Kristina Huang
Dados Biográficos
| ID | 4012286 |
|---|---|
| NOME | Kristina Huang |
| PRENOMES | Kristina |
| SOBRENOME | Huang |
| ASSINATURA | HUANG K |
| AFILIAÇÕES | University of Wisconsin–Madison |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
The Cambridge Companion to Ignatius Sancho
One of the largest archives of writing by an eighteenth-century Black individual, this volume not only connects the letters of Ignatius Sancho to their social and historical contexts but also highlights their cultural and aesthetic significance. Offering an interdisciplinary range of perspectives on Sancho and his letters from across literary, historical, and cultural studies, and authored by scholars, archivists, and performers alike, it provide…
Along and Against the Grain
Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violenc…
Mary Prince, Slavery, and Print Culture in the Anglophone Atlantic World
Blackness and lines of beauty in the eighteenth-century Anglophone Atlantic world
This essay recalibrates the visual signifier of blackness in eighteenth-century art to the period's adjoining theories and visual aesthetics of lines. The uneven archive of eighteenth-century Anglophone materials - comprised of visual representations of black subjects and written works by black subjects - invites readers of the present to move between, at least, visual and textual modes of interpretation. Building from the scholarship of David Da…
Sem obras proeminentes nesta página.
Blackness and lines of beauty in the eighteenth-century Anglophone Atlantic world
This essay recalibrates the visual signifier of blackness in eighteenth-century art to the period's adjoining theories and visual aesthetics of lines. The uneven archive of eighteenth-century Anglophone materials - comprised of visual representations of black subjects and written works by black subjects - invites readers of the present to move between, at least, visual and textual modes of interpretation. Building from the scholarship of David Da…
Along and Against the Grain
Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violenc…
Mary Prince, Slavery, and Print Culture in the Anglophone Atlantic World
The Cambridge Companion to Ignatius Sancho
One of the largest archives of writing by an eighteenth-century Black individual, this volume not only connects the letters of Ignatius Sancho to their social and historical contexts but also highlights their cultural and aesthetic significance. Offering an interdisciplinary range of perspectives on Sancho and his letters from across literary, historical, and cultural studies, and authored by scholars, archivists, and performers alike, it provide…
Atlantic World (2 obras) · Colonialism, slavery, and trade (2 obras) · History (2 obras) · Law (2 obras) · Sociology (2 obras) · Aesthetics (1 obras) · Ancient history (1 obras) · Art (1 obras) · Art history (1 obras) · Beauty (1 obras)