Martha-Cecilia Dietrich
Biographic Data
| ID | 4047334 |
|---|---|
| NAME | Martha-Cecilia Dietrich |
| GIVEN NAMES | Martha-Cecilia |
| FAMILY NAME | Dietrich |
| SIGNATURE | DIETRICH M |
| AFFILIATIONS | University of Amsterdam |
| ORCID | 0000-0002-5856-9959 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Empirical Art: Filmmaking for Fieldwork in Practice
Stories of Systemic Failure: Landscaping the Rights of Nature in Europe
In Europe, calls for ecosystems to be granted rights are mounting. While socio-legal research on the Rights of Nature tends to focus on the strategies of the few success stories, less attention is given to the many failed or stagnated initiatives, many of them in Europe. “Landscaping the Rights of Nature” is both a methodological proposition and an analytical approach to examining procedures available to citizens to introduce the Rights of Nature…
“Our cinema, our stories, our power”: The politics of storytelling in contemporary Andean Cinema
Since the end of the Peruvian internal armed conflict (1980–2000), official histories circulate through mainstream media and the boulevard press that narrate Andean regions as a nest of radical politics and violent disruptions deepening the disconnect between Lima and other provinces. As a response, a group of self-taught filmmakers from Ayacucho took up cameras to tell their own stories of violence and conflict, providing a critical perspective …
Becoming Community. Filmmakers Crafting Futures in an Andean Town
In the aftermaths of the internal armed conflict in Peru (1980-2000), a group of film enthusiasts from the Andean highland town of Ayacucho began using cameras to tell their stories of violence in the region. According to scholarly analyses, these films reflect a collective trauma resulting from prolonged experiences of political violence and abandonment from the state. However, little attention has been given to the filmmakers’ creative practice…
Counter Narratives: Visual Anthropology and ‘Memory Activism’ in Peru
In recent years, Peruvian social anthropology has seen a rising production of audio-visual and artistic works within the discipline, ranging from written analyses that incorporate arts and crafts (Bernedo 2011; González 2011; Ulfe 2014; Del Pino and Yezer 2014) to photographic projects (Poole 2010; Figueroa 2012), nonfiction films (Dietrich 2015; Malek 2016), virtual museums and online blogs. In this article, we identify the paths visual anthropo…
No prominent works on this page.
Counter Narratives: Visual Anthropology and ‘Memory Activism’ in Peru
In recent years, Peruvian social anthropology has seen a rising production of audio-visual and artistic works within the discipline, ranging from written analyses that incorporate arts and crafts (Bernedo 2011; González 2011; Ulfe 2014; Del Pino and Yezer 2014) to photographic projects (Poole 2010; Figueroa 2012), nonfiction films (Dietrich 2015; Malek 2016), virtual museums and online blogs. In this article, we identify the paths visual anthropo…
“Our cinema, our stories, our power”: The politics of storytelling in contemporary Andean Cinema
Since the end of the Peruvian internal armed conflict (1980–2000), official histories circulate through mainstream media and the boulevard press that narrate Andean regions as a nest of radical politics and violent disruptions deepening the disconnect between Lima and other provinces. As a response, a group of self-taught filmmakers from Ayacucho took up cameras to tell their own stories of violence and conflict, providing a critical perspective …
Becoming Community. Filmmakers Crafting Futures in an Andean Town
In the aftermaths of the internal armed conflict in Peru (1980-2000), a group of film enthusiasts from the Andean highland town of Ayacucho began using cameras to tell their stories of violence in the region. According to scholarly analyses, these films reflect a collective trauma resulting from prolonged experiences of political violence and abandonment from the state. However, little attention has been given to the filmmakers’ creative practice…
Stories of Systemic Failure: Landscaping the Rights of Nature in Europe
In Europe, calls for ecosystems to be granted rights are mounting. While socio-legal research on the Rights of Nature tends to focus on the strategies of the few success stories, less attention is given to the many failed or stagnated initiatives, many of them in Europe. “Landscaping the Rights of Nature” is both a methodological proposition and an analytical approach to examining procedures available to citizens to introduce the Rights of Nature…
Empirical Art: Filmmaking for Fieldwork in Practice
Art (3 works) · Media studies (3 works) · Participatory Visual Research Methods (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Literature (2 works)