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Verena Adamik

Biographic Data

ID4044450
NAMEVerena Adamik
GIVEN NAMESVerena
FAMILY NAMEAdamik
SIGNATUREADAMIK V
AFFILIATIONSLeuphana University of Lüneburg
ORCID0000-0002-1673-1065
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Changeling Genres and the Glamour of the Human

    Open Access•Verena Adamik•ARTICLE•Amerikastudien/American Studies•2024

    Employing a notion of “glamour,” Victor LaValle’s "The Changeling" pushes readers to re-adjust their vision of how the world is made. In the novel, glamour operates as an “illusion” that serves to “obscure[ ] the suffering of the weak” (247; 384). This essay traces glamour’s obscuring force by putting LaValle’s work in conversation with Mark Jerng’s analysis of literary genre as a mode of “racial worldmaking” that centrally employs but obscures t…

  • Dreaming the Present

    Verena Adamik•ARTICLE•Utopian Studies•2024

    Contributors to Utopian Studies and members of various utopian studies networks have acknowledged that Black utopias—in all the faces that utopianism can take—are still largely neglected and underrepresented in our publications, meetings, and theorizations (this also goes for utopias outside of White, Western normativity in general). Studies from within our field that sought to take the first steps to address this exclusion convincingly argue tha…

  • Making worlds from literature

    Open Access•Verena Adamik•ARTICLE•Thesis Eleven•2021•References: 1

    While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western lite…

  • From Utopian Island to Global Empire

    Verena Adamik•ARTICLE•Utopian Studies•2021

    This article discusses how Alex Garland's The Beach (1996) engages with conceptions of utopian islands, nation, and colonialism in modernity and how it, from this basis, develops a different spatiality that reflects on a more deterritorialized form of imperial domination within late twentieth-century globalization, as exercised by the United States. The novel is shown to subvert, but not to abolish, two spatial formations that originated in early…

  • In Search of the Utopian States of America

    Open Access•Verena Adamik•BOOK•In Search of the Utopian States…•2020

No prominent works on this page.

  • In Search of the Utopian States of America

    Open Access•Verena Adamik•BOOK•In Search of the Utopian States…•2020

  • Making worlds from literature

    Open Access•Verena Adamik•ARTICLE•Thesis Eleven•2021•References: 1

    While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western lite…

  • From Utopian Island to Global Empire

    Verena Adamik•ARTICLE•Utopian Studies•2021

    This article discusses how Alex Garland's The Beach (1996) engages with conceptions of utopian islands, nation, and colonialism in modernity and how it, from this basis, develops a different spatiality that reflects on a more deterritorialized form of imperial domination within late twentieth-century globalization, as exercised by the United States. The novel is shown to subvert, but not to abolish, two spatial formations that originated in early…

  • Changeling Genres and the Glamour of the Human

    Open Access•Verena Adamik•ARTICLE•Amerikastudien/American Studies•2024

    Employing a notion of “glamour,” Victor LaValle’s "The Changeling" pushes readers to re-adjust their vision of how the world is made. In the novel, glamour operates as an “illusion” that serves to “obscure[ ] the suffering of the weak” (247; 384). This essay traces glamour’s obscuring force by putting LaValle’s work in conversation with Mark Jerng’s analysis of literary genre as a mode of “racial worldmaking” that centrally employs but obscures t…

  • Dreaming the Present

    Verena Adamik•ARTICLE•Utopian Studies•2024

    Contributors to Utopian Studies and members of various utopian studies networks have acknowledged that Black utopias—in all the faces that utopianism can take—are still largely neglected and underrepresented in our publications, meetings, and theorizations (this also goes for utopias outside of White, Western normativity in general). Studies from within our field that sought to take the first steps to address this exclusion convincingly argue tha…

Art (4 works) · Art history (3 works) · Literature (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Epistemology (2 works) · History (2 works) · Law (2 works)

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