J-M Geneste
Biographic Data
| ID | 4062588 |
|---|---|
| NAME | J-M Geneste |
| GIVEN NAMES | J-M |
| FAMILY NAME | Geneste |
| SIGNATURE | GENESTE J |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 24 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 3 |
Koulichivka and Its Place in the Middle-Upper Paleolithic Transition in Eastern Europe
The “Kalgutinsky” Style in the Rock Art of Central Asia
On the basis of petroglyphic sites Kalgutinsky Rudnik (Kalgutinsky mine) on the Ukok Plateau, Baga-Oigur and Tsagaan-Salaa in northwestern Mongolia, a distinct “Kalgutinsky” style of rock art of the Russian and Mongolian Altai is described. The distance between these sites is about 20 km. This group is marked by very specifi c stylistic features, common technological properties, a narrowly defi ned motif, featuring only animals, and a very intens…
From Chauvet to Lascaux
The earliest art of Western Europe was evolving together with the Homo sapiens population of hunter-gatherers in the glacial environment of the northern hemisphere over the entire Upper Paleolithic (36–13 ka BP). The most important rock art sites, such as Altamira and La Garma in Spain, and Lascaux, Niaux, Cussac, and Chauvet in France, are relevant to the socio-cultural behavior and needs of anatomically modern humans. In this paper, we intend t…
Second Radiocarbon Intercomparison Program for the Chauvetpont d'Arc Cave, Ardèche, France
The Chauvet-Pont d'Arc Cave is one of the most important sites for the study of the earliest manifestations and development of prehistoric art at the beginning of the Upper Paleolithic. Different dating techniques have been performed thus far (AMS 14 C, U/Th TIMS, 36 Cl dating) to model the chronological framework of this decorated cave. The cave yielded several large charcoal fragments, which enabled the opportunity for obtaining multiple dates;…
Second Radiocarbon Intercomparison Program for the Chauvetpont d'Arc Cave, Ardèche, France
The Chauvet-Pont d'Arc Cave is one of the most important sites for the study of the earliest manifestations and development of prehistoric art at the beginning of the Upper Paleolithic. Different dating techniques have been performed thus far (AMS 14 C, U/Th TIMS, 36 Cl dating) to model the chronological framework of this decorated cave. The cave yielded several large charcoal fragments, which enabled the opportunity for obtaining multiple dates;…
The “Kalgutinsky” Style in the Rock Art of Central Asia
On the basis of petroglyphic sites Kalgutinsky Rudnik (Kalgutinsky mine) on the Ukok Plateau, Baga-Oigur and Tsagaan-Salaa in northwestern Mongolia, a distinct “Kalgutinsky” style of rock art of the Russian and Mongolian Altai is described. The distance between these sites is about 20 km. This group is marked by very specifi c stylistic features, common technological properties, a narrowly defi ned motif, featuring only animals, and a very intens…
From Chauvet to Lascaux
The earliest art of Western Europe was evolving together with the Homo sapiens population of hunter-gatherers in the glacial environment of the northern hemisphere over the entire Upper Paleolithic (36–13 ka BP). The most important rock art sites, such as Altamira and La Garma in Spain, and Lascaux, Niaux, Cussac, and Chauvet in France, are relevant to the socio-cultural behavior and needs of anatomically modern humans. In this paper, we intend t…
Second Radiocarbon Intercomparison Program for the Chauvetpont d'Arc Cave, Ardèche, France
The Chauvet-Pont d'Arc Cave is one of the most important sites for the study of the earliest manifestations and development of prehistoric art at the beginning of the Upper Paleolithic. Different dating techniques have been performed thus far (AMS 14 C, U/Th TIMS, 36 Cl dating) to model the chronological framework of this decorated cave. The cave yielded several large charcoal fragments, which enabled the opportunity for obtaining multiple dates;…
From Chauvet to Lascaux
The earliest art of Western Europe was evolving together with the Homo sapiens population of hunter-gatherers in the glacial environment of the northern hemisphere over the entire Upper Paleolithic (36–13 ka BP). The most important rock art sites, such as Altamira and La Garma in Spain, and Lascaux, Niaux, Cussac, and Chauvet in France, are relevant to the socio-cultural behavior and needs of anatomically modern humans. In this paper, we intend t…
Koulichivka and Its Place in the Middle-Upper Paleolithic Transition in Eastern Europe
The “Kalgutinsky” Style in the Rock Art of Central Asia
On the basis of petroglyphic sites Kalgutinsky Rudnik (Kalgutinsky mine) on the Ukok Plateau, Baga-Oigur and Tsagaan-Salaa in northwestern Mongolia, a distinct “Kalgutinsky” style of rock art of the Russian and Mongolian Altai is described. The distance between these sites is about 20 km. This group is marked by very specifi c stylistic features, common technological properties, a narrowly defi ned motif, featuring only animals, and a very intens…
Archaeology (4 works) · Geography (4 works) · Pleistocene-Era Hominins and Archaeology (4 works) · Cave (3 works) · Geology (3 works) · Upper Paleolithic (3 works) · Archaeology and Rock Art Studies (2 works) · Chemistry (2 works) · Middle Paleolithic (2 works) · Rock art (2 works)