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Randall T Hill

Biographic Data

ID4006049
NAMERandall T Hill
GIVEN NAMESRandall T
FAMILY NAMEHill
SIGNATUREHILL R T
AFFILIATIONSSt. Lawrence University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS7
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR1997
H-INDEX2
  • Performance and the ‘political anatomy’ of pioneer Colorado

    Randall T G Hill, Randall T Hill•ARTICLE•Text and Performance Quarterly•1997•References: 5

    This essay examines how the pioneer inhabitants of the Colorado Territory in the 1860s used performance as a means of initiating, celebrating, and ultimately defending the Sand Creek Massacre

  • Methodological Approaches to Native American Narrative and the Role of Performance

    Randall T G Hill, Randall T Hill•ARTICLE•The American Indian Quarterly•1997•Cited by: 4•References: 28

    ed until one is left with a seemingly irreconcilable pair-which is then mediated by a third term presented in the narrative that serves to invert the original binary. Thus, mythical thought serves to provide a logical model capable of overcoming contradictions. Livi-Strauss, particularly, focuses on the recurrent structures of the narratives and thus ignores or downplays the particularities of specific performances by individual performers. All o…

  • Legitimizing colonial privilege

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1996•Cited by: 2

    ETHNOCRITICISM: ETHNOGRAPHY, HISTORY, LITERATURE. By Arnold Krupat. Los Angeles: University of California Press, 1992; pp. 3-273; paper $12.95. FANTASIES OF THE MASTER RACE: LITERATURE, CINEMA AND THE COLONIZATION OF AMERICAN INDIANS. By Ward Churchill, edited by M. Annette Jaimes. Monroe, ME: Common Courage Press, 1992; pp. 1-304; paper $14.95. THE STATE OF NATIVE AMERICA: GENOCIDE, COLONIZATION, AND RESISTANCE. Edited by M. Annette Jaimes. Bost…

  • The Nakwa Powamu ceremony as rehearsal

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1995•Cited by: 1•References: 12

    This essay examines issues surrounding the use of rituals as a part of the rehearsal process for university theatre productions. The ethical and pragmatic concerns raised by appropriating ritual elements are complex regardless of the context in which the appropriation occurs; however, when the appropriated ritual is to be performed by student actors working in a university theatre context, these concerns are particularly pronounced. The first sec…

  • Methodological Approaches to Native American Narrative and the Role of Performance

    Randall T G Hill, Randall T Hill•ARTICLE•The American Indian Quarterly•1997•Cited by: 4•References: 28

    ed until one is left with a seemingly irreconcilable pair-which is then mediated by a third term presented in the narrative that serves to invert the original binary. Thus, mythical thought serves to provide a logical model capable of overcoming contradictions. Livi-Strauss, particularly, focuses on the recurrent structures of the narratives and thus ignores or downplays the particularities of specific performances by individual performers. All o…

  • Legitimizing colonial privilege

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1996•Cited by: 2

    ETHNOCRITICISM: ETHNOGRAPHY, HISTORY, LITERATURE. By Arnold Krupat. Los Angeles: University of California Press, 1992; pp. 3-273; paper $12.95. FANTASIES OF THE MASTER RACE: LITERATURE, CINEMA AND THE COLONIZATION OF AMERICAN INDIANS. By Ward Churchill, edited by M. Annette Jaimes. Monroe, ME: Common Courage Press, 1992; pp. 1-304; paper $14.95. THE STATE OF NATIVE AMERICA: GENOCIDE, COLONIZATION, AND RESISTANCE. Edited by M. Annette Jaimes. Bost…

  • The Nakwa Powamu ceremony as rehearsal

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1995•Cited by: 1•References: 12

    This essay examines issues surrounding the use of rituals as a part of the rehearsal process for university theatre productions. The ethical and pragmatic concerns raised by appropriating ritual elements are complex regardless of the context in which the appropriation occurs; however, when the appropriated ritual is to be performed by student actors working in a university theatre context, these concerns are particularly pronounced. The first sec…

  • The Nakwa Powamu ceremony as rehearsal

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1995•Cited by: 1•References: 12

    This essay examines issues surrounding the use of rituals as a part of the rehearsal process for university theatre productions. The ethical and pragmatic concerns raised by appropriating ritual elements are complex regardless of the context in which the appropriation occurs; however, when the appropriated ritual is to be performed by student actors working in a university theatre context, these concerns are particularly pronounced. The first sec…

  • Legitimizing colonial privilege

    Randall T Hill•ARTICLE•Text and Performance Quarterly•1996•Cited by: 2

    ETHNOCRITICISM: ETHNOGRAPHY, HISTORY, LITERATURE. By Arnold Krupat. Los Angeles: University of California Press, 1992; pp. 3-273; paper $12.95. FANTASIES OF THE MASTER RACE: LITERATURE, CINEMA AND THE COLONIZATION OF AMERICAN INDIANS. By Ward Churchill, edited by M. Annette Jaimes. Monroe, ME: Common Courage Press, 1992; pp. 1-304; paper $14.95. THE STATE OF NATIVE AMERICA: GENOCIDE, COLONIZATION, AND RESISTANCE. Edited by M. Annette Jaimes. Bost…

  • Performance and the ‘political anatomy’ of pioneer Colorado

    Randall T G Hill, Randall T Hill•ARTICLE•Text and Performance Quarterly•1997•References: 5

    This essay examines how the pioneer inhabitants of the Colorado Territory in the 1860s used performance as a means of initiating, celebrating, and ultimately defending the Sand Creek Massacre

  • Methodological Approaches to Native American Narrative and the Role of Performance

    Randall T G Hill, Randall T Hill•ARTICLE•The American Indian Quarterly•1997•Cited by: 4•References: 28

    ed until one is left with a seemingly irreconcilable pair-which is then mediated by a third term presented in the narrative that serves to invert the original binary. Thus, mythical thought serves to provide a logical model capable of overcoming contradictions. Livi-Strauss, particularly, focuses on the recurrent structures of the narratives and thus ignores or downplays the particularities of specific performances by individual performers. All o…

Archaeology (2 works) · History (2 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works) · Advertising (1 work) · American History and Culture (1 work) · Appropriation (1 work) · Archaeology and Natural History (1 work) · Art Education and Development (1 work)

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