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Bruce Heiden

Biographic Data

ID401682
NAMEBruce Heiden
GIVEN NAMESBruce
FAMILY NAMEHeiden
SIGNATUREHEIDEN B
AFFILIATIONSThe Ohio State University
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS76
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2013
H-INDEX5
  • The Ideology of Political Science

    Open Access•Bruce Heiden•ARTICLE•Academic Questions•2013

  • Scholarship, 18th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, 20th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Querelle des Anciens et des Modernes, La

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, 19th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Translations

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, Renaissance through 17th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Homer's Cosmic Fabrication: Choice and Design in the Iliad

    Bruce Heiden, Bruce A Heiden•BOOK•Homer's cosmic fabrication•2008•Cited by: 5•References: 37

    Although scholars routinely state that the Iliad is an “oral poem,” it has circulated as a text stabilized in writing since near the time of its composition. Thus, the Iliad undoubtedly has features that render it satisfactory to readers and reading. But the question of what these features might be has been difficult for Homeric scholarship to address within the research paradigm of “oral poetics.” This book delineates a new approach aimed at eva…

  • Eavesdropping on Apollo: Sophocles' Oedipus the King

    Bruce Heiden•ARTICLE•Literary Imagination•2005•Cited by: 1

    Journal Article Eavesdropping on Apollo: Sophocles' Oedipus the King Get access Bruce Heiden Bruce Heiden Search for other works by this author on: Oxford Academic Google Scholar Literary Imagination, Volume 7, Issue 2, Spring 2005, Pages 233–257, https://doi.org/10.1093/litimag/7.2.233 Published: 01 March 2005

  • Homer beside Himself: Para-Narratives in the Iliad

    Bruce Heiden, Maureen Alden et al.•BOOK•Homer beside himself•2001•Cited by: 12

    Students reading the Iliad for the first time are often bewildered by the sheer volume of information on apparently unrelated subjects contained in it. The central narrative seems to unfold very slowly, and to be complicated by long speeches containing stories which might be interesting in themselves, but which seem to have no relevance to anything else. In this book Dr Alden offers advice on how to read the Iliad through the relationship of majo…

  • The Placement of "Book Divisions" in the Odyssey

    Bruce Heiden•ARTICLE•Classical Philology•2000

  • The Simile of the Fugitive Homicide, Iliad 24.480–84: Analogy, Foiling, and Allusion

    Bruce Heiden•ARTICLE•The American Journal of Philology•1998•References: 8

    The Simile of the Fugitive Homicide, Iliad 24.480–84:Analogy, Foiling, and Allusion Bruce Heiden Homer elaborates "the most dramatic moment in the whole of the Iliad"1 with a unique, disturbing, and pathetic simile. Only in the scene of Priam's unheralded arrival in Achilles' lodging does the predicament of a murderer seeking refuge in a strange land ever provide the material for a Homeric illustration. (Il. 24.477–86) The simile explicitly compa…

  • The Ordeals of Homeric Song

    Bruce Heiden, Bruce A Heiden•ARTICLE•Arethusa•1997•Cited by: 1•References: 28

    The Ordeals of Homeric Song Bruce Heiden In a recently published work,1 Richard Seaford has offered one of the most ambitious efforts yet to address the social and ritual contexts of the Homeric epics and to interpret the cultural significance of the epics as they assumed the approximate form in which we know them. The basic point of Seaford's complex argument is that the Iliad and Odyssey should be seen as parallel developments to the public fun…

  • The Singer of Tales in Performance

    Bruce Heiden, John Miles Foley•ARTICLE•The Classical World•1997

  • Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge

    Bruce Heiden, Charles Segal•ARTICLE•The Classical World•1995•Cited by: 12

    Illustrations Preface to the Second Edition A Note on References and Acknowledgments Chronology LITERARY AND HISTORICAL CONTEXT 1: Introduction 2: Historical and Cultural Background 3: Performance, Theater, and Social Context 4: The Oedipus Myth and Its Interpretation 5: Oedipus and the Trials of the Hero 6: Life's Tragic Shape: Plot, Design, and Destiny READING OEDIPUS TYRANNUS 7: The Crisis of the City and the King 8: Discovery and Reversal 9: …

