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Colleen H Clements

Biographic Data

ID4078610
NAMEColleen H Clements
GIVEN NAMESColleen H
FAMILY NAMEClements
SIGNATURECLEMENTS C H
AFFILIATIONSUniversity of Minnesota
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS6
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Getting read as rad

    Colleen H Clements, Erin Stutelberg•ARTICLE•Journal of Curriculum and Pedagogy•2020

    Two white women professors who teach courses on diversity in education in different social, political, and geographical contexts analyze our performances of our experiences with students. We individually and collaboratively explore how our students read us in gendered and racialized ways while we enacted anti-racist pedagogies in our white, female bodies. We draw on performance studies and our shared history with collective memory work to analyze…

  • Analytic Productions in Post-Intentional Phenomenological Research

    Open Access•Mark D Vagle, Colleen H Clements et al.•ARTICLE•Culture Studies ↔ Critical…•2017•Cited by: 6•References: 24

    In this article, we explore through a series of productions our analytic relationships with an interview with Iris-a fourth-grade student who participated in a post-intentional phenomenological study focusing on how social class-sensitive photo storying took shape in a high-poverty elementary school. Following Deleuze and Guattari's configuration of assemblage as a constant process of making and unmaking, we have plugged into our assemblage (Jack…

  • Analytic Productions in Post-Intentional Phenomenological Research

    Open Access•Mark D Vagle, Colleen H Clements et al.•ARTICLE•Culture Studies ↔ Critical…•2017•Cited by: 6•References: 24

    In this article, we explore through a series of productions our analytic relationships with an interview with Iris-a fourth-grade student who participated in a post-intentional phenomenological study focusing on how social class-sensitive photo storying took shape in a high-poverty elementary school. Following Deleuze and Guattari's configuration of assemblage as a constant process of making and unmaking, we have plugged into our assemblage (Jack…

  • Analytic Productions in Post-Intentional Phenomenological Research

    Open Access•Mark D Vagle, Colleen H Clements et al.•ARTICLE•Culture Studies ↔ Critical…•2017•Cited by: 6•References: 24

    In this article, we explore through a series of productions our analytic relationships with an interview with Iris-a fourth-grade student who participated in a post-intentional phenomenological study focusing on how social class-sensitive photo storying took shape in a high-poverty elementary school. Following Deleuze and Guattari's configuration of assemblage as a constant process of making and unmaking, we have plugged into our assemblage (Jack…

  • Getting read as rad

    Colleen H Clements, Erin Stutelberg•ARTICLE•Journal of Curriculum and Pedagogy•2020

    Two white women professors who teach courses on diversity in education in different social, political, and geographical contexts analyze our performances of our experiences with students. We individually and collaboratively explore how our students read us in gendered and racialized ways while we enacted anti-racist pedagogies in our white, female bodies. We draw on performance studies and our shared history with collective memory work to analyze…

Sociology (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Archaeology (1 works) · Art (1 works) · Assemblage (archaeology (1 works) · Class (philosophy (1 works) · Computer Science (1 works) · Critical Race Theory in Education (1 works) · Deleuze and Guattari (1 works)

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