Morna O’neill
Biographic Data
| ID | 4007118 |
|---|---|
| NAME | Morna O’neill |
| GIVEN NAMES | Morna |
| FAMILY NAME | O’neill |
| SIGNATURE | O’NEILL M |
| AFFILIATIONS | Wake Forest University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Queen Victoria's Leaves from the Journal of Our Life in the Highlands
Queen Victoria published her first Highland memoir in 1867, a sentimental narrative of royal life dedicated to Prince Albert entitled Leaves from the Journal of Our Life in the Highlands. In response to the popularity of this edition, the publisher Smith, Elder and Co. released a lavishly illustrated edition in late 1868 to capitalize on the Christmas gift book market. It featured seventy-nine illustrations after works by various artists and phot…
Cartoons for the Cause? Walter Crane's The Anarchists of Chicago
The Craftsman's Dream’
‘The Craftsman's Dream’: Objects and DisplayinThe Children's Book Morna O'Neill A recent publication in museum studies asserted that ‘we live in a museum age’ even as it asked an existential question: ‘do museums still need objects?’1 In A.S. Byatt's The Children's Book, the answer is an emphatic yes. The South Kensington Museum of the novel is a kind of living organism that evolves, changing shape and even changing name. It fulfils different rol…
William Morris and Edward Burne‐jones
Pandora's Box
W ITH W ALTER C RANE , marginality is a question of medium. For his contemporaries, Crane's artistic practice embodied the ethos of Arts and Crafts eclecticism, apparent in this view of his studio from 1885 (Figure 15): watercolor, oil painting, tempera, sculpture, design, and illustration vie for our attention. As the painter Sir William Rothenstein recalled, “Crane could do anything he wanted, or anyone else wanted” (292). As an artist, designe…
No prominent works on this page.
Pandora's Box
W ITH W ALTER C RANE , marginality is a question of medium. For his contemporaries, Crane's artistic practice embodied the ethos of Arts and Crafts eclecticism, apparent in this view of his studio from 1885 (Figure 15): watercolor, oil painting, tempera, sculpture, design, and illustration vie for our attention. As the painter Sir William Rothenstein recalled, “Crane could do anything he wanted, or anyone else wanted” (292). As an artist, designe…
William Morris and Edward Burne‐jones
The Craftsman's Dream’
‘The Craftsman's Dream’: Objects and DisplayinThe Children's Book Morna O'Neill A recent publication in museum studies asserted that ‘we live in a museum age’ even as it asked an existential question: ‘do museums still need objects?’1 In A.S. Byatt's The Children's Book, the answer is an emphatic yes. The South Kensington Museum of the novel is a kind of living organism that evolves, changing shape and even changing name. It fulfils different rol…
Cartoons for the Cause? Walter Crane's The Anarchists of Chicago
Queen Victoria's Leaves from the Journal of Our Life in the Highlands
Queen Victoria published her first Highland memoir in 1867, a sentimental narrative of royal life dedicated to Prince Albert entitled Leaves from the Journal of Our Life in the Highlands. In response to the popularity of this edition, the publisher Smith, Elder and Co. released a lavishly illustrated edition in late 1868 to capitalize on the Christmas gift book market. It featured seventy-nine illustrations after works by various artists and phot…
Art (4 works) · Art history (4 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Citation (2 works) · Computer Science (2 works) · Library science (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works) · Anarchism and Radical Politics (1 work)