  • Thersites: A Study in Comic Shame

    Bruce Heiden, Eddie R Lowry Eddie R Lowry et al.•ARTICLE•The Classical World•1994

  • Religion and Politics in Aristophanes' Clouds

    Bruce Heiden, Marie C Marianetti•ARTICLE•The Classical World•1994•Cited by: 1

  • Propertius I

    Bruce Heiden, Robert J Baker•ARTICLE•The Classical World•1992

  • Tragic Rhetoric: An Interpretation of Sophocles' Trachiniae

    William C Scott, Bruce Heiden•ARTICLE•Phoenix•1992•Cited by: 12

    This innovative study of Sophocles' Trachiniae deepens our appreciation of the enigmatic nature of Sophoclean tragedy and its place in the Athens of the Sophists. By carefully examining the play's narrative and rhetorical strategies, Bruce Heiden shows that the plot of Trachiniae must be constructed by the creative interpretation of the spectator or reader, and he demonstrates that Sophocles' extensive use of speeches reporting offstage events dr…

  • Tragedy and Comedy in the Frogs of Aristophanes

    Open Access•Bruce Heiden•ARTICLE•Ramus•1991•Cited by: 19•References: 10

    Whenever we discuss the Frogs of Aristophanes we find ourselves discussing Athenian tragedy in the Frogs , because Frogs is the play that sends Dionysos down to Hades to recall the tragedian Euripides to Athens, the play that pits Aeschylus and Euripides against one another in a contest that provides one of the earliest specimens of Western literary criticism, and the play in which Aeschylus is finally resurrected to bring the Athenians the teach…

  • Laudes Herculeae: Suppressed Savagery in the Hymn to Hercules, Verg. A. 8.285-305

    Bruce Heiden•ARTICLE•The American Journal of Philology•1987•Cited by: 13

  • Tragedy and Comedy in the Frogs of Aristophanes

    Open Access•Bruce Heiden•ARTICLE•Ramus•1991•Cited by: 19•References: 10

    Whenever we discuss the Frogs of Aristophanes we find ourselves discussing Athenian tragedy in the Frogs , because Frogs is the play that sends Dionysos down to Hades to recall the tragedian Euripides to Athens, the play that pits Aeschylus and Euripides against one another in a contest that provides one of the earliest specimens of Western literary criticism, and the play in which Aeschylus is finally resurrected to bring the Athenians the teach…

  • Laudes Herculeae: Suppressed Savagery in the Hymn to Hercules, Verg. A. 8.285-305

    Bruce Heiden•ARTICLE•The American Journal of Philology•1987•Cited by: 13

  • Homer beside Himself: Para-Narratives in the Iliad

    Bruce Heiden, Maureen Alden et al.•BOOK•Homer beside himself•2001•Cited by: 12

    Students reading the Iliad for the first time are often bewildered by the sheer volume of information on apparently unrelated subjects contained in it. The central narrative seems to unfold very slowly, and to be complicated by long speeches containing stories which might be interesting in themselves, but which seem to have no relevance to anything else. In this book Dr Alden offers advice on how to read the Iliad through the relationship of majo…

  • Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge

    Bruce Heiden, Charles Segal•ARTICLE•The Classical World•1995•Cited by: 12

    Illustrations Preface to the Second Edition A Note on References and Acknowledgments Chronology LITERARY AND HISTORICAL CONTEXT 1: Introduction 2: Historical and Cultural Background 3: Performance, Theater, and Social Context 4: The Oedipus Myth and Its Interpretation 5: Oedipus and the Trials of the Hero 6: Life's Tragic Shape: Plot, Design, and Destiny READING OEDIPUS TYRANNUS 7: The Crisis of the City and the King 8: Discovery and Reversal 9: …

