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Edward G Armstrong

Biographic Data

ID4076481
NAMEEdward G Armstrong
GIVEN NAMESEdward G
FAMILY NAMEArmstrong
SIGNATUREARMSTRONG E G
AFFILIATIONSMurray State University
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS48
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2012
H-INDEX3
  • The Presentation of Identity in the Work Songs of Johnny Cash

    Edward G Armstrong, Paul L Greider•ARTICLE•Popular Music & Society•2012•References: 16

    This paper approaches music lyrics as a delivery system for the presentation of identity and reports the result of a content analysis of the work songs recorded by Johnny Cash. Beginning with a discography of 684 songs, the analysis found that 115 mention jobs, of which eighty concern work, and eight pertain to factory work. The study provides a detailed description of the factory work songs and categorizes them in terms of four themes: (1) going…

  • The Drug Court as Postmodern Justice

    Open Access•Edward G Armstrong•ARTICLE•Critical Criminology•2008•References: 28

  • Eminem's Construction of Authenticity

    Edward G Armstrong•ARTICLE•Popular Music & Society•2004•Cited by: 22

    (2004). Eminem's Construction of Authenticity. Popular Music and Society: Vol. 27, No. 3, pp. 335-355

  • The Commodified 23, or, Michael Jordan as Text

    Edward G Armstrong•ARTICLE•Sociology of Sport Journal•1996•Cited by: 7•References: 1

    Semiotics is employed in an examination of Michael Jordan (the signified) and his uniform number (the signifier). A systematic comparative framework is used to limit the potentially infinite multiplicity of interpretants. Its themes are the way Jordan expresses the modernity-postmodernity division and is, himself an aspect of this cultural characterization. Seven diacritical alternatives are considered: (a) secularism versus immanence; (b) bureau…

  • The Rhetoric of Violence in Rap and Country Music

    Open Access•Edward G Armstrong•ARTICLE•Sociological Inquiry•1993•Cited by: 3•References: 19

    This study is a semiotic ethnography and ethnomusicological comparison of the rhetoric of violence found in two increasingly popular musical forms, rap and country. Based on the production-of-culture perspective, musical genres are considered socially constructed organizing principles and lyrics, the primary data, are viewed as ensembles of texts. The strategy is to address rap and country songs as they present claims concerning the focal concern…

  • Authority and the Liberal Tradition

    Edward G Armstrong, Robert A Heineman et al.•ARTICLE•Contemporary Sociology A Journal…•1987

  • Country music sex songs: An Ethnomusicological account

    Edward G Armstrong•ARTICLE•The Journal of Sex Research•1986•Cited by: 2•References: 3

  • Pondering pandering

    Edward G Armstrong•ARTICLE•Deviant Behavior•1983•Cited by: 1•References: 2

    The purpose of this paper is to examine the pandering activities of pimps and to formulate a critique of the concept of pandering. First, popular perceptions of the phenomenon are described in terms of a case story. Information on preferred recruitment sites (e.g., bus terminals) and standard modes of operation (talk, drugs, and violence) is provided. Next, the results of two exploratory studies are reported. Police perspectives are revealed thro…

  • Sceptical Sociology

    Edward G Armstrong, J M Carroll et al.•ARTICLE•Contemporary Sociology A Journal…•1981

  • The sociology of prostitution

    Edward G Armstrong•ARTICLE•Sociological Spectrum•1981•Cited by: 2•References: 1

    The purpose of this paper is to formulate a critique of the sociology of prostitution by calling into question its theoretical premise—the concept of prostitution. Sociologically defined, prostitution is an occupation in which an individual sells sex in a promiscuous and emotionally indifferent manner. This definition is divided into four parts and each is examined separately. The parts are prostitution as (1) an occupation; (2) an act of selling…

  • The rapprochement of country and soul music

    Edward G Armstrong•ARTICLE•Popular Music & Society•1979

  • Phenomenologophobia

    Open Access•Edward G Armstrong•ARTICLE•Human Studies•1979•Cited by: 2•References: 30

  • Black Sociology and Phenomenological Sociology

    Open Access•Edward G Armstrong•ARTICLE•Sociological Quarterly•1979•Cited by: 1•References: 15

    This paper is a comparative analysis of black sociology and phenomenological sociology and an attempt to show how phenomenology might be used to provide an epistemological foundation for black sociology. Attention is directed toward the writings of black and phenomenological sociologists. Arguments rest on appeals to authorities—quotations from and citations to influential writers. The specific points of comparison are the way the protagonists of…

