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G M Kirkwood

Biographic Data

ID400905
NAMEG M Kirkwood
GIVEN NAMESG M
FAMILY NAMEKirkwood
SIGNATUREKIRKWOOD G M
AFFILIATIONSBangor University
VERIFIEDNo
TOTAL WORKS48
TOTAL CITATIONS132
AUTHOR COUNT48
EDITOR COUNT0
FIRST PUBLICATION YEAR1952
LATEST PUBLICATION YEAR2018
H-INDEX6
  • Hesiod and Aeschylus

    Friedrich Solmsen, G M Kirkwood•BOOK•Hesiod and Aeschylus•2018•Cited by: 12

    Friedrich Solmsen provides a new approach to Hesiod's personality in this book by distinguishing Hesiod's own contributions to Greek mythology and theology from the traditional aspects of his poetry. Hesiod's vision of a better world, expressed in religious language and imagery, pictures the savagery and brutality of the earlier days of Greece giving way to an order of justice. In this new order, however, the good aspects of the past would be pre…

  • Early Greek Monody: The History of a Poetic Type

    G M Kirkwood•BOOK•Early Greek Monody•2013

  • The Ambition to Rule: Alcibiades and the Politics of Imperialism in Thucydides

    G M Kirkwood, Steven Forde•ARTICLE•The Classical World•1990

  • Sophocles: Antigone

    G M Kirkwood, Sophocles Sophocles et al.•ARTICLE•The Classical World•1989

  • Poeti, eruditi e biografi: Momenti della riflessione dei Greci sulla letteratura

    G M Kirkwood, Graziano Arrighetti•ARTICLE•The American Journal of Philology•1988•Cited by: 8

  • Choreia: Pindar and Dance

    G M Kirkwood, Gordon Kirkwood et al.•ARTICLE•The Classical World•1984•Cited by: 24

    This study reveals that the three metrical units into which most choral odes were divided refer to the disposition in space of the dancers as they recited, with climactic moments of the poetry actualized through the attitudes of the dancers and with certain themes reserved for particular sections of the poetic form.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previous…

  • Selections from Pindar

    David Campbell, David A Campbell et al.•ARTICLE•Phoenix•1984

    This book aims to fill a major gap. There was an obvious need for an English-language Pindar commentary for students which could take account of recent work. Gildersleeve, still available, is excellent, but Pindaric criticism has changed much in recent years. Farnell is good but scrappy, Fennell sensible but unimaginative, Bury imaginative but often wild, and all are out of print. K. begins with a brief introduction to Pindar's life and poetry, i…

  • Stellenregister zu: E. Bruhn, Anhang zu: Sophokles erklart von F. W. Schneidewin und A. Nauck

    G M Kirkwood, A H M Kessels et al.•ARTICLE•The Classical World•1980

  • Sophokles

    G M Kirkwood, Karl Reinhardt et al.•ARTICLE•The Classical World•1980

  • Self-Expression in Early Greek Lyric, Elegiac and Iambic Poetry

    G M Kirkwood, Odysseus Tsagarakis•ARTICLE•Phoenix•1980•Cited by: 2

  • Tradizione testuale diretta e indiretta dei poeti di Lesbo

    G M Kirkwood, S Nicosia•ARTICLE•The Classical World•1978

  • Early Greek Poetry and Philosophy. A History of Greek Epic, Lyric, and Prose to the Middle of the Fifth Century

    G M Kirkwood, Moses Hadas et al.•ARTICLE•The Classical World•1977

  • Early Greek Monody. The History of a Poetic Type

    Anthony J Podlecki, G M Kirkwood•ARTICLE•The Classical World•1976•Cited by: 5

  • Aeschyli Septem Quae Supersunt Tragoedias

    G M Kirkwood, D L Page et al.•ARTICLE•The Classical World•1974•Cited by: 39

    Contains the Greek texts of the seven extant plays of Aeschylus: Persae, Septem contra Thebas, Supplices, Agamemnon, Choephoroe, Eumenides, and Prometheus Vinctus

  • Early Greek Monody: The History of a Poetic Type

    David A Campbell, G M Kirkwood•ARTICLE•Phoenix•1974•Cited by: 9

  • Sophocles: A Reading

    G M Kirkwood, G H Gellie•ARTICLE•Phoenix•1973•Cited by: 17

  • Hamartia. Tragic Error in the Poetics of Aristotle and in Greek Tragedy

    G M Kirkwood, J M Bremer•ARTICLE•The American Journal of Philology•1971

  • Pindar, Die isthmischen Gedichte. Textkritisch herausgegeben, übersetzt und kommentiert, mit einer Analyse der pindarischen Epinikien