  • Tragic Rhetoric: An Interpretation of Sophocles' Trachiniae

    William C Scott, Bruce Heiden•ARTICLE•Phoenix•1992•Cited by: 12

    This innovative study of Sophocles' Trachiniae deepens our appreciation of the enigmatic nature of Sophoclean tragedy and its place in the Athens of the Sophists. By carefully examining the play's narrative and rhetorical strategies, Bruce Heiden shows that the plot of Trachiniae must be constructed by the creative interpretation of the spectator or reader, and he demonstrates that Sophocles' extensive use of speeches reporting offstage events dr…

  • Homer's Cosmic Fabrication: Choice and Design in the Iliad

    Bruce Heiden, Bruce A Heiden•BOOK•Homer's cosmic fabrication•2008•Cited by: 5•References: 37

    Although scholars routinely state that the Iliad is an “oral poem,” it has circulated as a text stabilized in writing since near the time of its composition. Thus, the Iliad undoubtedly has features that render it satisfactory to readers and reading. But the question of what these features might be has been difficult for Homeric scholarship to address within the research paradigm of “oral poetics.” This book delineates a new approach aimed at eva…

  • Eavesdropping on Apollo: Sophocles' Oedipus the King

    Bruce Heiden•ARTICLE•Literary Imagination•2005•Cited by: 1

    Journal Article Eavesdropping on Apollo: Sophocles' Oedipus the King Get access Bruce Heiden Bruce Heiden Search for other works by this author on: Oxford Academic Google Scholar Literary Imagination, Volume 7, Issue 2, Spring 2005, Pages 233–257, https://doi.org/10.1093/litimag/7.2.233 Published: 01 March 2005

  • The Ordeals of Homeric Song

    Bruce Heiden, Bruce A Heiden•ARTICLE•Arethusa•1997•Cited by: 1•References: 28

    The Ordeals of Homeric Song Bruce Heiden In a recently published work,1 Richard Seaford has offered one of the most ambitious efforts yet to address the social and ritual contexts of the Homeric epics and to interpret the cultural significance of the epics as they assumed the approximate form in which we know them. The basic point of Seaford's complex argument is that the Iliad and Odyssey should be seen as parallel developments to the public fun…

  • Religion and Politics in Aristophanes' Clouds

    Bruce Heiden, Marie C Marianetti•ARTICLE•The Classical World•1994•Cited by: 1

  • Laudes Herculeae: Suppressed Savagery in the Hymn to Hercules, Verg. A. 8.285-305

    Bruce Heiden•ARTICLE•The American Journal of Philology•1987•Cited by: 13

  • Tragedy and Comedy in the Frogs of Aristophanes

    Open Access•Bruce Heiden•ARTICLE•Ramus•1991•Cited by: 19•References: 10

    Whenever we discuss the Frogs of Aristophanes we find ourselves discussing Athenian tragedy in the Frogs , because Frogs is the play that sends Dionysos down to Hades to recall the tragedian Euripides to Athens, the play that pits Aeschylus and Euripides against one another in a contest that provides one of the earliest specimens of Western literary criticism, and the play in which Aeschylus is finally resurrected to bring the Athenians the teach…

  • Propertius I

    Bruce Heiden, Robert J Baker•ARTICLE•The Classical World•1992

  • Tragic Rhetoric: An Interpretation of Sophocles' Trachiniae

    William C Scott, Bruce Heiden•ARTICLE•Phoenix•1992•Cited by: 12

    This innovative study of Sophocles' Trachiniae deepens our appreciation of the enigmatic nature of Sophoclean tragedy and its place in the Athens of the Sophists. By carefully examining the play's narrative and rhetorical strategies, Bruce Heiden shows that the plot of Trachiniae must be constructed by the creative interpretation of the spectator or reader, and he demonstrates that Sophocles' extensive use of speeches reporting offstage events dr…

  • Thersites: A Study in Comic Shame

    Bruce Heiden, Eddie R Lowry Eddie R Lowry et al.•ARTICLE•The Classical World•1994