  • Massage parlors and their customers

    Open Access•Edward G Armstrong•ARTICLE•Archives of Sexual Behavior•1978•Cited by: 8•References: 5

  • The System Paradigm and the Sociological Study of Racial Conflict

    Edward G Armstrong•ARTICLE•Phylon (1960•1975

    THERE HAS BEEN an increasing amount of criticisms of sociologists' study of the black-white conflict in America. One sympathetic investigator has even concluded that the sociological field of minority groups lacks testable theories and cumulative research findings.' More important, however, is the fact that there has developed a set way of criticizing the sociological studies. As Robert Staples points out, the new criticisms continue, at least in…

  • Eminem's Construction of Authenticity

    Edward G Armstrong•ARTICLE•Popular Music & Society•2004•Cited by: 22

    (2004). Eminem's Construction of Authenticity. Popular Music and Society: Vol. 27, No. 3, pp. 335-355

  • Massage parlors and their customers

    Open Access•Edward G Armstrong•ARTICLE•Archives of Sexual Behavior•1978•Cited by: 8•References: 5

  • The Commodified 23, or, Michael Jordan as Text

    Edward G Armstrong•ARTICLE•Sociology of Sport Journal•1996•Cited by: 7•References: 1

    Semiotics is employed in an examination of Michael Jordan (the signified) and his uniform number (the signifier). A systematic comparative framework is used to limit the potentially infinite multiplicity of interpretants. Its themes are the way Jordan expresses the modernity-postmodernity division and is, himself an aspect of this cultural characterization. Seven diacritical alternatives are considered: (a) secularism versus immanence; (b) bureau…

  • The Rhetoric of Violence in Rap and Country Music

    Open Access•Edward G Armstrong•ARTICLE•Sociological Inquiry•1993•Cited by: 3•References: 19

    This study is a semiotic ethnography and ethnomusicological comparison of the rhetoric of violence found in two increasingly popular musical forms, rap and country. Based on the production-of-culture perspective, musical genres are considered socially constructed organizing principles and lyrics, the primary data, are viewed as ensembles of texts. The strategy is to address rap and country songs as they present claims concerning the focal concern…

  • Country music sex songs: An Ethnomusicological account

    Edward G Armstrong•ARTICLE•The Journal of Sex Research•1986•Cited by: 2•References: 3

  • The sociology of prostitution

    Edward G Armstrong•ARTICLE•Sociological Spectrum•1981•Cited by: 2•References: 1

    The purpose of this paper is to formulate a critique of the sociology of prostitution by calling into question its theoretical premise—the concept of prostitution. Sociologically defined, prostitution is an occupation in which an individual sells sex in a promiscuous and emotionally indifferent manner. This definition is divided into four parts and each is examined separately. The parts are prostitution as (1) an occupation; (2) an act of selling…

  • Phenomenologophobia

    Open Access•Edward G Armstrong•ARTICLE•Human Studies•1979•Cited by: 2•References: 30

  • Pondering pandering

    Edward G Armstrong•ARTICLE•Deviant Behavior•1983•Cited by: 1•References: 2

    The purpose of this paper is to examine the pandering activities of pimps and to formulate a critique of the concept of pandering. First, popular perceptions of the phenomenon are described in terms of a case story. Information on preferred recruitment sites (e.g., bus terminals) and standard modes of operation (talk, drugs, and violence) is provided. Next, the results of two exploratory studies are reported. Police perspectives are revealed thro…

  • Black Sociology and Phenomenological Sociology

    Open Access•Edward G Armstrong•ARTICLE•Sociological Quarterly•1979•Cited by: 1•References: 15

    This paper is a comparative analysis of black sociology and phenomenological sociology and an attempt to show how phenomenology might be used to provide an epistemological foundation for black sociology. Attention is directed toward the writings of black and phenomenological sociologists. Arguments rest on appeals to authorities—quotations from and citations to influential writers. The specific points of comparison are the way the protagonists of…

  • The System Paradigm and the Sociological Study of Racial Conflict

    Edward G Armstrong•ARTICLE•Phylon (1960•1975

    THERE HAS BEEN an increasing amount of criticisms of sociologists' study of the black-white conflict in America. One sympathetic investigator has even concluded that the sociological field of minority groups lacks testable theories and cumulative research findings.' More important, however, is the fact that there has developed a set way of criticizing the sociological studies. As Robert Staples points out, the new criticisms continue, at least in…