    G M Kirkwood, Pindar Pindar et al.•ARTICLE•The Classical World•1970

  • A History of Greek Literature

    G M Kirkwood, Albin Lesky et al.•ARTICLE•The American Journal of Philology•1969•Cited by: 3

  • The Plays of Sophocles: Commentaries. Part IV: The Oedipus Tyrannus

    G M Kirkwood, J C Kamerbeek•ARTICLE•The Classical World•1969•Cited by: 1

  • Eteocles Oiakostrophos

    G M Kirkwood•ARTICLE•Phoenix•1969•Cited by: 1

  • Boundaries of Dionysus. Athenian Foundations for the Theory of Tragedy

    G M Kirkwood, Alfred Cary Schlesinger•ARTICLE•The American Journal of Philology•1967•Cited by: 2

  • Sophokles, Antigone. Erläutert und mit einer Einleitung versehen

    G M Kirkwood, Gerhard Mueller•ARTICLE•The Classical World•1967

  • The Origin and Early Form of Greek Tragedy

    G M Kirkwood, Gerald F Else•ARTICLE•The Classical World•1966

  • The Heroic Temper: Studies in Sophoclean Tragedy

    G M Kirkwood•REVIEW•Phoenix•1966

Next
  • Aeschyli Septem Quae Supersunt Tragoedias

    G M Kirkwood, D L Page et al.•ARTICLE•The Classical World•1974•Cited by: 39

    Contains the Greek texts of the seven extant plays of Aeschylus: Persae, Septem contra Thebas, Supplices, Agamemnon, Choephoroe, Eumenides, and Prometheus Vinctus

  • Choreia: Pindar and Dance

    G M Kirkwood, Gordon Kirkwood et al.•ARTICLE•The Classical World•1984•Cited by: 24

    This study reveals that the three metrical units into which most choral odes were divided refer to the disposition in space of the dancers as they recited, with climactic moments of the poetry actualized through the attitudes of the dancers and with certain themes reserved for particular sections of the poetic form.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previous…

  • Sophocles: A Reading

    G M Kirkwood, G H Gellie•ARTICLE•Phoenix•1973•Cited by: 17

  • Hesiod and Aeschylus

    Friedrich Solmsen, G M Kirkwood•BOOK•Hesiod and Aeschylus•2018•Cited by: 12

    Friedrich Solmsen provides a new approach to Hesiod's personality in this book by distinguishing Hesiod's own contributions to Greek mythology and theology from the traditional aspects of his poetry. Hesiod's vision of a better world, expressed in religious language and imagery, pictures the savagery and brutality of the earlier days of Greece giving way to an order of justice. In this new order, however, the good aspects of the past would be pre…

  • Early Greek Monody: The History of a Poetic Type

    David A Campbell, G M Kirkwood•ARTICLE•Phoenix•1974•Cited by: 9

  • Poeti, eruditi e biografi: Momenti della riflessione dei Greci sulla letteratura

    G M Kirkwood, Graziano Arrighetti•ARTICLE•The American Journal of Philology•1988•Cited by: 8

  • Early Greek Monody. The History of a Poetic Type

    Anthony J Podlecki, G M Kirkwood•ARTICLE•The Classical World•1976•Cited by: 5

  • Anthologia Lyrica Graeca

    G M Kirkwood, Ernestus Diehl•ARTICLE•The Classical Weekly•1953•Cited by: 4

  • A History of Greek Literature

    G M Kirkwood, Albin Lesky et al.•ARTICLE•The American Journal of Philology•1969•Cited by: 3

  • Self-Expression in Early Greek Lyric, Elegiac and Iambic Poetry

    G M Kirkwood, Odysseus Tsagarakis•ARTICLE•Phoenix•1980•Cited by: 2

  • Boundaries of Dionysus. Athenian Foundations for the Theory of Tragedy

    G M Kirkwood, Alfred Cary Schlesinger•ARTICLE•The American Journal of Philology•1967•Cited by: 2

  • A Survey of Recent Publications concerning Classical Greek Lyric Poetry (Continued)

    G M Kirkwood•ARTICLE•The Classical Weekly•1953•Cited by: 2

  • The Plays of Sophocles: Commentaries. Part IV: The Oedipus Tyrannus

    G M Kirkwood, J C Kamerbeek•ARTICLE•The Classical World•1969•Cited by: 1

  • Eteocles Oiakostrophos

    G M Kirkwood•ARTICLE•Phoenix•1969•Cited by: 1

  • A Short Guide to Classical Mythology

    Ursula Schoenheim, G M Kirkwood•ARTICLE•The Classical World•1960•Cited by: 1

  • The Discovery of the Mind: The Greek Origins of European Thought

    G M Kirkwood, Bruno Snell et al.•REVIEW•The Classical Weekly•1954•Cited by: 1

  • A Survey of Recent Publications concerning Classical Greek Lyric Poetry

    G M Kirkwood•ARTICLE•The Classical Weekly•1953•Cited by: 1

  • Freundschaftsbewährung in Der Neuen Attischen Komödie: Ein Kapitel Hellenistischer Ethik Und Humanität