  • Religion and Politics in Aristophanes' Clouds

    Bruce Heiden, Marie C Marianetti•ARTICLE•The Classical World•1994•Cited by: 1

  • Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge

    Bruce Heiden, Charles Segal•ARTICLE•The Classical World•1995•Cited by: 12

    Illustrations Preface to the Second Edition A Note on References and Acknowledgments Chronology LITERARY AND HISTORICAL CONTEXT 1: Introduction 2: Historical and Cultural Background 3: Performance, Theater, and Social Context 4: The Oedipus Myth and Its Interpretation 5: Oedipus and the Trials of the Hero 6: Life's Tragic Shape: Plot, Design, and Destiny READING OEDIPUS TYRANNUS 7: The Crisis of the City and the King 8: Discovery and Reversal 9: …

  • The Ordeals of Homeric Song

    Bruce Heiden, Bruce A Heiden•ARTICLE•Arethusa•1997•Cited by: 1•References: 28

    The Ordeals of Homeric Song Bruce Heiden In a recently published work,1 Richard Seaford has offered one of the most ambitious efforts yet to address the social and ritual contexts of the Homeric epics and to interpret the cultural significance of the epics as they assumed the approximate form in which we know them. The basic point of Seaford's complex argument is that the Iliad and Odyssey should be seen as parallel developments to the public fun…

  • The Singer of Tales in Performance

    Bruce Heiden, John Miles Foley•ARTICLE•The Classical World•1997

  • The Simile of the Fugitive Homicide, Iliad 24.480–84: Analogy, Foiling, and Allusion

    Bruce Heiden•ARTICLE•The American Journal of Philology•1998•References: 8

    The Simile of the Fugitive Homicide, Iliad 24.480–84:Analogy, Foiling, and Allusion Bruce Heiden Homer elaborates "the most dramatic moment in the whole of the Iliad"1 with a unique, disturbing, and pathetic simile. Only in the scene of Priam's unheralded arrival in Achilles' lodging does the predicament of a murderer seeking refuge in a strange land ever provide the material for a Homeric illustration. (Il. 24.477–86) The simile explicitly compa…

  • The Placement of "Book Divisions" in the Odyssey

    Bruce Heiden•ARTICLE•Classical Philology•2000

  • Homer beside Himself: Para-Narratives in the Iliad

    Bruce Heiden, Maureen Alden et al.•BOOK•Homer beside himself•2001•Cited by: 12

    Students reading the Iliad for the first time are often bewildered by the sheer volume of information on apparently unrelated subjects contained in it. The central narrative seems to unfold very slowly, and to be complicated by long speeches containing stories which might be interesting in themselves, but which seem to have no relevance to anything else. In this book Dr Alden offers advice on how to read the Iliad through the relationship of majo…

  • Eavesdropping on Apollo: Sophocles' Oedipus the King

    Bruce Heiden•ARTICLE•Literary Imagination•2005•Cited by: 1

    Journal Article Eavesdropping on Apollo: Sophocles' Oedipus the King Get access Bruce Heiden Bruce Heiden Search for other works by this author on: Oxford Academic Google Scholar Literary Imagination, Volume 7, Issue 2, Spring 2005, Pages 233–257, https://doi.org/10.1093/litimag/7.2.233 Published: 01 March 2005

  • Homer's Cosmic Fabrication: Choice and Design in the Iliad

    Bruce Heiden, Bruce A Heiden•BOOK•Homer's cosmic fabrication•2008•Cited by: 5•References: 37

    Although scholars routinely state that the Iliad is an “oral poem,” it has circulated as a text stabilized in writing since near the time of its composition. Thus, the Iliad undoubtedly has features that render it satisfactory to readers and reading. But the question of what these features might be has been difficult for Homeric scholarship to address within the research paradigm of “oral poetics.” This book delineates a new approach aimed at eva…

  • Scholarship, 18th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, 20th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Querelle des Anciens et des Modernes, La

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, 19th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • Translations

    Open Access•Bruce Heiden•CHAPTER•2011

  • Scholarship, Renaissance through 17th Century

    Open Access•Bruce Heiden•CHAPTER•2011

  • The Ideology of Political Science

    Open Access•Bruce Heiden•ARTICLE•Academic Questions•2013

Art (14 works) · Classical Antiquity Studies (12 works) · Literature (12 works) · History (10 works) · Computer Science (8 works) · Law (8 works) · Philosophy (8 works) · Political science (8 works) · Philosophy (7 works) · Library science (6 works)

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