Fintan Cullen
Biographic Data
| ID | 4009301 |
|---|---|
| NAME | Fintan Cullen |
| GIVEN NAMES | Fintan |
| FAMILY NAME | Cullen |
| SIGNATURE | CULLEN F |
| AFFILIATIONS | University of Nottingham |
| ORCID | 0000-0002-8790-6846 |
| VERIFIED | Yes |
| TOTAL WORKS | 25 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 25 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 2 |
Graphic Satire and the UK in the Long Nineteenth Century
This special issue of Visual Culture in Britain contains five articles that examine the role of the transnational in the production of political satires. The articles range from early-nineteenth-ce
The Sherwood Foresters of 1916: Memories and memorials
This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments involved in the insurrection, and participated in the firing squads that executed the rebel leaders. Yet the public and artistic memorialising of these English soldiers is not widely known, and this …
Representing the Irish Emigrant: Humour to Pathos
The nineteenth-century artist, Erskine Nicol (1825–1904) is well known for his anecdotal and humorous paintings of Irish themes. This article analyses one of his larger oils to show that on occasion he attempted a more serious representation of the rural Irish figure which asks for empathy as opposed to ridicule. The focus is on An Irish Emigrant Landing in Liverpool (signed and dated 1871; Scottish National Gallery). A key part of the analysis i…
Ireland in New York
Brian Tolle's Irish Hunger Memorial which occupies a half acre site in lower Manhattan, on the intersection of North End Avenue and Vesey Street, was unveiled in 2002. It commemorates the Irish Fam
Spectacle and Display: Setting the Terms
On Location
On location in Prague in the later twentieth century, for a film set in eighteenth-century Vienna, in Amadeus (Milos Forman, USA, 1984) one city is transposed into another, seen in place of another. This visual, temporal and spatial displacement, characteristic of film-making ‘on location’, comes about as much because of the expectations of the audience as the art of the film's production. It is this palimpsest of imaginary and actual spaces whic…
Roberts family
Crowley, Nicholas Joseph
Hone family
Roberts, Thomas Sautell
Hone, Nathaniel (Painter and printmaker)
Yeats, John Butler
Hone, Horace
Hamilton, Hugh Douglas
Hagen, William van der
Roberts, Thomas
Latham, James
Yeats family
Hunter, Robert (i)
Nicol, Erskine
Marketing National Sentiment: Lantern Slides of Evictions in Late Nineteenth-century Ireland
Sources in Irish Art: A Reader
Although the study of art history in Ireland has long been established, research in the field of Irish art history has been hampered by the difficulty in obtaining key source material on the critical reception of art. This book aims to provide an anthology of sources and documents relating to the history and development of the visual arts in Ireland form the eighteenth century to the present day.The anthology covers the period from the establishm…
Visual Politics: The Representation of Ireland 1750-1930
The Art of Assimilation: Scotland and Its Heroes
Still a Long Way to Go: Recent Irish Art History
A Free Spirit. Irish Art 1860–1960 by Kenneth McConkey , Woodbridge, Suffolk: Antique Collectors' Club, 1990. 228 pp., 116 col. plates, 61 b. & w. illus., £29.50 Irish Art and Modernism. 1880–1950 by S.B. Kennedy , Belfast: The Institute of Irish Studies at The Queen's University of Belfast, 1991, 412 pp., 100 col. plates, 120 b. & w. illus., £25 Mirrors. William III and Mother Ireland by Belinda Loftus , Dundrum, Co. Down: Picture Press, 1990, 9…
Visual Politics: The Representation of Ireland 1750-1930
Sources in Irish Art: A Reader
Although the study of art history in Ireland has long been established, research in the field of Irish art history has been hampered by the difficulty in obtaining key source material on the critical reception of art. This book aims to provide an anthology of sources and documents relating to the history and development of the visual arts in Ireland form the eighteenth century to the present day.The anthology covers the period from the establishm…
Marketing National Sentiment: Lantern Slides of Evictions in Late Nineteenth-century Ireland
Still a Long Way to Go: Recent Irish Art History
A Free Spirit. Irish Art 1860–1960 by Kenneth McConkey , Woodbridge, Suffolk: Antique Collectors' Club, 1990. 228 pp., 116 col. plates, 61 b. & w. illus., £29.50 Irish Art and Modernism. 1880–1950 by S.B. Kennedy , Belfast: The Institute of Irish Studies at The Queen's University of Belfast, 1991, 412 pp., 100 col. plates, 120 b. & w. illus., £25 Mirrors. William III and Mother Ireland by Belinda Loftus , Dundrum, Co. Down: Picture Press, 1990, 9…
The Art of Assimilation: Scotland and Its Heroes
Visual Politics: The Representation of Ireland 1750-1930
Sources in Irish Art: A Reader
Although the study of art history in Ireland has long been established, research in the field of Irish art history has been hampered by the difficulty in obtaining key source material on the critical reception of art. This book aims to provide an anthology of sources and documents relating to the history and development of the visual arts in Ireland form the eighteenth century to the present day.The anthology covers the period from the establishm…
Marketing National Sentiment: Lantern Slides of Evictions in Late Nineteenth-century Ireland
Roberts family
Crowley, Nicholas Joseph
Hone family
Roberts, Thomas Sautell
Hone, Nathaniel (Painter and printmaker)
Yeats, John Butler
Hone, Horace
Hamilton, Hugh Douglas
Hagen, William van der
Roberts, Thomas
Latham, James
Yeats family
Hunter, Robert (i)
Nicol, Erskine
On Location
On location in Prague in the later twentieth century, for a film set in eighteenth-century Vienna, in Amadeus (Milos Forman, USA, 1984) one city is transposed into another, seen in place of another. This visual, temporal and spatial displacement, characteristic of film-making ‘on location’, comes about as much because of the expectations of the audience as the art of the film's production. It is this palimpsest of imaginary and actual spaces whic…
Spectacle and Display: Setting the Terms
Ireland in New York
Brian Tolle's Irish Hunger Memorial which occupies a half acre site in lower Manhattan, on the intersection of North End Avenue and Vesey Street, was unveiled in 2002. It commemorates the Irish Fam
Representing the Irish Emigrant: Humour to Pathos
The nineteenth-century artist, Erskine Nicol (1825–1904) is well known for his anecdotal and humorous paintings of Irish themes. This article analyses one of his larger oils to show that on occasion he attempted a more serious representation of the rural Irish figure which asks for empathy as opposed to ridicule. The focus is on An Irish Emigrant Landing in Liverpool (signed and dated 1871; Scottish National Gallery). A key part of the analysis i…
The Sherwood Foresters of 1916: Memories and memorials
This paper examines the memorialisation of the Sherwood Foresters who fought during the Easter Rising of 1916 in Dublin. These men, from Nottinghamshire and Derbyshire in the English midlands, suffered the greatest casualties of the British regiments involved in the insurrection, and participated in the firing squads that executed the rebel leaders. Yet the public and artistic memorialising of these English soldiers is not widely known, and this …
Graphic Satire and the UK in the Long Nineteenth Century
This special issue of Visual Culture in Britain contains five articles that examine the role of the transnational in the production of political satires. The articles range from early-nineteenth-ce
Art (12 works) · Computer Science (10 works) · Irish and British Studies (9 works) · History (8 works) · Philosophy (7 works) · Art history (6 works) · History and Developments in Astronomy (5 works) · History (4 works) · Irish (4 works) · Political science (4 works)