    G M Kirkwood, Gordon Kirkwood et al.•ARTICLE•The Classical Weekly•1952

  • A Survey of Recent Publications concerning Classical Greek Lyric Poetry

    G M Kirkwood•ARTICLE•The Classical Weekly•1953•Cited by: 1

  • A Survey of Recent Publications concerning Classical Greek Lyric Poetry (Continued)

    G M Kirkwood•ARTICLE•The Classical Weekly•1953•Cited by: 2

  • Anthologia Lyrica Graeca

    G M Kirkwood, Ernestus Diehl•ARTICLE•The Classical Weekly•1953•Cited by: 4

  • Sophocles: A Study of Heroic Humanism

    G M Kirkwood, Cedric H Whitman•ARTICLE•Phoenix•1953

  • The Discovery of the Mind: The Greek Origins of European Thought

    G M Kirkwood, Bruno Snell et al.•REVIEW•The Classical Weekly•1954•Cited by: 1

  • The Dramatic Role of the Chorus in Sophocles

    G M Kirkwood•ARTICLE•Phoenix•1954

    (1va 7r(0 i'nroKxpvrTv); it should be a part of the whole, and should participate in the drama (vvcaywvleoearac) not as in Euripides, but as in Sophocles.2 The wording of the sentence bears witness to the earnestness of the critic's conviction. He does not really mean, of course, that the chorus should be quite like one of the broKpTral, with changes of part and costume; he deliberately speaks in hyperbole to stress the personal quality that he b…

  • "Three Scenes in Sophocles' "Ajax

    G M Kirkwood, Ivan M Linforth•ARTICLE•The Classical Weekly•1955

  • Pindar and Aeschylus

    G M Kirkwood•ARTICLE•Thought•1956

  • Von Homer zur Lyrik: Wandlungen des griechischen Weltbildes im Spiegel der Sprache

    G M Kirkwood, Max Treu•ARTICLE•The American Journal of Philology•1958

  • A Study of Sophoclean Drama

    H L Tracy, G M Kirkwood•ARTICLE•The Classical World•1958

  • Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet

    G M Kirkwood, H D F Kitto•ARTICLE•Phoenix•1958

  • Bacchylidis Carmina cum Fragmentis

    G M Kirkwood, Bruno Snell•ARTICLE•The Classical World•1959

  • The Plays of Sophocles: Commentaries. Part II: The Trachiniae

    G M Kirkwood, J C Kamerbeek•ARTICLE•The Classical World•1960

  • A Short Guide to Classical Mythology

    Ursula Schoenheim, G M Kirkwood•ARTICLE•The Classical World•1960•Cited by: 1

  • A Study of Sophoclean Drama

    Cedric H Whitman, G M Kirkwood et al.•ARTICLE•Phoenix•1960

  • The Lyric Age of Greece

    G M Kirkwood, Andrew Burns et al.•ARTICLE•The Classical World•1961

  • "Bowra's "Greek Lyric Poetry

    G M Kirkwood•ARTICLE•The Classical World•1961

  • Studia Pindarica, I-II: The Eleventh Olympian Ode; The First Isthmian Ode

    G M Kirkwood, Elroy L Bundy et al.•ARTICLE•The Classical World•1962

  • Antigone and Creon

    G M Kirkwood, Ivan M Linforth et al.•ARTICLE•The Classical World•1962

  • Sophocles, Ajax. With Introduction, Revised Text, Commentary, Appendixes, Indexes and Bibliography

    G M Kirkwood, Sophocles Sophocles et al.•ARTICLE•The Classical World•1964

  • Poetae Melici Graeci

    G M Kirkwood, D L Page•ARTICLE•Phoenix•1964

  • Pindar

    G M Kirkwood, C M Bowra•ARTICLE•The Classical World•1965

  • The Origin and Early Form of Greek Tragedy

    G M Kirkwood, Gerald F Else•ARTICLE•The Classical World•1966

  • The Heroic Temper: Studies in Sophoclean Tragedy

    G M Kirkwood•REVIEW•Phoenix•1966

Classical Antiquity Studies (34 works) · Art (32 works) · Literature (22 works) · History (21 works) · Philosophy (19 works) · History (14 works) · Philosophy (10 works) · Poetry (9 works) · Computer Science (8 works) · Classical Philosophy and Thought (7 works)

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