Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Kevin Pyon

Biographic Data

ID4017553
NAMEKevin Pyon
GIVEN NAMESKevin
FAMILY NAMEPyon
SIGNATUREPYON K
AFFILIATIONSPennsylvania State University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Kinlessness and the (Idea of the) Slave Narrative Tradition

    Kevin Pyon•ARTICLE•CR The New Centennial Review•2024•References: 7

  • Between Psychoanalysis and History

    Kevin Pyon•ARTICLE•Women s Studies•2023•References: 14

    This essay considers the cultural legacy of Toni Morrison in modern Black horror by exploring the artistic and political lineage between _Playing in the Dark_ (1992) and _Beloved_ (1987) and the film _Candyman_ (2021), co-written and directed by Mia DaCosta. Throughout her career, Morrison sought to unsettle the conventional boundaries between psychoanalytic and historical discourses, a critical and literary endeavor which comprised a connection …

  • Towards an African-American Genealogy of Market and Religion in Rap Music

    Kevin Pyon•ARTICLE•Popular Music & Society•2018•Cited by: 1•References: 9

    This essay provides a new reading of the intersections between religion and rap music in its genealogical consideration of how black laborers’ orientations to the market—from the antebellum slave market to the contemporary music industry—have informed their consequent commodifications of race and religion. The essay (1) traces the informal economy and sacred world of the slaves to the twinned births of the modern black prosperity gospel and hip-h…

  • Towards an African-American Genealogy of Market and Religion in Rap Music

    Kevin Pyon•ARTICLE•Popular Music & Society•2018•Cited by: 1•References: 9

    This essay provides a new reading of the intersections between religion and rap music in its genealogical consideration of how black laborers’ orientations to the market—from the antebellum slave market to the contemporary music industry—have informed their consequent commodifications of race and religion. The essay (1) traces the informal economy and sacred world of the slaves to the twinned births of the modern black prosperity gospel and hip-h…

  • Towards an African-American Genealogy of Market and Religion in Rap Music

    Kevin Pyon•ARTICLE•Popular Music & Society•2018•Cited by: 1•References: 9

    This essay provides a new reading of the intersections between religion and rap music in its genealogical consideration of how black laborers’ orientations to the market—from the antebellum slave market to the contemporary music industry—have informed their consequent commodifications of race and religion. The essay (1) traces the informal economy and sacred world of the slaves to the twinned births of the modern black prosperity gospel and hip-h…

  • Between Psychoanalysis and History

    Kevin Pyon•ARTICLE•Women s Studies•2023•References: 14

    This essay considers the cultural legacy of Toni Morrison in modern Black horror by exploring the artistic and political lineage between _Playing in the Dark_ (1992) and _Beloved_ (1987) and the film _Candyman_ (2021), co-written and directed by Mia DaCosta. Throughout her career, Morrison sought to unsettle the conventional boundaries between psychoanalytic and historical discourses, a critical and literary endeavor which comprised a connection …

  • Kinlessness and the (Idea of the) Slave Narrative Tradition

    Kevin Pyon•ARTICLE•CR The New Centennial Review•2024•References: 7

Art (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art history (1 works) · Caribbean history, culture, and politics (1 works) · Cinema and Media Studies (1 works) · Commodification (1 works) · Economics (1 works) · Economy (1 works) · Gender Studies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae