Fu Qi-Lin
Biographic Data
| ID | 4016766 |
|---|---|
| NAME | Fu Qi-Lin |
| GIVEN NAMES | Fu |
| FAMILY NAME | Qi-Lin |
| SIGNATURE | QI-LIN F |
| AFFILIATIONS | Sichuan University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Zygmunt Bauman's sociology of aesthetic knowledge
As a well-known neo-Marxist critical theorist from Eastern Europe, Zygmunt Bauman continues reflecting on aesthetic issues. On the basis of sociology of knowledge, especially Antonio Gramsci's theory of intellectuals, he establishes the intimate relation between this knowledge and aesthetic autonomy and develops the understanding of aesthetic modernity. He deeply explores the transformation from the aesthetic legislators in modernity to interpret…
On Ferenc Tőkei's trans-cultural interpretation of Wen Xin Diao Long
This paper analyzes Ferenc Tőkei's trans-cultural interpretation of Wen Xin Diao Long (《文心雕龙, The Literary Mind and the Carving of Dragons ) from the perspective of the 'Variation Theory of Comparative Literature'. Ferenc Tőkei, an academician of the Hungarian Academy of Sciences, was an important Sinologist, Marxist philosopher and literary theorist. His interpretation of Wen Xin Diao Long has been noted by some Chinese scholars, but not investi…
New views from China - Postgraduate perspectives from Chengdu
An introduction to György Márkus's aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in Sydney were focused on the question of modern cultural autonomy. From the 1960s to the new century, from Budapest to Sydney in Australia, he established a new form of Neo-Marxist aesthetics on the basis of critical theory drawn from Lukács to the Frankfurt School. His …
A poetical contact with Peter Beilharz through Agnes Heller
About 2500 years ago, Confucius asked, 'Is it not pleasant to have friends coming from distant quarters?' (Legge, 1991: 65).It means that it is pleasant to have friends coming from a distance.This rings true of my relationship with Peter Beilharz.He has come all the way from Melbourne to Chengdu, the capital of Sichuan Province, the most important city in southwestern China.It was through Agnes Heller that I established academic contact with Pete…
Utopia or dystopia: On Eastern European Marxist insights into science and technology in aesthetics
This paper discusses Eastern European Marxists’ consideration of science and technology concerning aesthetic dimensions. Different from most of Western Marxists who take negative or dystopian attitudes towards modern science and technology from the aesthetic utopian perspective, those Marxists who come from countries such as Hungary, Yugoslav, Poland, Czechoslovakia, East Germany, Bulgaria or Romania, which once belonged to the socialist camp, un…
Can we still be at home? Agnes Heller and China
This paper offers a short history of Agnes Heller's relationship to China through three aspects: imaginative aesthetic enjoyment, real encounters with Chinese cultural spectacles and actual audiences, and the construction of an academic community through creative dialogue. These discussions suggest that Heller felt at home in China. Although Heller has passed away, a home for us remains in her work through remembering her and engaging further wit…
The Pluralist Interpretation of Chinese Marxist Aesthetics in Contemporary European Scholarship
In Europe there have appeared several important collections on Marxist literary theory, such as Francis Mulhern’s Contemporary Marxist Literary Criticism (1992) and Terry Eagleton and Drew Milne’s Marxist Literary Theory: A Reader (1996). However, Chinese voices are not included at all in these volumes. Maybe this lacuna results from a lack of awareness of Chinese Marxist aesthetics on the part of most European literary historians and critics. In…
Six theoretical paradigms of Eastern European Marxist aesthetics
The conceptual and methodological contributions of Marxist aesthetics from Eastern European countries like Hungary, Yugoslavia, Poland, Czechoslovakia, Bulgaria, Romania, and East Germany were productive and significant despite various hurdles faced concerning institutionalization, legitimization and differing theoretical abuses. In its mode of inquiry and discursive practices, Eastern European Marxist aesthetics is both similar and dissimilar to…
The Conference on Eastern European Marxist Aesthetics, Sichuan University, Chengdu, November 2016. Abstracts from Proceedings
Restricted accessAbstractFirst published online September 28, 2017The Conference on Eastern European Marxist Aesthetics, Sichuan University, Chengdu, November 2016. Abstracts from ProceedingsFu Qilin and Peter Beilharz [email protected]View all authors and affiliationsVolume 142, Issue 1https://doi.org/10.1177/0725513617734027
On Ágnes Heller's aesthetic dimension: From ‘Marxist Renaissance’ to ‘Post-Marxist’ paradigm
From the point of view of reflected postmodernity, Ágnes Heller constructs her own discourse of aesthetics on the basis of György Lukács's contribution. She locates aesthetics in her social philosophy, philosophy of history, and ethics, transforming aesthetics from a 'Marxist Renaissance' to a 'post-Marxist' position, and points out that the paradoxes of modern culture can be avoided by a personality that is autonomous and moral in action. The no…
On Budapest School Aesthetics: An Interview with Agnes Heller
On Budapest School Aesthetics: An Interview with Agnes Heller
Can we still be at home? Agnes Heller and China
This paper offers a short history of Agnes Heller's relationship to China through three aspects: imaginative aesthetic enjoyment, real encounters with Chinese cultural spectacles and actual audiences, and the construction of an academic community through creative dialogue. These discussions suggest that Heller felt at home in China. Although Heller has passed away, a home for us remains in her work through remembering her and engaging further wit…
Six theoretical paradigms of Eastern European Marxist aesthetics
