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Adéla Tůmová

Biographic Data

ID4044665
NAMEAdéla Tůmová
GIVEN NAMESAdéla
FAMILY NAMETůmová
SIGNATURETŮMOVÁ A
AFFILIATIONSNational Museum
ORCID0000-0003-1177-4362
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Characterization of Asian lacquers by atmospheric solids analysis probe high resolution tandem mass spectrometry coupled with cyclic ion mobility separation

    Open Access•Vojtěch Zemek, Radek Ryšánek et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

  • The Japanese Collection of Antonie Urbánková

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2025

    This study examines the Japanese collection donated by Antonie Urbánková to the Náprstek Museum in 1906, on the occasion of would have been the 80th birthday anniver­sary of the museum’s founder Vojta Náprstek. Although historically considered of lesser im­portance, a new analysis reveals that the collection contains authentic and diverse examples of Japanese craftsmanship from the late 19th and early 20th centuries. The focus lies not only on th…

  • Kuniyoshi’s Triptychs in the Collection of the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2024

    The Náprstek Museum of Asian, African and American Cultures keeps an extensive collection of Japanese woodblock prints ukiyo-e. The collection includes also the prints by Utagawa Kuniyoshi (1798–1861), one of the late Edo masters of ukiyo-e, especially famous for his warrior prints musha-e. The article focuses on only a part of Kuniyoshi’s work – his triptychs. During his life Kuniyoshi designed more than 300 triptychs, the Náprstek Museum keeps …

  • The Japanese Collection of Růžena Trnožková

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2023•References: 1

    This paper deals with the Japanese collection of Růžena Trnožková who lived in Japan in 1918 and collected the Japanese and Chinese objects. In 1936, she donated her collection, which consisted of almost 250 items, to the Náprstek Museum. The collection includes objects mainly made during the 19th and in the beginning of the 20th century and represents goods typically collected by the Europeans. The article also provides a little biographic infor…

  • Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2022

    This article deals with the collection of prints Yokohama-e and kaika-e, which are part of the collection of woodblock prints in the Náprstek Museum. The Yokohama-e and kaika-e woodblock prints were created in the second half of the 19th century in response to Japan’s changing politics, the arrival of foreigners, and the modernization of the country, thus capturing both the first introduction to Western innovations and the manner in which these s…

  • The Collections of Milan Rastislav Štefánik and Bedřich Feuerstein in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2022

    The paper deals with two collections in the Náprstek Museum, the collection of M. R. Štefánik, a Slovak politician, soldier and astronomer, who visited Japan in 1919, and the collection of Bedřich Feuerstein, Czech architect, who lived in Japan in 1926–1930. These collections, similar in size and in the time of creation, reflect different reasons for obtaining the objects. Both collections are only a small part of the objects originally belonging…

  • The Inrō Collection in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2021•References: 1

    Small several-compartment cases called inrō were a supplement to Japanese men‘s clothing during the Edo period and were used to store various small items (especially personal stamps). Decorated with various techniques, such as decorating with gold, nacre (mother of pearl), and inlaying with metals, they gradually became a decorative accessory for Japanese clothing. In the 19th century inrō became favorite collector’ items in Europe. This article …

No prominent works on this page.

  • The Inrō Collection in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2021•References: 1

    Small several-compartment cases called inrō were a supplement to Japanese men‘s clothing during the Edo period and were used to store various small items (especially personal stamps). Decorated with various techniques, such as decorating with gold, nacre (mother of pearl), and inlaying with metals, they gradually became a decorative accessory for Japanese clothing. In the 19th century inrō became favorite collector’ items in Europe. This article …

  • Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2022

    This article deals with the collection of prints Yokohama-e and kaika-e, which are part of the collection of woodblock prints in the Náprstek Museum. The Yokohama-e and kaika-e woodblock prints were created in the second half of the 19th century in response to Japan’s changing politics, the arrival of foreigners, and the modernization of the country, thus capturing both the first introduction to Western innovations and the manner in which these s…

  • The Collections of Milan Rastislav Štefánik and Bedřich Feuerstein in the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2022

    The paper deals with two collections in the Náprstek Museum, the collection of M. R. Štefánik, a Slovak politician, soldier and astronomer, who visited Japan in 1919, and the collection of Bedřich Feuerstein, Czech architect, who lived in Japan in 1926–1930. These collections, similar in size and in the time of creation, reflect different reasons for obtaining the objects. Both collections are only a small part of the objects originally belonging…

  • The Japanese Collection of Růžena Trnožková

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2023•References: 1

    This paper deals with the Japanese collection of Růžena Trnožková who lived in Japan in 1918 and collected the Japanese and Chinese objects. In 1936, she donated her collection, which consisted of almost 250 items, to the Náprstek Museum. The collection includes objects mainly made during the 19th and in the beginning of the 20th century and represents goods typically collected by the Europeans. The article also provides a little biographic infor…

  • Kuniyoshi’s Triptychs in the Collection of the Náprstek Museum

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2024

    The Náprstek Museum of Asian, African and American Cultures keeps an extensive collection of Japanese woodblock prints ukiyo-e. The collection includes also the prints by Utagawa Kuniyoshi (1798–1861), one of the late Edo masters of ukiyo-e, especially famous for his warrior prints musha-e. The article focuses on only a part of Kuniyoshi’s work – his triptychs. During his life Kuniyoshi designed more than 300 triptychs, the Náprstek Museum keeps …

  • Characterization of Asian lacquers by atmospheric solids analysis probe high resolution tandem mass spectrometry coupled with cyclic ion mobility separation

    Open Access•Vojtěch Zemek, Radek Ryšánek et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

  • The Japanese Collection of Antonie Urbánková

    Open Access•Adéla Tůmová•ARTICLE•Annals of the Náprstek Museum•2025

    This study examines the Japanese collection donated by Antonie Urbánková to the Náprstek Museum in 1906, on the occasion of would have been the 80th birthday anniver­sary of the museum’s founder Vojta Náprstek. Although historically considered of lesser im­portance, a new analysis reveals that the collection contains authentic and diverse examples of Japanese craftsmanship from the late 19th and early 20th centuries. The focus lies not only on th…

Art (4 works) · Art history (4 works) · History (4 works) · History (4 works) · Japanese History and Culture (4 works) · Visual arts (3 works) · Archaeology (2 works) · Czech (2 works) · European Cultural and National Identity (2 works) · Social science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae