Zofia Kolbuszewska
Biographic Data
| ID | 4044568 |
|---|---|
| NAME | Zofia Kolbuszewska |
| GIVEN NAMES | Zofia |
| FAMILY NAME | Kolbuszewska |
| SIGNATURE | KOLBUSZEWSKA Z |
| AFFILIATIONS | University of Wrocław |
| ORCID | 0000-0002-4826-5089 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Brutalny kontakt cielesny z dzikością Appalachów: Ból, śmierć i odwrócona retoryka gwałtu w filmie „Deliverance” (1972)
The article invokes a resurgent interest in John Boorman’s 1972 Hollywood classic Deliverance, spurred by the fiftieth anniversary of its release. The author considers the film’s reversal of the rhetoric of rape and sexual violence committed on nature by the extraction industry in Appalachia. Deliverance on the one hand reinforces, and on the other hand modifies region’s ill repute by dramatizing a clash between the grotesque model of local “unco…
Of Axolotls, Vulnerable Bodies and Transnational History Politics: Neobaroque Representation of the Mexican-American Borderland Identity in the Film Bardo, False Chronicle of a Handful of Truths by Al…
This article examines Alejandro González Iñárritu’s skillful employment of neobaroque representation strategies in his metacinematic emography Bardo, False Chronicle of a Handful of Truths, to present the complexities of the borderland identity of Mexican-American emigrants, and its entanglement in the legacy of the myth of the Mexican character with its axolotl symbolism. The inquiry focuses in particular on the director’s porte-parole Silverio …
Fidelity, Betrayals, and Contingent Utopian Solidarity in Thomas Pynchon's Vineland
This article addresses Thomas Pynchon's examination in Vineland of utopian desire that gives rise to the flawed and contingent solidarity of those victimized and hurt by American history. The Reaganite media appropriations of representations of the 1960s cultural and political revolution and mediated history of the political betrayals that contributed to the failure of political communities in the 1960s and 1970s are coupled in Pynchon's novel wi…
Maria Holmgren Troy's In the First Person and in the House: The House Chronotope in Four Works by American Women Writers
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Maria Holmgren Troy's In the First Person and in the House: The House Chronotope in Four Works by American Women Writers
Fidelity, Betrayals, and Contingent Utopian Solidarity in Thomas Pynchon's Vineland
This article addresses Thomas Pynchon's examination in Vineland of utopian desire that gives rise to the flawed and contingent solidarity of those victimized and hurt by American history. The Reaganite media appropriations of representations of the 1960s cultural and political revolution and mediated history of the political betrayals that contributed to the failure of political communities in the 1960s and 1970s are coupled in Pynchon's novel wi…
Of Axolotls, Vulnerable Bodies and Transnational History Politics: Neobaroque Representation of the Mexican-American Borderland Identity in the Film Bardo, False Chronicle of a Handful of Truths by Al…
This article examines Alejandro González Iñárritu’s skillful employment of neobaroque representation strategies in his metacinematic emography Bardo, False Chronicle of a Handful of Truths, to present the complexities of the borderland identity of Mexican-American emigrants, and its entanglement in the legacy of the myth of the Mexican character with its axolotl symbolism. The inquiry focuses in particular on the director’s porte-parole Silverio …
Brutalny kontakt cielesny z dzikością Appalachów: Ból, śmierć i odwrócona retoryka gwałtu w filmie „Deliverance” (1972)
The article invokes a resurgent interest in John Boorman’s 1972 Hollywood classic Deliverance, spurred by the fiftieth anniversary of its release. The author considers the film’s reversal of the rhetoric of rape and sexual violence committed on nature by the extraction industry in Appalachia. Deliverance on the one hand reinforces, and on the other hand modifies region’s ill repute by dramatizing a clash between the grotesque model of local “unco…
Art (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Ambivalence (1 works)