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Margarita San Andrés Moya

Biographic Data

ID4017787
NAMEMargarita San Andrés Moya
GIVEN NAMESMargarita San Andrés
FAMILY NAMEMoya
SIGNATUREMOYA M S A
AFFILIATIONSUniversidad Complutense de Madrid
ORCID0000-0001-8490-6237
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The Oddy test applied to the study of fused deposition modelling additive manufacturing materials

    Open Access•María Higueras, I Díaz et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

  • Testing acid products thickened with xanthan gum for the removal of calcium carbonate deposits on ceramics

    Open Access•Águeda Sáenz-Martínez, Marta Pérez-Estebanez et al.•ARTICLE•Journal of Cultural Heritage•2024

    One of the most frequent alterations to archaeological objects is the presence of calcium carbonate deposits, which usually appear on stone and pottery. Their existence makes analysing these historical artefacts more difficult, so their removal becomes necessary. Nonetheless, the most popular methods for their elimination include applying a combination of chemicals followed by a mechanical action, both of which have the potential to harm the arte…

  • Use of 3D printing PLA and ABS materials for fine art. Analysis of composition and long-term behaviour of raw filament and printed parts

    Open Access•Margarita San Andrés, Margarita San Andrés Moya et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 28

    3D printing is an additive manufacturing technique which involves the physical fabrication of an object from a digital model, by binding thin successive layers to build up the final shape. It was originated in the 1980s and currently is widely available for its use in contemporary sculpture. Fused Deposition Modelling (FDM) is one of the most accessible techniques for artists to carry out their work, turning ABS and PLA into the most commonly the…

  • Los tejidos en las colecciones de los museos españoles, una larga historia de valoración y conservación

    Open Access•María López Rey, Ruth Chércoles Asensio et al.•ARTICLE•Arte individuo y sociedad•2022

    Los tejidos han estado asociados al ser humano desde la más remota antigüedad, como objetos de consumo, fueron reparados, modificados y hasta abandonados. En un momento dado surgió el interés por su coleccionismo y se crearon los primeros museos donde conservarlos. Sin embargo, esto no hizo que su valor cambiará, y durante muchos años continuaron siendo tratados como objetos de consumo, con tratamientos poco afortunados y una total falta de docum…

  • Use of 3D printing PLA and ABS materials for fine art. Analysis of composition and long-term behaviour of raw filament and printed parts

    Open Access•Margarita San Andrés, Margarita San Andrés Moya et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 28

    3D printing is an additive manufacturing technique which involves the physical fabrication of an object from a digital model, by binding thin successive layers to build up the final shape. It was originated in the 1980s and currently is widely available for its use in contemporary sculpture. Fused Deposition Modelling (FDM) is one of the most accessible techniques for artists to carry out their work, turning ABS and PLA into the most commonly the…

  • Los tejidos en las colecciones de los museos españoles, una larga historia de valoración y conservación

    Open Access•María López Rey, Ruth Chércoles Asensio et al.•ARTICLE•Arte individuo y sociedad•2022

    Los tejidos han estado asociados al ser humano desde la más remota antigüedad, como objetos de consumo, fueron reparados, modificados y hasta abandonados. En un momento dado surgió el interés por su coleccionismo y se crearon los primeros museos donde conservarlos. Sin embargo, esto no hizo que su valor cambiará, y durante muchos años continuaron siendo tratados como objetos de consumo, con tratamientos poco afortunados y una total falta de docum…

  • Use of 3D printing PLA and ABS materials for fine art. Analysis of composition and long-term behaviour of raw filament and printed parts

    Open Access•Margarita San Andrés, Margarita San Andrés Moya et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 28

    3D printing is an additive manufacturing technique which involves the physical fabrication of an object from a digital model, by binding thin successive layers to build up the final shape. It was originated in the 1980s and currently is widely available for its use in contemporary sculpture. Fused Deposition Modelling (FDM) is one of the most accessible techniques for artists to carry out their work, turning ABS and PLA into the most commonly the…

  • Testing acid products thickened with xanthan gum for the removal of calcium carbonate deposits on ceramics

    Open Access•Águeda Sáenz-Martínez, Marta Pérez-Estebanez et al.•ARTICLE•Journal of Cultural Heritage•2024

    One of the most frequent alterations to archaeological objects is the presence of calcium carbonate deposits, which usually appear on stone and pottery. Their existence makes analysing these historical artefacts more difficult, so their removal becomes necessary. Nonetheless, the most popular methods for their elimination include applying a combination of chemicals followed by a mechanical action, both of which have the potential to harm the arte…

  • The Oddy test applied to the study of fused deposition modelling additive manufacturing materials

    Open Access•María Higueras, I Díaz et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

Chemistry (2 works) · Composite material (2 works) · Materials Science (2 works) · 3D printing (1 work) · Additive Manufacturing and 3D Printing Technologies (1 work) · Art (1 work) · Building materials and conservation (1 work) · Calcium (1 work) · Calcium carbonate (1 work) · Carbonate (1 work)

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