Thomas R Hart
Biographic Data
| ID | 400700 |
|---|---|
| NAME | Thomas R Hart |
| GIVEN NAMES | Thomas R |
| FAMILY NAME | Hart |
| SIGNATURE | HART T R |
| AFFILIATIONS | Johns Hopkins University |
| VERIFIED | No |
| TOTAL WORKS | 38 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 38 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
What's Funny about Don Quixote
Peter Russell has shown that Cervantes's contemporaries considered Don Quixote a funny book, while many readers now consider it a serious and even tragic work. Three modern theorists of comedy — Northrop Frye, Henri Bergson, and Elder Olson — describe qualities most readers expect to find in a comic work. The absence of these qualities, or the presence of other opposing qualities, in Don Quixote helps to account for the reluctance of many readers…
Cervantes, the Novel and the New World
Cervantes, the Novel and the New World
Sancho's Discretion
BSS Subject Index: CERVANTES SAAVEDRA, MIGUEL DE (1547–1616) DON QUIJOTE
Two Noucentistes
Eugeni d'Ors's novel La Ben Plantada exemplifies the political and aesthetic doctrines of Noucentisme. Many of the same qualities are found in Pompeu Fabra's creation of a normalized Catalan language. Both Ors and Fabra sought to create a culture that would be open to new developments and also solidly rooted in Catalan tradition. Although Ors's novel now belongs to the past, the language Fabra helped to recreate retains all its vitality
Two Noucentistes
Memory, Prudence, and Rhetoric in Don Quixote
In the Middle Ages memory was considered an essential part of the virtue of prudence. Remembering the deeds of notable men invites us to imitate them although we must not do so in a servile way. To act prudently we must know how to modify general principles of conduct to fit our own circumstances. This link between prudence and memory is lacking in Don Quixote, who imitates Amadís and other knights errant without taking into account the differenc…
Memory, Prudence, and Rhetoric in Don Quixote
Cervantes' Exemplary Fictions
Cervantes and Ariosto
Cervantes conteur
Renaissance Dialogue Into Novel
In her book on Renaissance genre theory, The Resources of Kind, Rosalie Colie observes that Renaissance is rich in uncanonical (76). In Rabelais's Gargantua and Pantagruel, as in Burton's Anatomy of Melancholy, principal kinds exploited are non-poetic: they carry an early humanist preoccupation into a later age, insisting on elevating to belletristic status kinds which had slipped below the level of artistic attention. In the literature of the la…
Sor Juana, or the Traps of Faith
Gil Vicente, Teatro
The Imagery of the "Libro de buen amor" . Gail Phillips
Espirito e letra de Gil Vicente
The Allegory of Good Love
Historie de la langue portugaise
Theme and Image in the Poetry of Sa de Miranda
Cervantes' Sententious Dogs
Rhetoric and Persuasion in Marcela's Address to the Shepherds
The Pilgrim's Role in the First Solitude
The Author's Voice in The Lusiads
T HOMAS Greene surely speaks for many moder readers when he asserts that Os Lusiadas today seems almost swamped by twentieth century. Of two great forces which animate it, imperialism and nationalism, first is largely discredited in our time, and second is beginning to be suspect . . . One can scarcely open Cam6es' volume without questioning those principles he takes most instinctively for granted. 1 I suspect, however, that presence of such idea…
Os lusiadas
Gil Vicente, Farces and Festival Plays
The Author's Voice in The Lusiads
T HOMAS Greene surely speaks for many moder readers when he asserts that Os Lusiadas today seems almost swamped by twentieth century. Of two great forces which animate it, imperialism and nationalism, first is largely discredited in our time, and second is beginning to be suspect . . . One can scarcely open Cam6es' volume without questioning those principles he takes most instinctively for granted. 1 I suspect, however, that presence of such idea…
Notes on Sixteenth-Century Portuguese Pronunciation
1955). Notes on Sixteenth-Century Portuguese Pronunciation. WORD: Vol. 11, No. 3, pp. 404-415
Notes on Sixteenth-Century Portuguese Pronunciation
1955). Notes on Sixteenth-Century Portuguese Pronunciation. WORD: Vol. 11, No. 3, pp. 404-415
Gil Vicente's Auto de la Sibila Casandra
La Alegoria en el Libro De Buen Amor
The Literary Criticism of Jorge Luis Borges
Obras dramaticas castellanas
Obras dramaticas castellanas
Comedia de Rubena
La Espana moderna (vista y sentida por los espanoles)
O Elemento Cenico em Gil Vicente
Poesia del Duecento nella Penisola Iberica
The Early Court Theater in Portugal and Valencia
The Razos de trobar of Raimon Vidal and Associated Texts
Farces and Festival Plays
Os lusiadas
Gil Vicente, Farces and Festival Plays
The Author's Voice in The Lusiads
T HOMAS Greene surely speaks for many moder readers when he asserts that Os Lusiadas today seems almost swamped by twentieth century. Of two great forces which animate it, imperialism and nationalism, first is largely discredited in our time, and second is beginning to be suspect . . . One can scarcely open Cam6es' volume without questioning those principles he takes most instinctively for granted. 1 I suspect, however, that presence of such idea…
The Pilgrim's Role in the First Solitude
Rhetoric and Persuasion in Marcela's Address to the Shepherds
Cervantes' Sententious Dogs
Historie de la langue portugaise
Theme and Image in the Poetry of Sa de Miranda
The Allegory of Good Love
The Imagery of the "Libro de buen amor" . Gail Phillips
Espirito e letra de Gil Vicente
Gil Vicente, Teatro
Art (31 works) · Early Modern Spanish Literature (19 works) · Spanish Literature and Culture Studies (12 works) · Philosophy (11 works) · History (10 works) · Humanities (10 works) · Literature (9 works) · Philosophy (8 works) · History (7 works) · Linguistics (5 works)