Mathilde Arrivé
Biographic Data
| ID | 4002877 |
|---|---|
| NAME | Mathilde Arrivé |
| GIVEN NAMES | Mathilde |
| FAMILY NAME | Arrivé |
| SIGNATURE | ARRIVE M |
| AFFILIATIONS | Les Afriques dans le Monde |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Visibilizing Invisibility, An Introduction
This introduction seeks to clarify and question the contours and stakes of social (in)visibility. After an overview of the theoretical and critical thought on the issue, this paper will locate the debates in the field of visual culture studies and present the main avenues of inquiry opened by each contribution in this issue: invisibilizing strategies and the role of institutions, individual or collective struggles for visibility, counter-practice…
Le primitivisme mélancolique d'Edward S. Curtis
Entre 1907 et 1930, Edward S. Curtis publie les vingt volumes de son encyclopédie pictorialiste, The North American Indian, où dialoguent des propositions iconographiques et idéologiques souvent concurrentes, oscillant entre éthos assimilationniste et primitiviste. Au carrefour de différents régimes de visibilité - l'art, la science, le patrimoine, la surveillance et le spectacle - le photographe teste les représentations de l'autochtonie héritée…
Revue , « Les États-Unis », Perspectives: Actualités en histoire de l’art , 2 2015, Paris : Inha, 2015. 201 p
This essay focuses on the reception of antebellum slave narratives. While recognizing that slave narratives were predominantly directed toward a white middle-class northern audience, I argue that their intended and actual readership included other groups such as Southerners, African Americans, and children. Drawing on a variety of primary sources I study some of the ways these groups may have read and understood the narratives
No prominent works on this page.
Revue , « Les États-Unis », Perspectives: Actualités en histoire de l’art , 2 2015, Paris : Inha, 2015. 201 p
This essay focuses on the reception of antebellum slave narratives. While recognizing that slave narratives were predominantly directed toward a white middle-class northern audience, I argue that their intended and actual readership included other groups such as Southerners, African Americans, and children. Drawing on a variety of primary sources I study some of the ways these groups may have read and understood the narratives
Le primitivisme mélancolique d'Edward S. Curtis
Entre 1907 et 1930, Edward S. Curtis publie les vingt volumes de son encyclopédie pictorialiste, The North American Indian, où dialoguent des propositions iconographiques et idéologiques souvent concurrentes, oscillant entre éthos assimilationniste et primitiviste. Au carrefour de différents régimes de visibilité - l'art, la science, le patrimoine, la surveillance et le spectacle - le photographe teste les représentations de l'autochtonie héritée…
Visibilizing Invisibility, An Introduction
This introduction seeks to clarify and question the contours and stakes of social (in)visibility. After an overview of the theoretical and critical thought on the issue, this paper will locate the debates in the field of visual culture studies and present the main avenues of inquiry opened by each contribution in this issue: invisibilizing strategies and the role of institutions, individual or collective struggles for visibility, counter-practice…
Artificial Intelligence (1 works) · Computer Science (1 works) · Contemporary art, education, critique (1 works) · Context (archaeology (1 works) · Cultural Identity and Heritage (1 works) · Epistemology (1 works) · French Historical and Cultural Studies (1 works) · Geography (1 works) · Historical Studies and Socio-cultural Analysis (1 works) · Identity (music (1 works)