The conceptual and methodological contributions of Marxist aesthetics from Eastern European countries like Hungary, Yugoslavia, Poland, Czechoslovakia, Bulgaria, Romania, and East Germany were productive and significant despite various hurdles faced concerning institutionalization, legitimization and differing theoretical abuses. In its mode of inquiry and discursive practices, Eastern European Marxist aesthetics is both similar and dissimilar to…
On Ágnes Heller's aesthetic dimension: From ‘Marxist Renaissance’ to ‘Post-Marxist’ paradigm
From the point of view of reflected postmodernity, Ágnes Heller constructs her own discourse of aesthetics on the basis of György Lukács's contribution. She locates aesthetics in her social philosophy, philosophy of history, and ethics, transforming aesthetics from a 'Marxist Renaissance' to a 'post-Marxist' position, and points out that the paradoxes of modern culture can be avoided by a personality that is autonomous and moral in action. The no…
On Budapest School Aesthetics: An Interview with Agnes Heller
On Ágnes Heller's aesthetic dimension: From ‘Marxist Renaissance’ to ‘Post-Marxist’ paradigm
From the point of view of reflected postmodernity, Ágnes Heller constructs her own discourse of aesthetics on the basis of György Lukács's contribution. She locates aesthetics in her social philosophy, philosophy of history, and ethics, transforming aesthetics from a 'Marxist Renaissance' to a 'post-Marxist' position, and points out that the paradoxes of modern culture can be avoided by a personality that is autonomous and moral in action. The no…
The Conference on Eastern European Marxist Aesthetics, Sichuan University, Chengdu, November 2016. Abstracts from Proceedings
Restricted accessAbstractFirst published online September 28, 2017The Conference on Eastern European Marxist Aesthetics, Sichuan University, Chengdu, November 2016. Abstracts from ProceedingsFu Qilin and Peter Beilharz [email protected]View all authors and affiliationsVolume 142, Issue 1https://doi.org/10.1177/0725513617734027
The Pluralist Interpretation of Chinese Marxist Aesthetics in Contemporary European Scholarship
In Europe there have appeared several important collections on Marxist literary theory, such as Francis Mulhern’s Contemporary Marxist Literary Criticism (1992) and Terry Eagleton and Drew Milne’s Marxist Literary Theory: A Reader (1996). However, Chinese voices are not included at all in these volumes. Maybe this lacuna results from a lack of awareness of Chinese Marxist aesthetics on the part of most European literary historians and critics. In…
Six theoretical paradigms of Eastern European Marxist aesthetics
The conceptual and methodological contributions of Marxist aesthetics from Eastern European countries like Hungary, Yugoslavia, Poland, Czechoslovakia, Bulgaria, Romania, and East Germany were productive and significant despite various hurdles faced concerning institutionalization, legitimization and differing theoretical abuses. In its mode of inquiry and discursive practices, Eastern European Marxist aesthetics is both similar and dissimilar to…
Can we still be at home? Agnes Heller and China
This paper offers a short history of Agnes Heller's relationship to China through three aspects: imaginative aesthetic enjoyment, real encounters with Chinese cultural spectacles and actual audiences, and the construction of an academic community through creative dialogue. These discussions suggest that Heller felt at home in China. Although Heller has passed away, a home for us remains in her work through remembering her and engaging further wit…
Utopia or dystopia: On Eastern European Marxist insights into science and technology in aesthetics
This paper discusses Eastern European Marxists’ consideration of science and technology concerning aesthetic dimensions. Different from most of Western Marxists who take negative or dystopian attitudes towards modern science and technology from the aesthetic utopian perspective, those Marxists who come from countries such as Hungary, Yugoslav, Poland, Czechoslovakia, East Germany, Bulgaria or Romania, which once belonged to the socialist camp, un…
An introduction to György Márkus's aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in Sydney were focused on the question of modern cultural autonomy. From the 1960s to the new century, from Budapest to Sydney in Australia, he established a new form of Neo-Marxist aesthetics on the basis of critical theory drawn from Lukács to the Frankfurt School. His …
A poetical contact with Peter Beilharz through Agnes Heller
About 2500 years ago, Confucius asked, 'Is it not pleasant to have friends coming from distant quarters?' (Legge, 1991: 65).It means that it is pleasant to have friends coming from a distance.This rings true of my relationship with Peter Beilharz.He has come all the way from Melbourne to Chengdu, the capital of Sichuan Province, the most important city in southwestern China.It was through Agnes Heller that I established academic contact with Pete…
On Ferenc Tőkei's trans-cultural interpretation of Wen Xin Diao Long
This paper analyzes Ferenc Tőkei's trans-cultural interpretation of Wen Xin Diao Long (《文心雕龙, The Literary Mind and the Carving of Dragons ) from the perspective of the 'Variation Theory of Comparative Literature'. Ferenc Tőkei, an academician of the Hungarian Academy of Sciences, was an important Sinologist, Marxist philosopher and literary theorist. His interpretation of Wen Xin Diao Long has been noted by some Chinese scholars, but not investi…
New views from China - Postgraduate perspectives from Chengdu
Zygmunt Bauman's sociology of aesthetic knowledge
As a well-known neo-Marxist critical theorist from Eastern Europe, Zygmunt Bauman continues reflecting on aesthetic issues. On the basis of sociology of knowledge, especially Antonio Gramsci's theory of intellectuals, he establishes the intimate relation between this knowledge and aesthetic autonomy and develops the understanding of aesthetic modernity. He deeply explores the transformation from the aesthetic legislators in modernity to interpret…
Sociology (9 works) · Aesthetics (7 works) · Art (6 works) · Law (6 works) · Marxist philosophy (6 works) · Philosophy (6 works) · Political science (6 works) · Art, Politics, and Modernism (5 works) · Critical Theory and Philosophy (5 works) · Epistemology (5 works)