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John A Hayward

Biographic Data

ID4071756
NAMEJohn A Hayward
GIVEN NAMESJohn A
FAMILY NAMEHayward
SIGNATUREHAYWARD J A
AFFILIATIONSFlinders University
ORCID0000-0002-7722-9589
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS7
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers

    Open Access•John A Hayward•ARTICLE•Journal of Australian Studies•2023

    This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, …

  • Making Scenes

    John A Hayward•ARTICLE•Australian Archaeology•2022•Cited by: 1•References: 4

  • An Analysis of Motif Clusters at the Nanguluwurr Rock Art Site, Kakadu National Park, N. T. Australia

    John A Hayward, Sally K May et al.•ARTICLE•Journal of Field Archaeology•2021

    During recent detailed recording of Nanguluwurr, a rock art site that is part of the Burrungkuy (Nourlangie) complex of cultural sites in Kakadu National Park, Australia, the data showed discrete clusters of specific motif types distributed throughout the length of the gallery. This paper focuses on the spatial distribution of the main motif clusters depicting spirit figures, material culture, fish, and painted hand and forearm motifs in order to…

  • Two rare shield depictions from the Burrungkuy rock art region of Western Arnhem Land, Australia

    John A Hayward•ARTICLE•Australian Archaeology•2020•References: 14

    Shields were not known to have been made or used in western Arnhem Land, northern Australia, since European contact and possibly as a consequence are rarely found in the rock art of the region. However, during a recent survey of rock art sites in the Burrungkuy region of Kakadu two shields, or shield-like implements, were recorded in one shelter. This paper documents these motifs and discusses the cultural significance of shields in other parts o…

  • New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park

    Sally K May, Joan Huntley et al.•ARTICLE•Journal of Field Archaeology•2020•Cited by: 2•References: 12

    This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific a…

  • Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia

    Open Access•John A Hayward, Iain G Johnston et al.•ARTICLE•Cambridge Archaeological Journal•2018•Cited by: 4•References: 26

    This paper addresses the motivations for producing the rare object stencils found in the rock art of western Arnhem Land. We present evidence for 84 stencils recorded as part of the Mirarr Gunwarddebim project in western Arnhem Land, northern Australia. Ranging from boomerangs to dilly bags, armlets and spearthrowers, this assemblage suggests something other than a common or ongoing culture practice of stencilling objects used in everyday life. I…

  • The agency of artefacts

    John A Hayward•CHAPTER•The Archaeology of Rock Art in…•2017

  • Thesis Abstracts

    W Shawn Arnold, S Charles Bolton et al.•ARTICLE•Australian Archaeology•2011

  • Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia

    Open Access•John A Hayward, Iain G Johnston et al.•ARTICLE•Cambridge Archaeological Journal•2018•Cited by: 4•References: 26

    This paper addresses the motivations for producing the rare object stencils found in the rock art of western Arnhem Land. We present evidence for 84 stencils recorded as part of the Mirarr Gunwarddebim project in western Arnhem Land, northern Australia. Ranging from boomerangs to dilly bags, armlets and spearthrowers, this assemblage suggests something other than a common or ongoing culture practice of stencilling objects used in everyday life. I…

  • New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park

    Sally K May, Joan Huntley et al.•ARTICLE•Journal of Field Archaeology•2020•Cited by: 2•References: 12

    This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific a…

  • Making Scenes

    John A Hayward•ARTICLE•Australian Archaeology•2022•Cited by: 1•References: 4

  • Thesis Abstracts

    W Shawn Arnold, S Charles Bolton et al.•ARTICLE•Australian Archaeology•2011

  • The agency of artefacts

    John A Hayward•CHAPTER•The Archaeology of Rock Art in…•2017

  • Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia

    Open Access•John A Hayward, Iain G Johnston et al.•ARTICLE•Cambridge Archaeological Journal•2018•Cited by: 4•References: 26

    This paper addresses the motivations for producing the rare object stencils found in the rock art of western Arnhem Land. We present evidence for 84 stencils recorded as part of the Mirarr Gunwarddebim project in western Arnhem Land, northern Australia. Ranging from boomerangs to dilly bags, armlets and spearthrowers, this assemblage suggests something other than a common or ongoing culture practice of stencilling objects used in everyday life. I…

  • Two rare shield depictions from the Burrungkuy rock art region of Western Arnhem Land, Australia

    John A Hayward•ARTICLE•Australian Archaeology•2020•References: 14

    Shields were not known to have been made or used in western Arnhem Land, northern Australia, since European contact and possibly as a consequence are rarely found in the rock art of the region. However, during a recent survey of rock art sites in the Burrungkuy region of Kakadu two shields, or shield-like implements, were recorded in one shelter. This paper documents these motifs and discusses the cultural significance of shields in other parts o…

  • New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park

    Sally K May, Joan Huntley et al.•ARTICLE•Journal of Field Archaeology•2020•Cited by: 2•References: 12

    This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific a…

  • An Analysis of Motif Clusters at the Nanguluwurr Rock Art Site, Kakadu National Park, N. T. Australia

    John A Hayward, Sally K May et al.•ARTICLE•Journal of Field Archaeology•2021

    During recent detailed recording of Nanguluwurr, a rock art site that is part of the Burrungkuy (Nourlangie) complex of cultural sites in Kakadu National Park, Australia, the data showed discrete clusters of specific motif types distributed throughout the length of the gallery. This paper focuses on the spatial distribution of the main motif clusters depicting spirit figures, material culture, fish, and painted hand and forearm motifs in order to…

  • Making Scenes

    John A Hayward•ARTICLE•Australian Archaeology•2022•Cited by: 1•References: 4

  • The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers

    Open Access•John A Hayward•ARTICLE•Journal of Australian Studies•2023

    This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, …

Archaeology and Rock Art Studies (7 works) · Archaeology (6 works) · Geography (5 works) · Pleistocene-Era Hominins and Archaeology (5 works) · Rock art (5 works) · Art (4 works) · History (4 works) · Archaeology and ancient environmental studies (3 works) · History (3 works) · Law (3 works)

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