Julie Jaffee Nagel
Biographic Data
| ID | 4055408 |
|---|---|
| NAME | Julie Jaffee Nagel |
| GIVEN NAMES | Julie Jaffee |
| FAMILY NAME | Nagel |
| SIGNATURE | NAGEL J J |
| AFFILIATIONS | 400 Maynard Street, Suite 706 Ann Arbor, MI 48104 |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Memory Slip: Stage Fright and Performing Musicians
This paper discusses stage fright as seen primarily in classical music performers. A confluence of narcissistic sensitivities, developmental issues, shame dynamics, physical injury and pain, and terrors pertaining to both psychic and bodily disintegration can fuel anxiety reactions in many people but hold particular relevance for the performing musician. Two classical music performers who struggled with stage fright are discussed: one was in trea…
Melodies in My Mind: The Polyphony of Mental Life
Psychoanalytic and Musical Ambiguity: The Tritone in Gee, Officer Krupke
The poignant and timeless Broadway musical West Side Story is viewed from the standpoint of taking musical forms as psychoanalytic data. The musical configuration of notes called the tritone (or diabolus in musica) is taken as a sonic metaphor expressing ambiguity both in musical vocabulary and in mental life. The tritone, which historically and harmonically represents instability, is heard throughout the score and emphasizes the intrapsychic, in…
Psychoanalytic Perspectives on Music: An Intersection on the Oral and Aural Road
This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic pri…
Panel Report: Unattainable Goals in Psychoanalysis
Psychoanalytic and Musical Perspectives on Shame in Donizetti's Lucia Di Lammermoor
Two disciplines, psychoanalysis and music, are synthesized here with an eye to the origins and vicissitudes of shame and guilt as seen in the emotional disintegration of the eponymous heroine of Donizetti's opera Lucia di Lammermoor. Lucia's affects and her intrapsychic and interpersonal dynamics are heard in the music itself. A psychoanalytic and musical analysis of the opera, taking Lucia's dynamics as a quasi-substitute for clinical material, …
Melodies of the Mind: Mozart in 1778
Although much has been written about Mozart's relationship with his father Leopold, this paper focuses on his relationship with his mother, Anna Maria. While on a journey with Mozart to Paris in 1778, Anna Marie became ill and died on July 3. Mozart's Piano Sonata in A Minor, K. 310, composed that summer, is invoked to illustrate how his mental life is represented in his music. Conceptualizing music itself as a point of entry into affective proce…
Psychoanalytic Perspectives on Music: An Intersection on the Oral and Aural Road
This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic pri…
Melodies of the Mind: Mozart in 1778
Although much has been written about Mozart's relationship with his father Leopold, this paper focuses on his relationship with his mother, Anna Maria. While on a journey with Mozart to Paris in 1778, Anna Marie became ill and died on July 3. Mozart's Piano Sonata in A Minor, K. 310, composed that summer, is invoked to illustrate how his mental life is represented in his music. Conceptualizing music itself as a point of entry into affective proce…
Psychoanalytic and Musical Perspectives on Shame in Donizetti's Lucia Di Lammermoor
Two disciplines, psychoanalysis and music, are synthesized here with an eye to the origins and vicissitudes of shame and guilt as seen in the emotional disintegration of the eponymous heroine of Donizetti's opera Lucia di Lammermoor. Lucia's affects and her intrapsychic and interpersonal dynamics are heard in the music itself. A psychoanalytic and musical analysis of the opera, taking Lucia's dynamics as a quasi-substitute for clinical material, …
Melodies in My Mind: The Polyphony of Mental Life
Psychoanalytic and Musical Ambiguity: The Tritone in Gee, Officer Krupke
The poignant and timeless Broadway musical West Side Story is viewed from the standpoint of taking musical forms as psychoanalytic data. The musical configuration of notes called the tritone (or diabolus in musica) is taken as a sonic metaphor expressing ambiguity both in musical vocabulary and in mental life. The tritone, which historically and harmonically represents instability, is heard throughout the score and emphasizes the intrapsychic, in…
Panel Report: Unattainable Goals in Psychoanalysis
Melodies of the Mind: Mozart in 1778
Although much has been written about Mozart's relationship with his father Leopold, this paper focuses on his relationship with his mother, Anna Maria. While on a journey with Mozart to Paris in 1778, Anna Marie became ill and died on July 3. Mozart's Piano Sonata in A Minor, K. 310, composed that summer, is invoked to illustrate how his mental life is represented in his music. Conceptualizing music itself as a point of entry into affective proce…
Psychoanalytic Perspectives on Music: An Intersection on the Oral and Aural Road
This paper is organized around two ideas. The first invites the reader to consider the importance of music in emotional life, suggesting that for some people, music can have profound, deep, and transformative effects, both in loosening defenses and in deepening the psychoanalytic experience. The second idea is that analysis of the formal properties of music have both specific and overdetermined meanings that share elements with psychoanalytic pri…
Panel Report: Unattainable Goals in Psychoanalysis
Psychoanalytic and Musical Perspectives on Shame in Donizetti's Lucia Di Lammermoor
Two disciplines, psychoanalysis and music, are synthesized here with an eye to the origins and vicissitudes of shame and guilt as seen in the emotional disintegration of the eponymous heroine of Donizetti's opera Lucia di Lammermoor. Lucia's affects and her intrapsychic and interpersonal dynamics are heard in the music itself. A psychoanalytic and musical analysis of the opera, taking Lucia's dynamics as a quasi-substitute for clinical material, …
Melodies in My Mind: The Polyphony of Mental Life
Psychoanalytic and Musical Ambiguity: The Tritone in Gee, Officer Krupke
The poignant and timeless Broadway musical West Side Story is viewed from the standpoint of taking musical forms as psychoanalytic data. The musical configuration of notes called the tritone (or diabolus in musica) is taken as a sonic metaphor expressing ambiguity both in musical vocabulary and in mental life. The tritone, which historically and harmonically represents instability, is heard throughout the score and emphasizes the intrapsychic, in…
Memory Slip: Stage Fright and Performing Musicians
This paper discusses stage fright as seen primarily in classical music performers. A confluence of narcissistic sensitivities, developmental issues, shame dynamics, physical injury and pain, and terrors pertaining to both psychic and bodily disintegration can fuel anxiety reactions in many people but hold particular relevance for the performing musician. Two classical music performers who struggled with stage fright are discussed: one was in trea…
Psychoanalysis (7 works) · Psychology (7 works) · Art (5 works) · Musicology and Musical Analysis (4 works) · Psychoanalytic theory (4 works) · Literature (3 works) · Music Therapy and Health (3 works) · Musical (3 works) · Psychotherapy Techniques and Applications (3 works) · Melody (2 works)