Panagiotis Poulos
Biographic Data
| ID | 4048889 |
|---|---|
| NAME | Panagiotis Poulos |
| GIVEN NAMES | Panagiotis |
| FAMILY NAME | Poulos |
| SIGNATURE | POULOS P |
| AFFILIATIONS | National and Kapodistrian University of Athens |
| ORCID | 0000-0002-7701-7076 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
“Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul
The voices of multiple agents involved in the process of Ottoman urban popular music making have been largely omitted, if not restricted by traditional music historiography of the Ottoman long nineteenth century, thus downplaying the local dynamics of this very transitional era. Drawing on Ottoman Turkish, Greek, and Greco-Turkish sources, this article analyzes samples of nineteenth-century songs in the popular şarkı form as “sonic assemblages” t…
Greeks, Jews, and Music Sociality in Late Ottoman Istanbul
Greeks, Jews, and Music Sociality in Late Ottoman Istanbul
This article examines the different registers of music interaction between Greek Orthodox and Jewish communities of Istanbul in the late Ottoman period. Intercommunal interaction is approached within the broader framework of modernization of music and in relation to the degree in which this interaction was implicated in the modernization process. New forms of music sociality related to music print and entertainment in which musicians and other ag…
Athens besieged: Greek and Ottoman perceptions of shifting space during the Greek Revolution of 1821
This article explores aspects of the quotidian history of space in the Greek Revolution of 1821, using as a case study the transitional events of the siege of the Acropolis by the Ottoman army in 1826 and the recapturing of the city of Athens. Through a thorough study of space as embodied knowledge grounded in the dynamic interaction between humans and material culture, it identifies the shifts in the Athenian landscape during this period. Its fi…
Popular Music of the Greek World: A Note From the Organisers
In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as tradi…
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
Rethinking Orality in Turkish Classical Music: A Genealogy of Contemporary Musical Assemblages
This article examines the tensions surrounding the status of the Ottoman musical heritage in the context of Turkey's modernizing program, through the study of the transformation of the oral transmission process of music, from the late Ottoman through the Republican period. Employing the concept of mediation, this study aims to underline the complexities of the contemporary creative process in Turkish classical music, as a means of challenging sim…
Les puissances de l'indirect: Traduire et enseigner l'esthétique contemporaine en Grèce
partie, sous quelque forme et de quelque manire que ce soit, est interdite sauf accord pralable et crit de l'diteur, en dehors des cas prvus par la lgislation en vigueur en France. Il est prcis que son stockage dans une base de donnes est galement interdit
Table ronde sur l'état actuel de la philosophie en Grèce
debat enregistre le 22 juin 2005 a EKEMEL, avec la participation de Veronique Fabbri (CIPH), Georges Faraklas (Axiologika; coll. « Philosophie »), Vassilis Kalfas (Hypomnima sti Philosopha; coll. « Anciens philosophes »), Vasso Kindi (Cogito, Deukalion), I oli Patellis (Axiologika, Deukalion), Eleni Perdikouri (coll. « Philosophie »), Panagiotis Poulos (EKEMEL), Aristotelis Stilianou (EKEMEL), Stelios Virvidakis (Deukalion; coll. « Eumeneis Elegc…
Horizons
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
Rethinking Orality in Turkish Classical Music: A Genealogy of Contemporary Musical Assemblages
This article examines the tensions surrounding the status of the Ottoman musical heritage in the context of Turkey's modernizing program, through the study of the transformation of the oral transmission process of music, from the late Ottoman through the Republican period. Employing the concept of mediation, this study aims to underline the complexities of the contemporary creative process in Turkish classical music, as a means of challenging sim…
Les puissances de l'indirect: Traduire et enseigner l'esthétique contemporaine en Grèce
partie, sous quelque forme et de quelque manire que ce soit, est interdite sauf accord pralable et crit de l'diteur, en dehors des cas prvus par la lgislation en vigueur en France. Il est prcis que son stockage dans une base de donnes est galement interdit
Table ronde sur l'état actuel de la philosophie en Grèce
debat enregistre le 22 juin 2005 a EKEMEL, avec la participation de Veronique Fabbri (CIPH), Georges Faraklas (Axiologika; coll. « Philosophie »), Vassilis Kalfas (Hypomnima sti Philosopha; coll. « Anciens philosophes »), Vasso Kindi (Cogito, Deukalion), I oli Patellis (Axiologika, Deukalion), Eleni Perdikouri (coll. « Philosophie »), Panagiotis Poulos (EKEMEL), Aristotelis Stilianou (EKEMEL), Stelios Virvidakis (Deukalion; coll. « Eumeneis Elegc…
Horizons
Rethinking Orality in Turkish Classical Music: A Genealogy of Contemporary Musical Assemblages
This article examines the tensions surrounding the status of the Ottoman musical heritage in the context of Turkey's modernizing program, through the study of the transformation of the oral transmission process of music, from the late Ottoman through the Republican period. Employing the concept of mediation, this study aims to underline the complexities of the contemporary creative process in Turkish classical music, as a means of challenging sim…
Spaces of Intercommunal Musical Relations in Ottoman Istanbul
The overall aim of this article has been to address those understated intermediary spacesthat were produced in the context of musical interaction among the various communitiesresiding in Istanbul in the Ottoman era. The underpinning theme in defining those spacesand tracing their dynamic trajectory throughout the history of the city has been the questfor voicing the diverse elements that composed them. This task has shown that the internalstratif…
Popular Music of the Greek World: A Note From the Organisers
In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as tradi…
Athens besieged: Greek and Ottoman perceptions of shifting space during the Greek Revolution of 1821
This article explores aspects of the quotidian history of space in the Greek Revolution of 1821, using as a case study the transitional events of the siege of the Acropolis by the Ottoman army in 1826 and the recapturing of the city of Athens. Through a thorough study of space as embodied knowledge grounded in the dynamic interaction between humans and material culture, it identifies the shifts in the Athenian landscape during this period. Its fi…
Greeks, Jews, and Music Sociality in Late Ottoman Istanbul
This article examines the different registers of music interaction between Greek Orthodox and Jewish communities of Istanbul in the late Ottoman period. Intercommunal interaction is approached within the broader framework of modernization of music and in relation to the degree in which this interaction was implicated in the modernization process. New forms of music sociality related to music print and entertainment in which musicians and other ag…
Greeks, Jews, and Music Sociality in Late Ottoman Istanbul
“Foreigners in their Homeland”: Song Writing, Musical Estrangement, and Subjecthood Formation in Late Ottoman Istanbul
The voices of multiple agents involved in the process of Ottoman urban popular music making have been largely omitted, if not restricted by traditional music historiography of the Ottoman long nineteenth century, thus downplaying the local dynamics of this very transitional era. Drawing on Ottoman Turkish, Greek, and Greco-Turkish sources, this article analyzes samples of nineteenth-century songs in the popular şarkı form as “sonic assemblages” t…
Art (8 works) · History (7 works) · Music History and Culture (6 works) · Diverse Musicological Studies (5 works) · History (5 works) · Musical (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Law (4 works) · Literature (4 works)