Özge Baykan Calafato
Biographic Data
| ID | 4048893 |
|---|---|
| NAME | Özge Baykan Calafato |
| GIVEN NAMES | Özge Baykan |
| FAMILY NAME | Calafato |
| SIGNATURE | CALAFATO Ö B |
| AFFILIATIONS | University of Amsterdam |
| ORCID | 0000-0002-7296-5544 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Laughing Matters
Photography's Imaginary
No abstract available
Inventing a Selfie Studio
Through a case study of Istanbul’s Foto Görçek, playfully dubbed ‘the world’s first selfie studio’, this article focuses on the changing photographic practices from the mid-1940s–1960s in modern Turkey, which experienced a dramatic political transition during the 1950s with the introduction of the multi-party regime following three decades of strictly secular Kemalist rule. This study explores how Foto Görçek challenged and transformed studio pra…
Toward Understanding the Photogenic New Citizen
This portfolio looks at photographic self-representations of Turkish citizens of a newly established nation-state from the 1920s until the 1940s. The article explores the ways in which modern Turkish women and men performed their interpretation of the photogenic in photographic self-representations and how these self-representations negotiated the Kemalists' idea of modern citizenship in the early republican era. The desired selves performed in v…
No prominent works on this page.
Toward Understanding the Photogenic New Citizen
This portfolio looks at photographic self-representations of Turkish citizens of a newly established nation-state from the 1920s until the 1940s. The article explores the ways in which modern Turkish women and men performed their interpretation of the photogenic in photographic self-representations and how these self-representations negotiated the Kemalists' idea of modern citizenship in the early republican era. The desired selves performed in v…
Inventing a Selfie Studio
Through a case study of Istanbul’s Foto Görçek, playfully dubbed ‘the world’s first selfie studio’, this article focuses on the changing photographic practices from the mid-1940s–1960s in modern Turkey, which experienced a dramatic political transition during the 1950s with the introduction of the multi-party regime following three decades of strictly secular Kemalist rule. This study explores how Foto Görçek challenged and transformed studio pra…
Laughing Matters
Photography's Imaginary
No abstract available
Art (4 works) · Aesthetics (3 works) · Visual arts (3 works) · Art history (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works) · Literature (2 works) · Photography (2 works) · Photography and Visual Culture (2 works) · Political science (2 works)