessings and desire to describe their work. This imagery suggests diffe…
Gender, Genre and Electroacoustic Soundmaking Practices
This article is an exploration of how genres and practices of electroacoustic soundmaking are gendered, examining processes of gendering in language used in the early dichotomous categorization between musique concrète and elektronische Musik, then thinking about related arguments concerning abstraction, context, and compositional control in the writings of electroacoustic soundmakers including Pierre Schaeffer, Pierre Boulez, Daphne Oram, Paulin…
Inventing Images
The author explores symbolic imagery in the world of electroacoustic music, as presented in both popular music publications and the language of 14 Canadian women composers. While mainstream discourse uses imagery that emphasizes power and control, these composers use metaphors of painting, dancing, sustenance, addiction, wilderness, meetings, circuitry, curses, locks, boxes, blessings and desire to describe their work. This imagery suggests diffe…
Beecroft, Norma
Acoustic Communication, 2nd edition
Founded in 1974, the Canadian Journal of Communication (CJC) aims to publish Canadian research and scholarship in the field of communication studies. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada
IV. New Games in the Digital Playground
Gender, Genre and Electroacoustic Soundmaking Practices
This article is an exploration of how genres and practices of electroacoustic soundmaking are gendered, examining processes of gendering in language used in the early dichotomous categorization between musique concrète and elektronische Musik, then thinking about related arguments concerning abstraction, context, and compositional control in the writings of electroacoustic soundmakers including Pierre Schaeffer, Pierre Boulez, Daphne Oram, Paulin…
Aesthetics (3 works) · Art (3 works) · Computer Science (3 works) · Electroacoustic music (3 works) · Visual arts (3 works) · Literature (2 works) · Music Technology and Sound Studies (2 works) · Sociology (2 works) · Abstraction (1 work) · Archaeology (1 work)