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Sarah Sharp

Biographic Data

ID4011709
NAMESarah Sharp
GIVEN NAMESSarah
FAMILY NAMESharp
SIGNATURESHARP S
AFFILIATIONSCarleton University
ORCID0000-0002-3533-5957
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS9
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2023
H-INDEX1
  • A club of “murder-fanciers”

    Open Access•Sarah Sharp•ARTICLE•Nineteenth Century Contexts•2023•References: 1

    in Blackwood's Edinburgh Magazine.De Quincey's ironically inflected essay on violence and aesthetics was to influence representations of crime in literature for the next century.Presented as a leaked monthly lecture from a meeting of the "The Society of Connoisseurs in Murder" and submitted by scandalised contributor "X.Y.Z," the essay gives a history of the "art" of murder.De Quincey's chosen venue for his "modest proposal on the aesthetics of m…

  • Case report

    Open Access•Tamsin Owen, Juliana Silva et al.•ARTICLE•Frontiers in Psychiatry•2022

    There has been an increase in the occurrence of sudden onset functional tic-like behaviours in adolescents during the COVID-19 pandemic, which has had a significant impact on the affected individual's ability to engage with education. The aim of this article is to generate discussion and inform practice within schools with regard to the management of functional tic-like behaviours. An advice sheet for schools has been produced based on clinical e…

  • Restart the 'World' with Revolutionary Ruptures

    Sarah Sharp•THESIS•2021•References: 16

    The response to 9/11 involved appealing to apocalyptic rhetoric to capitalize on the affective chaos following the tragedy to discursively mobilize actors while engaging in historical (re)imagining of the state. This thesis uses Benedict Anderson's concept of Imagined Communities as it concerns national/historical-time to expand upon Paul Fussell and Lilie Chouliaraki's work on the War Imaginary. It demonstrates how the operative value of myth mi…

  • Art as Power, Convenience, Aggressor and Mediator

    Sarah Sharp•ARTICLE•Third Text•2017•Cited by: 1

    The inclusion or exclusion of artists in Egypt's cultural matrix has always been political, and it demonstrates that the bridging of art and politics constructs modes of analysis that facilitate national transformation, cultural insight, and theory building. The artworks of artists Amal Kenawy and Huda Lutfi redefine outdated, superfluous and ignored cultural expressions and meditate on what the future may deliver. Kenawy and Lutfi exhibit creati…

  • Disabled Children Negotiating School Life

    Jude MacArthur, Michael Gaffney et al.•ARTICLE•The International Journal of…•2007•Cited by: 8

  • Disabled Children Negotiating School Life

    Jude MacArthur, Michael Gaffney et al.•ARTICLE•The International Journal of…•2007•Cited by: 8

  • Art as Power, Convenience, Aggressor and Mediator

    Sarah Sharp•ARTICLE•Third Text•2017•Cited by: 1

    The inclusion or exclusion of artists in Egypt's cultural matrix has always been political, and it demonstrates that the bridging of art and politics constructs modes of analysis that facilitate national transformation, cultural insight, and theory building. The artworks of artists Amal Kenawy and Huda Lutfi redefine outdated, superfluous and ignored cultural expressions and meditate on what the future may deliver. Kenawy and Lutfi exhibit creati…

  • Disabled Children Negotiating School Life

    Jude MacArthur, Michael Gaffney et al.•ARTICLE•The International Journal of…•2007•Cited by: 8

  • Art as Power, Convenience, Aggressor and Mediator

    Sarah Sharp•ARTICLE•Third Text•2017•Cited by: 1

    The inclusion or exclusion of artists in Egypt's cultural matrix has always been political, and it demonstrates that the bridging of art and politics constructs modes of analysis that facilitate national transformation, cultural insight, and theory building. The artworks of artists Amal Kenawy and Huda Lutfi redefine outdated, superfluous and ignored cultural expressions and meditate on what the future may deliver. Kenawy and Lutfi exhibit creati…

  • Restart the 'World' with Revolutionary Ruptures

    Sarah Sharp•THESIS•2021•References: 16

    The response to 9/11 involved appealing to apocalyptic rhetoric to capitalize on the affective chaos following the tragedy to discursively mobilize actors while engaging in historical (re)imagining of the state. This thesis uses Benedict Anderson's concept of Imagined Communities as it concerns national/historical-time to expand upon Paul Fussell and Lilie Chouliaraki's work on the War Imaginary. It demonstrates how the operative value of myth mi…

  • Case report

    Open Access•Tamsin Owen, Juliana Silva et al.•ARTICLE•Frontiers in Psychiatry•2022

    There has been an increase in the occurrence of sudden onset functional tic-like behaviours in adolescents during the COVID-19 pandemic, which has had a significant impact on the affected individual's ability to engage with education. The aim of this article is to generate discussion and inform practice within schools with regard to the management of functional tic-like behaviours. An advice sheet for schools has been produced based on clinical e…

  • A club of “murder-fanciers”

    Open Access•Sarah Sharp•ARTICLE•Nineteenth Century Contexts•2023•References: 1

    in Blackwood's Edinburgh Magazine.De Quincey's ironically inflected essay on violence and aesthetics was to influence representations of crime in literature for the next century.Presented as a leaked monthly lecture from a meeting of the "The Society of Connoisseurs in Murder" and submitted by scandalised contributor "X.Y.Z," the essay gives a history of the "art" of murder.De Quincey's chosen venue for his "modest proposal on the aesthetics of m…

Psychology (3 works) · Art (2 works) · Medicine (2 works) · Political science (2 works) · Social science (2 works) · Sociology (2 works) · Advice (programming (1 works) · Aesthetics (1 works) · Agency (philosophy (1 works) · American Political and Social Dynamics (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae