Jamey Hecht
Biographic Data
| ID | 4055195 |
|---|---|
| NAME | Jamey Hecht |
| GIVEN NAMES | Jamey |
| FAMILY NAME | Hecht |
| SIGNATURE | HECHT J |
| ORCID | 0000-0003-3401-7911 |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Drawing a Blank
Wilfred Bion briefly discussed Chinese writing some dozen times, attributing to it various counter-intuitive features. A review of these passages suggests they were part of Bion's larger effort to evoke the challenges of bridging communication gaps with patients, where Bion held that the very means of communication itself was at issue. Chinese also helped evoke a sense of mystery in listeners who, like Bion, knew no Chinese. The main source of Bi…
Bion at the Crossroads
In “On Arrogance,” Wilfred Bion made a remarkable claim: “the analyst who is treating an apparently neurotic patient must regard a negative therapeutic response together with the appearance of scattered, unrelated references to curiosity, arrogance, and stupidity as evidence that he is in the presence of a psychological catastrophe with which he will have to deal.” However Bion came to believe this, he sought grounds for it in a reading of Oedipu…
The Failure of Sublimation and the Fate of Pain
Ingmar Bergman’s 1957 film Wild Strawberries is a resolved study of unresolved psychic pain. Bergman’s own deep feeling of having been an unwanted baby is an underlying driver of the film, a common root of the suffering of the protagonist Isak Borg as well as others in his family. Yet, the film also pictures a possible break in the transgenerational transmission of parental rejection. The essay includes a reflection on the film as a tribute to Vi…
Limitations of Textuality in Thomas More's Confutation of Tyndale's Answer
No prominent works on this page.
Limitations of Textuality in Thomas More's Confutation of Tyndale's Answer
The Failure of Sublimation and the Fate of Pain
Ingmar Bergman’s 1957 film Wild Strawberries is a resolved study of unresolved psychic pain. Bergman’s own deep feeling of having been an unwanted baby is an underlying driver of the film, a common root of the suffering of the protagonist Isak Borg as well as others in his family. Yet, the film also pictures a possible break in the transgenerational transmission of parental rejection. The essay includes a reflection on the film as a tribute to Vi…
Bion at the Crossroads
In “On Arrogance,” Wilfred Bion made a remarkable claim: “the analyst who is treating an apparently neurotic patient must regard a negative therapeutic response together with the appearance of scattered, unrelated references to curiosity, arrogance, and stupidity as evidence that he is in the presence of a psychological catastrophe with which he will have to deal.” However Bion came to believe this, he sought grounds for it in a reading of Oedipu…
Drawing a Blank
Wilfred Bion briefly discussed Chinese writing some dozen times, attributing to it various counter-intuitive features. A review of these passages suggests they were part of Bion's larger effort to evoke the challenges of bridging communication gaps with patients, where Bion held that the very means of communication itself was at issue. Chinese also helped evoke a sense of mystery in listeners who, like Bion, knew no Chinese. The main source of Bi…
Philosophy (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Academic and Historical Perspectives in Psychology (2 works) · Art (2 works) · Literature (2 works) · Psychotherapy Techniques and Applications (2 works) · Social Psychology (2 works) · Aesthetics (1 work) · Art history (1 work)