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Judith A Sanders

Biographic Data

ID4054362
NAMEJudith A Sanders
GIVEN NAMESJudith A
FAMILY NAMESanders
SIGNATURESANDERS J A
AFFILIATIONSCalifornia State Polytechnic University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR1998
H-INDEX1
  • Keeping the Characters Straight

    Daniel Lieberfeld, Judith A Sanders et al.•ARTICLE•Journal of Popular Film and…•1998•Cited by: 1

    Mistaken identity, the silent-era director Mack Sennett observed, is one of two primordial types of joke–the other being the fall of dignity. Plots that turn on switched identities and disguised passing have been comic staples since the Greeks. With cinema's added possibilities for manipulating point of view has come a proliferation of comic disguise plots. In recent years, films from Victor/Victoria (1982) to Mrs. Doubtfire (1993) have featured …

  • The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads

    Judith A Sanders, Richard L Wiseman et al.•ARTICLE•Women s Studies in Communication•1990•Cited by: 1•References: 11

    (1990). The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads: An Empirical Study of Uncertainty Reduction Theory. Women's Studies in Communication: Vol. 13, No. 2, pp. 85-108

  • Willamette Mission Archeological Project

    Cynthia R Price, Judith A Sanders et al.•ARTICLE•American Antiquity•1987

  • Keeping the Characters Straight

    Daniel Lieberfeld, Judith A Sanders et al.•ARTICLE•Journal of Popular Film and…•1998•Cited by: 1

    Mistaken identity, the silent-era director Mack Sennett observed, is one of two primordial types of joke–the other being the fall of dignity. Plots that turn on switched identities and disguised passing have been comic staples since the Greeks. With cinema's added possibilities for manipulating point of view has come a proliferation of comic disguise plots. In recent years, films from Victor/Victoria (1982) to Mrs. Doubtfire (1993) have featured …

  • The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads

    Judith A Sanders, Richard L Wiseman et al.•ARTICLE•Women s Studies in Communication•1990•Cited by: 1•References: 11

    (1990). The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads: An Empirical Study of Uncertainty Reduction Theory. Women's Studies in Communication: Vol. 13, No. 2, pp. 85-108

  • Willamette Mission Archeological Project

    Cynthia R Price, Judith A Sanders et al.•ARTICLE•American Antiquity•1987

  • The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads

    Judith A Sanders, Richard L Wiseman et al.•ARTICLE•Women s Studies in Communication•1990•Cited by: 1•References: 11

    (1990). The Influence of Gender on Reported Disclosure, Interrogation, and Nonverbal Immediacy in Same-Sex Dyads: An Empirical Study of Uncertainty Reduction Theory. Women's Studies in Communication: Vol. 13, No. 2, pp. 85-108

  • Keeping the Characters Straight

    Daniel Lieberfeld, Judith A Sanders et al.•ARTICLE•Journal of Popular Film and…•1998•Cited by: 1

    Mistaken identity, the silent-era director Mack Sennett observed, is one of two primordial types of joke–the other being the fall of dignity. Plots that turn on switched identities and disguised passing have been comic staples since the Greeks. With cinema's added possibilities for manipulating point of view has come a proliferation of comic disguise plots. In recent years, films from Victor/Victoria (1982) to Mrs. Doubtfire (1993) have featured …

Aesthetics (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Classics (1 work) · Classics (1 work) · Comedy (1 work) · Comics (1 work) · Communication in Education and Healthcare (1 work)

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