  • Massage parlors and their customers

    Open Access•Edward G Armstrong•ARTICLE•Archives of Sexual Behavior•1978•Cited by: 8•References: 5

  • The rapprochement of country and soul music

    Edward G Armstrong•ARTICLE•Popular Music & Society•1979

  • Phenomenologophobia

    Open Access•Edward G Armstrong•ARTICLE•Human Studies•1979•Cited by: 2•References: 30

  • Black Sociology and Phenomenological Sociology

    Open Access•Edward G Armstrong•ARTICLE•Sociological Quarterly•1979•Cited by: 1•References: 15

    This paper is a comparative analysis of black sociology and phenomenological sociology and an attempt to show how phenomenology might be used to provide an epistemological foundation for black sociology. Attention is directed toward the writings of black and phenomenological sociologists. Arguments rest on appeals to authorities—quotations from and citations to influential writers. The specific points of comparison are the way the protagonists of…

  • Sceptical Sociology

    Edward G Armstrong, J M Carroll et al.•ARTICLE•Contemporary Sociology A Journal…•1981

  • The sociology of prostitution

    Edward G Armstrong•ARTICLE•Sociological Spectrum•1981•Cited by: 2•References: 1

    The purpose of this paper is to formulate a critique of the sociology of prostitution by calling into question its theoretical premise—the concept of prostitution. Sociologically defined, prostitution is an occupation in which an individual sells sex in a promiscuous and emotionally indifferent manner. This definition is divided into four parts and each is examined separately. The parts are prostitution as (1) an occupation; (2) an act of selling…

  • Pondering pandering

    Edward G Armstrong•ARTICLE•Deviant Behavior•1983•Cited by: 1•References: 2

    The purpose of this paper is to examine the pandering activities of pimps and to formulate a critique of the concept of pandering. First, popular perceptions of the phenomenon are described in terms of a case story. Information on preferred recruitment sites (e.g., bus terminals) and standard modes of operation (talk, drugs, and violence) is provided. Next, the results of two exploratory studies are reported. Police perspectives are revealed thro…

  • Country music sex songs: An Ethnomusicological account

    Edward G Armstrong•ARTICLE•The Journal of Sex Research•1986•Cited by: 2•References: 3

  • Authority and the Liberal Tradition

    Edward G Armstrong, Robert A Heineman et al.•ARTICLE•Contemporary Sociology A Journal…•1987

  • The Rhetoric of Violence in Rap and Country Music

    Open Access•Edward G Armstrong•ARTICLE•Sociological Inquiry•1993•Cited by: 3•References: 19

    This study is a semiotic ethnography and ethnomusicological comparison of the rhetoric of violence found in two increasingly popular musical forms, rap and country. Based on the production-of-culture perspective, musical genres are considered socially constructed organizing principles and lyrics, the primary data, are viewed as ensembles of texts. The strategy is to address rap and country songs as they present claims concerning the focal concern…

  • The Commodified 23, or, Michael Jordan as Text

    Edward G Armstrong•ARTICLE•Sociology of Sport Journal•1996•Cited by: 7•References: 1

    Semiotics is employed in an examination of Michael Jordan (the signified) and his uniform number (the signifier). A systematic comparative framework is used to limit the potentially infinite multiplicity of interpretants. Its themes are the way Jordan expresses the modernity-postmodernity division and is, himself an aspect of this cultural characterization. Seven diacritical alternatives are considered: (a) secularism versus immanence; (b) bureau…

  • Eminem's Construction of Authenticity

    Edward G Armstrong•ARTICLE•Popular Music & Society•2004•Cited by: 22

    (2004). Eminem's Construction of Authenticity. Popular Music and Society: Vol. 27, No. 3, pp. 335-355

  • The Drug Court as Postmodern Justice

    Open Access•Edward G Armstrong•ARTICLE•Critical Criminology•2008•References: 28

  • The Presentation of Identity in the Work Songs of Johnny Cash

    Edward G Armstrong, Paul L Greider•ARTICLE•Popular Music & Society•2012•References: 16

    This paper approaches music lyrics as a delivery system for the presentation of identity and reports the result of a content analysis of the work songs recorded by Johnny Cash. Beginning with a discography of 684 songs, the analysis found that 115 mention jobs, of which eighty concern work, and eight pertain to factory work. The study provides a detailed description of the factory work songs and categorizes them in terms of four themes: (1) going…

Sociology (12 works) · Philosophy (8 works) · Epistemology (7 works) · Aesthetics (5 works) · Art (5 works) · Music History and Culture (5 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Psychology (4 works)

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