Sergey V Alferov
Biographic Data
| ID | 4048985 |
|---|---|
| NAME | Sergey V Alferov |
| GIVEN NAMES | Sergey V |
| FAMILY NAME | Alferov |
| SIGNATURE | ALFEROV S V |
| AFFILIATIONS | Scottish and Welsh Dance Schools Shady Glen |
| ORCID | 0000-0002-2393-0812 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Stepping Away From Identity Thinking? Non-Identitarian Approaches to Dance Anthropology
In search of possibilities for going beyond easily available and/or overcomplexified identity markers in dance anthropology, the article builds on Theodore Adorno’s critique of identity/identitarian thinking, with a focus on applying identitarian and non-identitarian approaches in dance studies. Identitarian approaches are examined in the article through a discursive metaanalysis of Anglophone studies devoted to practicing dance in mirrored class…
Voicing the Move
Bridging dance anthropology and multimodal discourse analysis, the article focuses on language used to teach and/or describe various versions of the pas de basque step in Highland, Scottish country, Scottish step and “called” Ceilidh dancing of Scotland. It analyses pedagogic discourse observed during on- and offline classes and dance events across the globe alongside the author’s own embodied experience as a Scottish dancer, learner and teacher.…
Naturalness” in Scottish Dancing
The article explores various meanings of the concept “(un)natural” in written and spoken discourse devoted to traditional Scottish dancing. Analysing this concept alongside its co-occurent adjectives and adverbs in 18th–21st-century sources allows to better appreciate the semiotic complexity of the concept and its uses. The article highlights the seeming obviousness of what dancing naturally means to different kinds of stakeholders (dancers, teac…
No prominent works on this page.
Naturalness” in Scottish Dancing
The article explores various meanings of the concept “(un)natural” in written and spoken discourse devoted to traditional Scottish dancing. Analysing this concept alongside its co-occurent adjectives and adverbs in 18th–21st-century sources allows to better appreciate the semiotic complexity of the concept and its uses. The article highlights the seeming obviousness of what dancing naturally means to different kinds of stakeholders (dancers, teac…
Voicing the Move
Bridging dance anthropology and multimodal discourse analysis, the article focuses on language used to teach and/or describe various versions of the pas de basque step in Highland, Scottish country, Scottish step and “called” Ceilidh dancing of Scotland. It analyses pedagogic discourse observed during on- and offline classes and dance events across the globe alongside the author’s own embodied experience as a Scottish dancer, learner and teacher.…
Stepping Away From Identity Thinking? Non-Identitarian Approaches to Dance Anthropology
In search of possibilities for going beyond easily available and/or overcomplexified identity markers in dance anthropology, the article builds on Theodore Adorno’s critique of identity/identitarian thinking, with a focus on applying identitarian and non-identitarian approaches in dance studies. Identitarian approaches are examined in the article through a discursive metaanalysis of Anglophone studies devoted to practicing dance in mirrored class…
Art (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Psychology (3 works) · Sociology (3 works) · Aesthetics (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Physical education and sports games research (2 works)