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Owen Chapman

Datos Biográficos

ID4012967
NOMBREOwen Chapman
NOMBRESOwen
APELLIDOChapman
FIRMACHAPMAN O
AFILIACIONESConcordia University
VERIFICADONo
TOTAL DE OBRAS8
TOTAL DE CITAS34
TOTAL COMO AUTOR6
TOTAL COMO EDITOR2
PRIMER AÑO DE PUBLICACIÓN2005
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H1
  • Sound Research for Troubling Times

    Open Access•jessie l beier, Owen Chapman•BOOK•Sound Research for Troubling Times•2024

  • Sound Research for Troubling Times

    Jessie Beier, Owen Chapman•BOOK•Sound Research for Troubling Times•2024

  • On Listening as Analysis

    Owen Chapman, Peter Sinclair•ARTICLE•Canadian Theatre Review•2020

    Our paper addresses the notion of listening as a method of analysis. Our reflections stem from our development of an interactive sound art piece entitled Selfie Orchestra. This work is produced with sound, image, and GPS data gleaned from audience members’ cell phones. It features an interactive 3D simulation of the La Friche la Belle de Mai district in Marseille, France. We begin with a brief description of this project, highlighting our attempt…

  • Knowings and Knots

    Natalie Lovele, Springgay et al.•BOOK•Knowings and Knots•2019

  • Research-Creation

    Open Access•Owen Chapman•ARTICLE•Canadian Journal of Communication•2012•Citada por: 34•Referencias: 6

    Research-creation" is an emergent category within the social sciences and humanities that speaks to contemporary media experiences and modes of knowing. Research-creation projects typically integrate a creative process, experimental aesthetic component, or an artistic work as an integral part of a study. The focus of this article is how this practice contributes to the research agenda of the digital humanities and social sciences. We discuss how …

  • The Elusive Allure of “Aura”

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2011

    This article discusses both sample-based and electronic music in relation to Walter Benjamin’s infamous text, “The Work of Art in the Age of Mechanical Reproduction.” The applicability of “aura” to such music is questioned, in favour of other considerations, such as practices of collecting, remembering, selecting, and connecting. The relationships between performance, “liveness,” and technologically enabled forms of music are explored. Authors wh…

  • Rhythm Science

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2006

    Rhythm Science is a print-based multimedia work.Formatted as a book, the work cites on its cover the author

  • Hop on Pop

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2005

  • Research-Creation

    Open Access•Owen Chapman•ARTICLE•Canadian Journal of Communication•2012•Citada por: 34•Referencias: 6

    Research-creation" is an emergent category within the social sciences and humanities that speaks to contemporary media experiences and modes of knowing. Research-creation projects typically integrate a creative process, experimental aesthetic component, or an artistic work as an integral part of a study. The focus of this article is how this practice contributes to the research agenda of the digital humanities and social sciences. We discuss how …

  • Hop on Pop

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2005

  • Rhythm Science

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2006

    Rhythm Science is a print-based multimedia work.Formatted as a book, the work cites on its cover the author

  • The Elusive Allure of “Aura”

    Owen Chapman•ARTICLE•Canadian Journal of Communication•2011

    This article discusses both sample-based and electronic music in relation to Walter Benjamin’s infamous text, “The Work of Art in the Age of Mechanical Reproduction.” The applicability of “aura” to such music is questioned, in favour of other considerations, such as practices of collecting, remembering, selecting, and connecting. The relationships between performance, “liveness,” and technologically enabled forms of music are explored. Authors wh…

  • Research-Creation

    Open Access•Owen Chapman•ARTICLE•Canadian Journal of Communication•2012•Citada por: 34•Referencias: 6

    Research-creation" is an emergent category within the social sciences and humanities that speaks to contemporary media experiences and modes of knowing. Research-creation projects typically integrate a creative process, experimental aesthetic component, or an artistic work as an integral part of a study. The focus of this article is how this practice contributes to the research agenda of the digital humanities and social sciences. We discuss how …

  • Knowings and Knots

    Natalie Lovele, Springgay et al.•BOOK•Knowings and Knots•2019

  • On Listening as Analysis

    Owen Chapman, Peter Sinclair•ARTICLE•Canadian Theatre Review•2020

    Our paper addresses the notion of listening as a method of analysis. Our reflections stem from our development of an interactive sound art piece entitled Selfie Orchestra. This work is produced with sound, image, and GPS data gleaned from audience members’ cell phones. It features an interactive 3D simulation of the La Friche la Belle de Mai district in Marseille, France. We begin with a brief description of this project, highlighting our attempt…

  • Sound Research for Troubling Times

    Open Access•jessie l beier, Owen Chapman•BOOK•Sound Research for Troubling Times•2024

  • Sound Research for Troubling Times

    Jessie Beier, Owen Chapman•BOOK•Sound Research for Troubling Times•2024

Computer Science (4 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Media studies (2 obras) · Music History and Culture (2 obras) · Visual arts (2 obras) · Active listening (1 obras) · Art history (1 obras) · Artistic and Creative Research (1 obras)

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